Refashioning Pop Music in Asia: Cosmopolitan Flows, Political Tempos, and Aesthetic Industries / Edition 1

Refashioning Pop Music in Asia: Cosmopolitan Flows, Political Tempos, and Aesthetic Industries / Edition 1

ISBN-10:
0700714014
ISBN-13:
9780700714018
Pub. Date:
04/22/2004
Publisher:
Taylor & Francis
ISBN-10:
0700714014
ISBN-13:
9780700714018
Pub. Date:
04/22/2004
Publisher:
Taylor & Francis
Refashioning Pop Music in Asia: Cosmopolitan Flows, Political Tempos, and Aesthetic Industries / Edition 1

Refashioning Pop Music in Asia: Cosmopolitan Flows, Political Tempos, and Aesthetic Industries / Edition 1

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Overview

Examining the cultural, political, economic, technological and institutional aspects of popular music throughout Asia, this book is the first comprehensive analysis of Asian popular music and its cultural industries. Concentrating on the development of popular culture in its local socio-political context, the volume highlights how local appropriations of the pop music genre play an active rather than reactive role in manipulating global cultural and capital flows.

Broad in geographical sweep and rich in contemporary examples, this work will appeal to those interested in Asian popular culture from a variety of perspectives including, political economy, anthropology, communication studies, media studies and ethnomusicology.


Product Details

ISBN-13: 9780700714018
Publisher: Taylor & Francis
Publication date: 04/22/2004
Series: ConsumAsian Series
Pages: 240
Product dimensions: 6.12(w) x 9.19(h) x (d)

About the Author

Allen Chun is Research Fellow in the Institute of Ethnology, Academia Sinica, Taipei, Taiwan.
Ned Rossiter is Lecturer in Communications and Media Studies at Monash University, Melbourne, Australia.
Brian Shoesmith is an Associate Professor in Media Studies at Edith Cowan University, Australia and Head of the Centre for Asian Communication, Media and Cultural Studies.

Table of Contents

Part 1: Musical Cultures and Culture Industries Part 2: Local Appropriations: From Nation-Building to Happy Pop and Folk Resistance Part 3: Travelling Theories, Syncretic Exoticisms or Diffusion by Any Other Name? Part 4: Colonial Desire, Social Memory and Popular Sensuality as Performance Genres
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