Purpose: An Immigrant's Story

by Wyclef Jean, Anthony Bozza

Overview

Purpose is Wyclef Jean’s powerful story of a life rooted in struggle, soul-searching, art, and survival.

In his own voice the multi-platinum musician and producer shares everything, from his childhood in Haiti to his rise to the top of the American music scene. For the first time ever, Wyclef reveals the behind-the-scenes story of the Fugees, including his partnership with Lauryn Hill and Pras Michel, the details of their award-winning album The Score, and the solo career that followed.

For fans of early Wyclef efforts like The Carnival or later albums like From the Hut, To the Projects, To the Mansion—and for fans of books like Jay-Z’s Decoded or Russell Simmons’ Super Rich—Wyclef’s Purpose is an inspiring, one-of-a-kind look at one of the world’s most talented artists.

Product Details

ISBN-13:	9780062098979
Publisher:	HarperCollins
Publication date:	12/15/2023
Sold by:	Barnes & Noble
Format:	eBook
Pages:	287
File size:	8 MB

About the Author

Wyclef Jean is a multiplatinum Haitian musician and former member of the hip-hop trio the Fugees, as well as an actor and producer. Throughout his career, as a member of the Fugees, a collaborator with other musicians, and a solo artist, he has sold more than fifty million albums. He has worked with such artists as Whitney Houston, Michael Jackson, Carlos Santana, Eric Clapton, Paul Simon, T.I., Mary J. Blige, and Destiny's Child.

Anthony Bozza is the author of four New York Times Bestsellers, including Whatever You Say I Am: The Life and Times of Eminem, Slash, co-written with Slash and the #1 bestselling Too Fat to Fish, co-written with Artie Lange. Bozza was a staff writer and editor for Rolling Stone magazine for seven years, during which he profiled a diverse range of artists from Eminem and the Wu-Tang Clan to Trent Reznor and U2. He lives in New York City.

Table of Contents

Introduction: The Invisible Man xiii

1 The Village 1

2 Garden State Promised Land 19

3 To the Beat of My Own Drum 77

4 Three Become One 121

5 The Score 155

6 Fugees on Fire 191

7 When the Circle Broke 211

8 Wycle for President 227

Conclusion 247

Acknowledgments 249

Editorial Reviews

…over and above a hip-hop story, Wyclef's is "an immigrant's story." That is what makes it a gem. This escapade-filled memoir—short on revelations or scintillating tone, but brimming with droll yarns—delivers a narrative that often gets short shrift in hip-hop historiography: a diasporic one. And considering how many hip-hop icons have Caribbean backgrounds—from Kool Herc and the Notorious B.I.G. (Jamaica) to Big Pun (Puerto Rico), Shyne (Belize) and Nicki Minaj (Trinidad)—that border-crossing narrative is vital to the music's roots and culture. Hip-hop is a classic American rags-to-riches saga, yes, but it's also a postcolonial immigrant story—as much Henry Roth as Horatio Alger…The book…fits the model of traditional American immigrant literature.
—Baz Dreisinger

The New York Times Book Review

At first glance, award-winning hip-hop musician Jean’s memoir is just one in a long line of tales of a poverty-stricken youth climbing out of a hardscrabble life rung by rung on the ladder of music. Very quickly, however, Jean’s passion for music, his fierce love for his family and for Lauryn Hill, his partner in the Fugees, and his deep and abiding devotion to his native country, Haiti, forcefully reach out and grab the reader, who is soon rocking along to the rhythms and harmonies of a brilliant musician composing the score of his life. Jean conducts readers on a journey from his childhood in Haiti, where his preacher father auspiciously named his son after Bible translator John Wycliffe and musician Toussaint L’Ouverture, to his youth in New York and New Jersey, where in junior high Jean discovered his purpose in life though music. With his music, Jean hoped to bring people to a world where, at least for a while, everything was going to be okay and to make people feel good no matter what they were going through. Jean openly reveals the tensions and the intense love that he and Hill shared, and he candidly uncovers the gritty details of the Fugees’ multiplatinum success, The Score. Jean acts on his love and commitment to his homeland as he returns to Haiti in the aftermath of the 2010 earthquake to help as best he can to rebuild his country. In his memoir’s final refrain, Jean reminds us that he’s always tried to live with purpose, as if every day were the last. (Sept.)

Publishers Weekly

[A] riveting memoir . . . Jean is candid in chronicling the drama of the music business and his heartfelt anguish for his homeland while struggling with success and commitment.” — —Booklist

“Jean’s passion for music, his fierce love for his family and for Lauryn Hill, his partner in the Fugees, and his deep and abiding devotion to his native country, Haiti, forcefully reach out and grab the reader.” — —Publishers Weekly

From the Publisher

[A] riveting memoir . . . Jean is candid in chronicling the drama of the music business and his heartfelt anguish for his homeland while struggling with success and commitment.

Booklist

[A] riveting memoir . . . Jean is candid in chronicling the drama of the music business and his heartfelt anguish for his homeland while struggling with success and commitment.

Booklist

Haitian-born Jean, son of a pastor, grandson of a voodoo doctor, and recent candidate for president of Haiti, grew up in Brooklyn, NY, and then Newark, NJ, where rap proved to be his path to success. Here's the story of his career, including his time with the multiplatinum and Grammy Award-winning hip-hop group the Fugees. Since Jean's followers number 1.6 million on Twitter, 300,000-plus on Facebook, and 200,000 on Myspace, there's clearly an audience for this book. With a 125,000-copy first printing.

Library Journal

Reflective memoir from a breakout hip-hop star of the 1990s, served with a generous helping of braggadocio. Jean, who co-authored this book with prolific celebrity biographer Bozza (Why AC/DC Matters, 2009, etc.), has been in the public eye recently for his controversial efforts on behalf of his native Haiti, including an abortive run for the presidency. The narrative opens dramatically, with Jean's initial trip home after the devastating 2010 earthquake ("I had to help any way I could, not as Wyclef Jean, but as a Haitian"). Jean then looks back at his improbable journey from rural childhood to genre-defining triumph with the Fugees. As an adolescent, Jean left Haiti for New Jersey, where his strict father established himself as a fiery Nazarene preacher who regarded hip-hop as "bum music." Yet Jean's passion for musical expression developed early; he played in the church band to please his father, while making connections in the rapidly expanding universe of East Coast rap. By his early 20s, he'd joined fellow Haitian Pras Michel and two young women, forming the group that eventually became the Fugees. The author's greatest strength is his nostalgic discussion of the music scene of the '90s, when any success seemed possible, and his focus on the nitty-gritty of artistic development, as the Fugees moved from their run-down basement studio to sold-out stadium tours and platinum records. On the whole, though, the narrative is strangely paced: Jean intersperses humorous, self-deprecating anecdotes with repetitive storytelling and frequent assertions of his many accomplishments. The author awkwardly discusses the Fugees' dissolution at the height of success. Jean acknowledges his long extramarital affair with Lauryn Hill but seems to regard its destructive reverberations (including her virtual disappearance from the music industry) as inevitable, the product of their passion and artistry. Slick, unwieldy overview of Jean's stardom and humanitarian ambitions.

Kirkus Reviews