Reading Cy Twombly: Poetry in Paint

by Mary Jacobus

Overview

The first book on the central importance of literary sources in the paintings of Cy Twombly

Many of Cy Twombly's paintings and drawings include handwritten words and phrases—naming or quoting poets ranging from Sappho, Homer, and Virgil to Mallarmé, Rilke, and Cavafy. Enigmatic and sometimes hard to decipher, these inscriptions are a distinctive feature of his work. Reading Cy Twombly poses both literary and art historical questions. How does poetic reference in largely abstract works affect their interpretation?

Reading Cy Twombly is the first book to focus specifically on the artist’s use of poetry. Twombly’s library formed an extension of his studio and he sometimes painted with a book open in front of him. Drawing on original research in an archive that includes his paint-stained and annotated books, Mary Jacobus’s account—richly illustrated with more than 125 color and black-and-white images—unlocks an important aspect of Twombly’s practice.

Jacobus shows that poetry was an indispensable source of reference throughout Twombly’s career; as he said, he "never really separated painting and literature." Among much else, she explores the influence of Ezra Pound and Charles Olson; Twombly’s fondness for Greek pastoral poetry and Virgil’s Eclogues; the inspiration of the Iliad and Ovid’s Metamorphoses; and Twombly’s love of Keats and his collaboration with Octavio Paz.

Twombly’s art reveals both his distinctive relationship to poetry and his use of quotation to solve formal problems. A modern painter, he belongs in a critical tradition that goes back, by way of Roland Barthes, to Baudelaire. Reading Cy Twombly opens up fascinating new readings of some of the most important paintings and drawings of the twentieth century.

Product Details

ISBN-13:	9780691170725
Publisher:	Princeton University Press
Publication date:	08/16/2016
Pages:	320
Product dimensions:	7.30(w) x 10.30(h) x 1.10(d)

About the Author

Mary Jacobus is professor emerita of English at the University of Cambridge and Cornell University, and an Honorary Fellow of Lady Margaret Hall, University of Oxford. She has written widely on visual art, Romanticism, feminism, and psychoanalysis. Her recent books include The Poetics of Psychoanalysis and Romantic Things. She lives in Ithaca, New York, and Cambridge, UK.

Table of Contents

Preface and Acknowledgements ix

Introduction: Twombly's Books 1

1 Mediterranean Passages: Retrospect 24

2 Psychogram and Parnassus: How (Not) to Read a Twombly 51

3 Twombly's Vagueness: The Poetics of Abstraction 78

4 Achilles' Horses, Twombly's War 103

5 Romantic Twombly 133

6 The Pastoral Stain 160

7 Psyche: The Double Door 186

8 Twombly's Lapse 210

Postscript: Writing in Light 234

Notes 243

Bibliography 285

Index 299

What People are Saying About This

From the Publisher

"This is a beautiful and challenging book. Mary Jacobus takes us into the heart of Cy Twombly's practice, his reading, editing, remembering, and remaking of poetry from Homer and Virgil to Rilke and Paz. In doing so, she illuminates Twombly in new and remarkable ways. I loved it."—Edmund de Waal, artist and author of The Hare with Amber Eyes

"In this brilliantly erudite and illuminating study, Mary Jacobus, who is in the front rank of contemporary critics, addresses the languages of paint as well as poetry. As she investigates how Twombly's use of quotation both complements and immensely deepens the power of his visual images, she takes us right to the heart of his doubly articulate genius."—Andrew Motion, UK Poet Laureate, 1999–2009

"The scrawled quotations, ruins of mythic poetry, and trailing verbal scribbles in Cy Twombly's work have fired Mary Jacobus to shape an enraptured yet scrupulously precise conversation with the artist's imaginative world. Her deep literary knowledge, fine close readings, subtle psychoanalytical insights, and sheer sensuous delight in paint and color and stroke and rhythm combine here to create a rare and beautiful work of aesthetic philosophy."—Marina Warner, author of Stranger Magic: Charmed States and the Arabian Nights

"Many who are not art historians have written about Cy Twombly, but precious few with Mary Jacobus's rigor or fresh perspective. Her examination of Twombly's annotated personal library has turned up revelatory details about his practices of reading, notating, and editing; the sometimes quite literal proximity of book to canvas; and more. Jacobus has done profound work and her book is enormously enriching."—Kate Nesin, author of Cy Twombly's Things

"Illuminating and wide-ranging, this is a very significant book. Mary Jacobus's access to Cy Twombly's annotated personal library enables her to speak with unprecedented authority on the literary sources that the artist used."—Stephen Bann, author of Distinguished Images

Editorial Reviews

"A highly original study."

Apollo Magazine

One of The Times Literary Supplement’s Books of the Year 2016, chosen by Andrew Motion

From the Publisher

"In this erudite book, Jacobus focuses on the poetic and literary allusions and the depth of thinking that went into Twombly's work. . . . The book includes excellent color reproductions, though they are small so do not communicate the impact of Twombly's huge paintings. Jacobus's book will be valuable for those interested in the literary sources for Twombly's art."

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