Representing the Unimaginable: Narratives of Disaster

by Angela Stock (Editor), Cornelia Stott (Editor)

Overview

Finding words and images with which to describe and come to terms with a disaster is a psychological necessity, but it also inevitably manifests socio-cultural habits of thought and political interests. Language shapes, distorts and appropriates an occurrence that is not just a shocking and all too real destruction of life, property and the environment, but also a social construct. The ‘unrepresentability’ of the experience of a disaster and the textuality of the represented event – and thus also the contradictions, ruptures and silences inevitably created by the tensions between ‘reality’ and ‘representation’ – are the focus of the essays collected in this volume. Thirteen contributions by internationally active researchers in the fields of literary and cultural studies, history, sociology and philosophy provide interdisciplinary perspectives on the ways in which we write and think about the unimaginable.

Product Details

ISBN-13:	9783631556733
Publisher:	Peter Lang GmbH, Internationaler Verlag der Wissenschaften
Publication date:	05/01/2007
Pages:	226
Product dimensions:	5.83(w) x 8.27(h) x (d)

About the Author

The Editors: Angela Stock teaches at the English Department of the University of Bielefeld (Germany).
Cornelia Stott is a freelance language teacher and translator in St. Albans (England).

Table of Contents

Contents: Angela Stock/Cornelia Stott: Introduction: Narratives of Disaster – Ole Peter Grell: Faith and Early Modern Ways of Making Sense of Natural Disasters – Christoph Weber: God’s Wrath or Accidents of Nature? Conflicting Perspectives in the Representation of Natural Disasters in 18^th-Century Germany – Anne Eyre: Post-disaster Rituals and Symbols – J. John Lennon/Hugh Smith: Shades of Dark: Interpretation and Commemoration at the Sites of Concentration Camps at Terezin and Lety, Czech Republic – Andrew S. Gross: At the Limits of Representation: Counter-tourism in Jean Améry and W. G. Sebald – Gwyneth Bodger: ‘There’s no business like Shoah business’: Commemoration and Commodification of the Holocaust – Torsten Hitz: How Passive Suffering Became a Theme for Poetry: Shell Shock and the Poetry of World War I – Thelma Wills Foote: Natural Disaster, the Uncanny and Audre Lorde’s ‘Afterimages’ – Susanne Kern: Representing without Presenting: War and its Disastrous Impact in J. M. Coetzee’s Life & Times of Michael K – Sylvia Mayer: The Rhetoric of Toxic Discourse: The Ironic Mode in John Cheever’s Oh What A Paradise It Seems – Anya Heise-von der Lippe: Post-apocalyptic Bodies: The Gothic Dystopias of Margaret Atwood and Angela Carter – Greg Bankoff: ‘Regions of Risk’: Western Discourses on Terrorism and the Significance of Islam – Trees Depoorter: Quite an Event: The Life of the Mind in the Light of Disaster.

Editorial Reviews

«Any scholar who is interested in the current trends of "disaster studies" will welcome this volume as a valuable reference for primary and secondary sources. Especially because the essays do not focus on one particular disaster, but - as the editors state - rather analyze "the representation of disaster as a literary, rhetorical, cultural and political phenomenon," they appeal to a broad range of disciplines.» (Christoph Weber, Monatshefte)

From the Publisher