Sea Change: A TOON Graphic

Sea Change: A TOON Graphic

by Frank Viva
Sea Change: A TOON Graphic

Sea Change: A TOON Graphic

by Frank Viva

Hardcover

$18.95 
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Overview

Publishers Weekly BEST Books for Summer 2016

"Sea Change is like a dip in cold Canadian waters: just step inside, and soon you're completely swept away, finding yourself overwhelmed and breathless, entranced by this whirlwind of a book. Bravo, Frank Viva. And glub, glub, glub." - Lemony Snicket, author of A Series of Unfortunate Events

"Truly heartbreaking! Viva ingeniously weaves words and pictures to evoke that strange, wonderful moment - when the very worst experience of your life somehow becomes the very best." - Chip Kidd, author of Only What's Necessary: Charles M. Schulz and the Art of Peanuts



One summer can change your whole life. As soon as school lets out, Eliot's parents send him to the very edge of the world: a fishing village in a remote part of Nova Scotia. And what does the small town of Point Aconi have to offer? Maggots, bullies and grumpy old men. But along the way, Eliot discovers much more—a hidden library, starry nights and a mysterious girl named Mary Beth. See Point Aconi through Eliot's eyes, as he finds that this place he never wanted to visit is becoming a home he doesn't want to leave.

Product Details

ISBN-13: 9781935179924
Publisher: Astra Publishing House
Publication date: 05/24/2016
Pages: 120
Product dimensions: 6.80(w) x 9.60(h) x 0.50(d)
Lexile: GN740L (what's this?)
Age Range: 8 - 12 Years

About the Author

Frank Viva is an award-winning artist and designer who lives in Toronto, Ontario, with his family. Many decades ago he spent summers in Point Aconi, Nova Scotia, and while the story in this book is entirely fictional, Frank’s memories of the place inspired it. Viva’s other books include The New York Times Best Illustrated Children's Book selection Along a Long Road, the Parents’ Choice Award winner A Long Way Away, and TOON’s Cybils award–winning A Trip to the Bottom of the World. His art has appeared in many places, including regularly on the cover of the New Yorker.
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