Queering Contemporary Asian American Art

by Laura Kina (Editor), Jan Christian Bernabe (Editor), Susette Min (Foreword by), Kyoo Lee (Afterword)

Overview

Queering Contemporary Asian American Art takes Asian American differences as its point of departure, and brings together artists and scholars to challenge normative assumptions, essentialisms, and methodologies within Asian American art and visual culture. Taken together, these nine original artist interviews, cutting-edge visual artworks, and seven critical essays explore contemporary currents and experiences within Asian American art, including the multiple axes of race and identity, queer bodies and forms, kinship and affect, and digital identities and performances.

Using the verb and critical lens of “queering” to capture transgressive cultural, social, and political engagement and practice, the contributors to this volume explore the connection points in Asian American experience and cultural production of surveillance states, decolonization and diaspora, transnational adoption, and transgender bodies and forms, as well as heteronormative respectability, the military, and war. The interdisciplinary and theoretically informed frameworks in the volume engage readers to understand global and historical processes through contemporary Asian American artistic production.

Product Details

ISBN-13:	9780295741369
Publisher:	University of Washington Press
Publication date:	05/16/2017
Sold by:	Barnes & Noble
Format:	eBook
Pages:	296
File size:	14 MB
Note:	This product may take a few minutes to download.
Age Range:	18 Years

About the Author

Laura Kina is an artist and a Vincent de Paul Professor of Art, Media, and Design at DePaul University. She is the coeditor of War Baby / Love Child: Mixed Race Asian American Art. Jan Christian Bernabe is the operations, new media, and curatorial director at the Center for Art and Thought. The contributors are Mariam B. Lam, Eun Jung Park, Alpesh Kantilal Patel, Valerie Soe, and Harrod J Suarez. Featured artists are Anida Yoeu Ali, Kim Anno, Eliza Barrios, Sita Kuratomi Bhaumik, Wafaa Bilal, Hasan Elahi, Greyson Hong, Kiam Marcelo Junio, Lin + Lam (H. Lan Thao Lam and Lana Lin), Viet Le, Maya Mackrandilal, Zavé Martohardjono, Jeffrey Augustine Songco, Tina Takemoto, Kenneth Tam, and Saya Woolfalk.

Laura Kina is an artist and associate professor of Art, Media, and Design, Vincent DePaul Distinguished Professor, and director of Asian American Studies at DePaul University. She is the coeditor, along with Wei Ming Dariotis, of War Baby / Love Child: Mixed Race Asian American Art (University of Washington Press, 2014).
Jan Christian Bernabe (Ph.D, American studies, University of Michigan) is Operations, New Media, and Curatorial Director at the Center for Art and Thought in Chicago. This will be his first book.
Susette Min is associate professor of Asian American studies, art history, and cultural studies at University of California Davis. She is the author of Unnamable: The Ends of Asian American Art (NYU, 2018).

Table of Contents

Foreword by Susette Min

Introduction: For the Love of Unicorns: Queering Contemporary Asian American Art

by Jan Christian Bernabe and Laura Kina

CHAPTER 1 QUEERING SURVEILLANCE

“You Blushed”: Queering Surveillance after 9/11 in the Work of Jill Magid and Hasan Elahi

by Harrod J. Suarez

Performance, Surveillance, and Sousveillance: A Conversation with Wafaa Bilal and Hasan Elahi

by Jan Christian Bernabe and Laura Kina

CHAPTER 2 QUEERING TIME

Pacific Standard Time: Queering Temporality in Asian American Visual Cultures

by Mariam B. Lam

Promiscuous Time Traveling (on Leaving and Returns): A Conversation with Lin + Lam and Việt Le

by Laura Kina

CHAPTER 3 QUEERING AFFECT

Filipino Diasporic Queer Killjoy: Recuperating Failure in Jeffrey Augustine Songco’s Guilty Party and BOMH Series

by Jan Christian Bernabe

Negotiating Desire and (Queer) Masculinity: An Interview with Kenneth Tam

by Jan Christian Bernabe

CHAPTER 4 QUEERING METHODOLOGY

Queer Zen: Unyoking Genealogy in Asian American Art History

by Alpesh Kantilal Patel

Pin@y Projections: Urban Spaces, Digital Ephemerality, and Planned Obsolescence: An Interview with Eliza Barrios

by Jan Christian Bernabe

Queer Traveler–on Desiring and Failing Sublime Landscapes: An Interview with Kim Anno

by Jan Christian Bernabe and Laura Kina

CHAPTER 5 QUEERING SUBJECTIVITY

Risky Subjectivity: Select Works by Korean Adoptee Artists

by Eun Jung Park

Dazzle: A Conversation on Transgender Subjectivity with Greyson Hong and Kiam Marcelo Junio

by Jan Christian Bernabe and Laura Kina

CHAPTER 6 QUEERING MIXED RACE

Liminal Possibilities: Queering Mixed-Race Asian American Strategies in the Art of Maya Mackrandilal and Zave Gayatri Martohardjono

by Laura Kina

Chimera: A Conversation on Mixed Race/Mixed Methods with Sita Kuratomi Bhaumik and Saya Woolfalk

by Laura Kina

CHAPTER 7 QUEERING ASIAN AMERICA

Open-Source Identities: Identity and Resistance in the Work of Three Asian American Artists

by Valerie Soe

Muscles, Mash-Ups and Warning Shots–Queering Japanese American History: An Interview with Tina Takemoto

by Jan Christian Bernabe and Laura Kina

The Buddhist Bug—Spanning Borders and Bodies: An Interview with Anida Yoeu Ali

by Laura Kina

Afterword: To be Queer Being to Queer It . . .

by Kyoo Lee

What People are Saying About This

Jacqueline Francis

"Queer is a piquant term: as noun adjective, and verb, it is put to good use in this thoughtful collection of essays and interviews. The contributors variably attend to the marked body, challenging assumptions about it, including its readability. These writings demonstrate the ways that bold, contemporary artists are moving beyond rigid binaries and cynical, multi-culturalist systems. Their invitation to critically engage differences and norms is most welcome."

LeiLani Nishime

"The editors disrupt notions of race, gender, and art to question the limits of each of these categories. A thoughtful and challenging collection that makes an important contribution to the fields of Asian American studies and visual culture."

Margo Machida

"This volume stands as a bracing and provocative testament to the expansive critical and expressive possibilities of fluid concepts like 'queering' in dismantling, recasting, and realigning extant representations of Asian American identities, subjectivities, and positions in the twenty-first century world."

Russell Leong

"Queering Contemporary Asian American Art provides a vital intervention and gendered counterpoint to the ways in which Asian Americans are usually racialized, demonized, and betrayed by mainstream academia and media."

Interviews

This groundbreaking collection borrows the verb and critical lens of to queer from queer studies to challenge normative assumptions, essentialisms, and methodologies within Asian American art practice, history, and criticism. Queering troubles binary and reductionist critiques of Asian American art that simply employ the framework of “East meets West”; challenges the East Asian American-centrism of art objects and artists of study and decenters geographical biases of Asian American art production; and embraces interdisciplinary and theoretically-informed methodologies that engage readers to understand global and historical processes through contemporary Asian American artistic production. Queering Contemporary Asian American Art pairs original artist interviews, critical essays, and artwork that interrogate and broaden the category of Asian American art and visual culture in this neoliberal moment. Queering denotes an act of moving away from (hetero/homo)normativity, whether corporeally, materially, affectively, and methodologically. It also captures a critical engagement with contemporary currents in Asian American art practices and experiences, which include but are not limited to surveillance states, decolonization and diaspora, queer affect and temporality, transnational adoption, queer failure, mixed-race methodologies, transgender bodies and forms, and queer of color critique. This interdisciplinary anthology harnesses Asian American differences as a crucial point of departure for the study of contemporary Asian American art.