Full of bravery and bravado, it fairly crackles with life. These stories mark the beginning of a long and brilliant career.” —Ann Patchett
“Benjamin Percy moves instinctively toward the molten center of contemporary writing, the place where genre fiction, in this case horror, overflows its boundaries and becomes something dark and grand and percipient. These stories contain a brutal power and are radiant with pain—only a writer of surpassing honesty and directness could lead us here.” —Peter Straub
Percy's second collection (following last year's The Language of Elk) traces lives led in rural Oregon's fractured, mostly poor communities. The title story (selected for The Best American Short Stories 2006), presents Josh, a young man from small-town Tumalo who watches as men who signed up as Marine reservists for "beer pay" leave to fight in the Iraq War, including Josh's father. As Josh's unreliable first person details a deer hunt, the escapades of the town recruitment officer and the less-and-less frequent e-mails from his father, tension slowly builds. Set during a blackout, "The Caves in Oregon" follows geology teacher Becca and her husband, Kevin, as they explore a network of caves beneath their home, grappling to understand each other in the wake of a miscarriage. "Meltdown" imagines a nuclear disaster in November 2009, while the menacing "Whisper" opens with the accidental late-life death of Jacob, leaving his brother, Gerald, to care for Jacob's stroke-impaired wife. Percy's talent for putting surprising characters in difficult contemporary settings makes this a memorable collection. (Oct.)
Copyright 2007 Reed Business Information
Adult/High School -Stories of war, hunting, murder, and loss are all set in rural Oregon, in the shadow of the Cascade Mountains. Perhaps the most striking one, "Refresh, Refresh" is the heart-wrenching tale of a small town in which all of the fathers-coaches, teachers, barbers, UPS deliverymen, deputies, etc.-have been deployed to Iraq. The boys who are left soon become the men their fathers were, fighting, drinking, and eventually enlisting in the army. This story sets the tone for the dark, depressing existence of the mostly lower-middle-class male characters. Blood runs through many of the tales. In "The Caves in Oregon," the red soil from the nearby volcanic caves leeches its way into the house, reminding the main character of his bloody wisdom teeth extraction. In "The Killing," a Vietnam veteran murders another man and watches as "some redness joined the yellowness of his beer," and in "When the Bear Came," two mauled girls are found in a tent "that looked less like a tent and more like an organ excised by blunt scissors." While the stories are riddled with death, they are consistently and beautifully written and will no doubt appeal to older teens. Percy's visceral writing promises to remain with readers for a long time.-Jennifer Waters, Red Deer Public Library, Alberta, Canada
Copyright 2006 Reed Business Information.
Ten stories about otherwise ordinary lives haunted by violence and death-Percy's second collection, following The Language of Elk (2006). All the stories are set in the high desert country of central Oregon; the harsh landscape defines the characters. The men are hunters and raise their sons to hunt, not always successfully. In "The Woods," Justin resents his father for the hunting lessons; years later, on a scary hunting trip involving two mysterious corpses, roles are reversed as son consoles fearful father. Josh and Gordon, high-school students in the prize-winning title story, love to hunt deer, but their fathers, National Guard reservists, have left for Iraq. In a story that pulses with violence, the local army recruiter is the bad guy. Memories of killing Iraqis surface in "Somebody is Going to Have to Pay for This" and "Meltdown"; Stephen and Darren, in almost identical circumstances, killed Iraqis at point-blank range. The puzzle is why the latter, near-future story, a study of Darren's anomie, needs the spectacular embellishment of a nuclear reactor meltdown. In two stories, "The Caves in Oregon" and "The Faulty Builder," death happens in the womb, with troubling consequences for two married couples. Less troubling for Jim, the lonely old hunter and taxidermist in "The Killing," is shooting his daughter's abusive boyfriend: "His entire adult life he has been surrounded by dead things." Another lonely old man, Gerald, has always lusted after his brother's wife ("Whisper"). It's unfortunate that this credible tale of sibling rivalry should take a sudden turn into melodrama. Blood swirls through these stories. Even a blackberry pie looks "a little like congealed blood," so it's nosurprise that Joey, the young dairy farmer in "Crash," considering suicide after his wife's accidental death, visualizes the blood pouring out of him. Percy does well by his trapped, uncomprehending men, but his endings are messy and inconclusive.
