Table of Contents
Contents * Acknowledgements * Contributors * Regular cast list * This Much We Know. introductions and contexts * This Much I Know …: Introduction, Michael Allen * 1. The Hook and the Look: CSI and the aesthetics of the television crime series , Sue Turbanbull * 2. No Need to Pathologise…,Andrew Anthony * Part 1: INTERROGATION. narrative and narration * 3. Anatomising Gilbert Grissom: the structure and function of the televisual character, Roberta Pearson * 4. So Many Different Ways to Look At It: CSI as multi-platform story-world, Michael Allen * 5. CSI at the bfi …, Kim Akass * Part 2: TRACE. aesthetics, style and form * 6. Body Matters: realism, spectacle and the corpse in CSI, Deborah Jermyn * 7. Evidence of Things Unseen: the pornographic aesthetic and the search for truth in CSI, Elke Weissmann and Karen Boyle * 8.Who Are They? style codes of the CSI investigators, Anna König * 9. CSI and Sound, Karen Lury * 10. The Quintessence of Con: the Las Vegas of CSI, Lucia Rahilly * Part 3: FORENSICS. theoretical positions * 11. Reading the Traces, Charlie Gere * 12. Horatio Caine's Sunglasses and the Criminalist Viewer: 'looking' and 'being looked at' in CSI: Miami, Patrick West * 13. The Bullet Confirms the Story told by the Potato': materials without motives in C.S.I.: Crime Scene Investigation, Silke Panse * 14. Mac's Melancholia: scripting trauma, 9/11 and bodily absence in CSI:NY, Janet McCabe * Part 4: DNA. industry and reception * 15. Five's Finest: the import of CSI to British terrestrial television, Simone Knox * 16. RTE and the CSI Franchise, Dermot Horan * 17. Dissecting CSI: the View from the Trainee and the Professional CSI on the (Real-life) Pathology Table, Shelley Robinson * CSI For the New Forensics Guy, Daryl Vinall * 18. Investigating 'CSI Television Fandom' and Fans' Textual Paths through the Franchise, Matt Hills and Amy Luther * 19. The CSI Phenomenon * David Bianculli * Episode Guide * Film and TV Guide * Bibliography * Index