Seductive Forms: Women's Amatory Fiction from 1684 to 1740
Historicist and feminist accounts of the "rise of the novel" have neglected the phenomenon of the professional woman writer in England prior to the advent of the sentimental novel in the 1740s. Seductive Forms explores the means by which the three leading Tory women novelists of the late seventeenth and early eighteenth centuries challenged and reworked both contemporary gender ideologies and generic convention. The seduction plot provided Aphra Behn, Delarivier Manley, and Eliza Haywood with a vehicle for dramatizing their own appropriation of the "masculine" power of fiction-making. Seduction is employed in these fictions as a metaphor for both novelistic production (the seduction of the reader by the writer) and party political machination (the seduction of the public by the politician). The book also explores the debts early prose fiction owes to French seventeenth-century models of fiction-writing and argues that Behn, Manley, and Haywood succeeded in producing a distinctively "English" and female "form" for an amatory novel.
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Seductive Forms: Women's Amatory Fiction from 1684 to 1740
Historicist and feminist accounts of the "rise of the novel" have neglected the phenomenon of the professional woman writer in England prior to the advent of the sentimental novel in the 1740s. Seductive Forms explores the means by which the three leading Tory women novelists of the late seventeenth and early eighteenth centuries challenged and reworked both contemporary gender ideologies and generic convention. The seduction plot provided Aphra Behn, Delarivier Manley, and Eliza Haywood with a vehicle for dramatizing their own appropriation of the "masculine" power of fiction-making. Seduction is employed in these fictions as a metaphor for both novelistic production (the seduction of the reader by the writer) and party political machination (the seduction of the public by the politician). The book also explores the debts early prose fiction owes to French seventeenth-century models of fiction-writing and argues that Behn, Manley, and Haywood succeeded in producing a distinctively "English" and female "form" for an amatory novel.
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Seductive Forms: Women's Amatory Fiction from 1684 to 1740

Seductive Forms: Women's Amatory Fiction from 1684 to 1740

by Ros Ballaster
Seductive Forms: Women's Amatory Fiction from 1684 to 1740

Seductive Forms: Women's Amatory Fiction from 1684 to 1740

by Ros Ballaster

Paperback(REPRINT)

$90.00 
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Overview

Historicist and feminist accounts of the "rise of the novel" have neglected the phenomenon of the professional woman writer in England prior to the advent of the sentimental novel in the 1740s. Seductive Forms explores the means by which the three leading Tory women novelists of the late seventeenth and early eighteenth centuries challenged and reworked both contemporary gender ideologies and generic convention. The seduction plot provided Aphra Behn, Delarivier Manley, and Eliza Haywood with a vehicle for dramatizing their own appropriation of the "masculine" power of fiction-making. Seduction is employed in these fictions as a metaphor for both novelistic production (the seduction of the reader by the writer) and party political machination (the seduction of the public by the politician). The book also explores the debts early prose fiction owes to French seventeenth-century models of fiction-writing and argues that Behn, Manley, and Haywood succeeded in producing a distinctively "English" and female "form" for an amatory novel.

Product Details

ISBN-13: 9780198184775
Publisher: Oxford University Press
Publication date: 06/11/1998
Series: Clarendon Paperbacks
Edition description: REPRINT
Pages: 240
Product dimensions: 8.30(w) x 5.40(h) x 0.50(d)

Table of Contents

IntroductionPart I: Gender and Genre1. The Rise of the Novel: Gender and Genre in Theories of Prose Fiction2. Observing the Forms: Amatory Fiction and the Construction of a Female ReaderPart II: Women Writers3. ‘A Devil on't, the Woman Damns the Poet': Aphra Behn's Fictions of Feminine Identity4. ‘A Genius for Love': Sex as Politics in Delarivier Manley's Scandal Fiction5. ‘Preparatives to Love': Fiction as Seduction in Eliza Haywood's Amatory ProseConclusion: The Decline of Amatory Fiction: Re(de)fining the Female FormBibliographyIndex
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