Re-Reading the Age of Innovation: Victorians, Moderns, and Literary Newness, 1830-1950

Re-Reading the Age of Innovation: Victorians, Moderns, and Literary Newness, 1830-1950

Re-Reading the Age of Innovation: Victorians, Moderns, and Literary Newness, 1830-1950

Re-Reading the Age of Innovation: Victorians, Moderns, and Literary Newness, 1830-1950

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Overview

Through its examinations of a wide range of texts and writers, Re-reading the Age of Innovation re-reads these texts as part of an age of innovation characterized not by division and divide, but by collaboration and community.


Product Details

ISBN-13: 9781032043593
Publisher: Taylor & Francis
Publication date: 07/28/2022
Series: Among the Victorians and Modernists
Pages: 256
Product dimensions: 6.00(w) x 9.00(h) x (d)

About the Author

Louise Kane is Assistant Professor of Global Modernisms at the University of Central Florida. She is a General Editor of the forthcoming Oxford Critical and Cultural History of Global Modernist Magazines series and Editor of the James Joyce Literary Supplement.

Table of Contents

Introduction
Louise Kane

Part I: Inventing and Innovating: Science, Technology, Formal Experiment

Chapter 1
The Sky as Heterotopia in Dickens, Gissing, and Woolf

Claes E. Lindskog

Chapter 2
The Rise and Fall of the Century Illustrated Monthly Magazine (1881–1930)

Jayme Yahr

Chapter 3
Balloonomania: Flying Machines, Periodicals, and the Trajectory of World Literature

Louise Kane

Chapter 4

A Metaphysical Theatre: Abstract Painting, Color Music, and Futurist Experiments in
Avant-Garde Film
Christopher Townsend

Part II: Changing Landscapes: Empire, Trade, Ecology

Chapter 5

Histories Yet to Come: Adventure Fiction and the Ideologies of Free Trade

Keith Clavin

Chapter 6

Joseph Conrad’s Lord Jim and the Failure of Empire

Camelia Raghinaru

Chapter 7
Uncertainty, Doubt, and Belief in the Poetic Landscapes of T.S. Eliot and Thomas Hardy
Anna Bedsole

Part III: Navigating Feeling: the Self, Empathy, Human Character

Chapter 8

F. Mabel Robinson, Vernon Lee, and George Moore: the Aesthetics of Sympathy
and Texts of Transition

Kathryn Laing

Chapter 9

Racial Exposé and the Empathic Mind in Walter Francis White's The Fire in the Flint

Masami Sugimori

Chapter 10

A Writerly Communion: Browning, Balzac, and Catholicism in Edith Wharton’s
"The Duchess at Prayer"
Nancy Von Rosk

Part IV: Blurring Boundaries: Gender, Sexuality, Desire

Chapter 11
"Disposed to Daring Innovation": New Modernism, New Woman Fiction, and New Motherhood
Elizabeth Podnieks

Chapter 12

"Sometimes I Pose, but Sometimes I Pose as Posing": Stella Benson’s Early Fiction

Nicola Darwood

Chapter 13

Parsing Between-ness: Love, Looking Backward and Forward, in Charlotte Mew’s Short Fiction

Kristen Renzi

Chapter 14

The Spirit of Contemporary Life: Icelandic Queer Modernism

Ásta Kristín Benediktsdóttir

Afterword

Regenia Gagnier

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