Rewriting the Word: American Women Writers and the Bible
Women writers have often felt alienated from both the Bible and the canonical literary tradition that has been built on its foundation. Yet contemporary American women writers seem to be as haunted by the Bible as their nineteenth-century predecessors. This study of feminist biblical revision argues that women writers' contentious dialogues with the Bible ultimately reconstruct the writers' own basis of authority. The author traces the evolution of this phenomenon from the mid-nineteenth century to the present and analyzes biblical revision in works by Emily Dickinson, H.D., Anne Sexton, Sylvia Plath, Gloria Naylor, and Toni Morrison.
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Rewriting the Word: American Women Writers and the Bible
Women writers have often felt alienated from both the Bible and the canonical literary tradition that has been built on its foundation. Yet contemporary American women writers seem to be as haunted by the Bible as their nineteenth-century predecessors. This study of feminist biblical revision argues that women writers' contentious dialogues with the Bible ultimately reconstruct the writers' own basis of authority. The author traces the evolution of this phenomenon from the mid-nineteenth century to the present and analyzes biblical revision in works by Emily Dickinson, H.D., Anne Sexton, Sylvia Plath, Gloria Naylor, and Toni Morrison.
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Rewriting the Word: American Women Writers and the Bible

Rewriting the Word: American Women Writers and the Bible

by Amy B. Brown
Rewriting the Word: American Women Writers and the Bible

Rewriting the Word: American Women Writers and the Bible

by Amy B. Brown

Hardcover

$95.00 
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Overview

Women writers have often felt alienated from both the Bible and the canonical literary tradition that has been built on its foundation. Yet contemporary American women writers seem to be as haunted by the Bible as their nineteenth-century predecessors. This study of feminist biblical revision argues that women writers' contentious dialogues with the Bible ultimately reconstruct the writers' own basis of authority. The author traces the evolution of this phenomenon from the mid-nineteenth century to the present and analyzes biblical revision in works by Emily Dickinson, H.D., Anne Sexton, Sylvia Plath, Gloria Naylor, and Toni Morrison.

Product Details

ISBN-13: 9780313308659
Publisher: Bloomsbury Academic
Publication date: 05/30/1999
Series: Contributions in Women's Studies , #172
Pages: 208
Product dimensions: 5.50(w) x 8.50(h) x 0.62(d)
Lexile: 1570L (what's this?)

About the Author

AMY BENSON BROWN is the editor for The Academic Exchange publication at Emory University. She has published several scholarly articles on women writers and coedited The Reality of Breastfeeding: Reflections by Contemporary Women (with Kathryn Read McPherson, Bergin & Garvey, 1998).

Table of Contents

Preface
Introduction: The Politics and Poetics of Biblical Revision and Contemporary Women's Poetry
Emily Dickinson and H.D.
"Much Madness is Divinest Sense": The Biblical Revision of Anne Sexton and Sylvia Plath
Writing Home: The Bible and Gloria Naylor's Bailey's Cafe and Toni Morrison's Song of Solomon
Last Words: Feminist Biblical Revision and Authority
Bibliography
Index

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