Table of Contents
00. Introduction. Beyond the Therapist Couch: Psychoanalysis as Social and Political Discoure in Latin America and the Caribbean
Paola Bohórquez and Verónica Garibotto
Section I: Reading Latin America and the Caribbean: Sociopolitical Perspectives
01. Feminicides, Psychoanalysis, and the Status of Social Desire in Our Time
Horacio Legrás
02. Staging Desire: The Ideological Fantasy of Argentine (Football) Culture
Andrés Rabinovich
03. Titanyen and Collective Trauma in Haiti
Jana Evans Braziel
04. A Phantom in the Andes: An Anasemic Reading of La hora azul and La distancia que nos separa
Pablo G. Celis-Castillo
05. From "Work of Mourning" to "Spectral Figurations:" Contributions of Psychoanalysis to the Listening of the Emotional Management of Absence in Cases of Political Violence in Latin America
Juan Pablo Aranguren-Romero and Juan Nicolás Cardona-Santofimio
Section II: Race, Class, Gender, and Sexuality: Intersectional Perspectives
06. In Defense of Psychoanalysis: How Afro-Brazillian Histories Subvert and Get Subverted by the Psychoanalytic Experience
Claudia Dos Reis Motta and Antonio Luciano de Andrade Tosta
07. The Politics of Psychoanalysis in Colombia: Social Action for the Representation of the Radical Other
Silvia Rivera-Largacha and Miguel Gutiérrez-Peláez
08. The Predictive Imaginary of Gender: Reading Lucía Puenzo's XXY (Argentina, 2007) as an Emotional Situation
Oren Gozlan
09. Trans-transvestite Childhoods: Considerations for an Out-of-Closet Psychoanalysis in Argentina and Uruguay
Mauricio Clavero Lerena
Section III: Popular Reception and Public Circulation: Transnational Perspectives
10. Anarchists, Socialists, Communists, and Freudians: The Working Class in Chile and their Reception of Psychology and Psychoanalysis (1920-1950)
Mariano Ruperthuz Honorato
11. The Early Expansion of Psychoanalysis in Latin America. The Key Role of the Argentine Revista de Psicoanálisis
Alejandro Dagfal
12. A Voice Behind the Curtain: How Mexican Psychoanalysis Helped SHape the Work of Oscar Lewis
Ricardo Ainslie and Neil Altman