Seeing Theater: The Phenomenology of Classical Greek Drama
This is the first book to approach the visuality of ancient Greek drama through the lens of theater phenomenology. Gathering evidence from tragedy, comedy, satyr play, and vase painting, Naomi Weiss argues that, from its very beginnings, Greek theater in the fifth century BCE was understood as a complex interplay of actuality and virtuality. Classical drama frequently exposes and interrogates potential viewing experiences within the theatron—literally, “the place for seeing.” Weiss shows how, in so doing, it demands distinctive modes of engagement from its audiences. Examining plays and pottery with attention to the instability and ambiguity inherent in visual perception, Seeing Theater provides an entirely new model for understanding this ancient art form.
"1142523993"
Seeing Theater: The Phenomenology of Classical Greek Drama
This is the first book to approach the visuality of ancient Greek drama through the lens of theater phenomenology. Gathering evidence from tragedy, comedy, satyr play, and vase painting, Naomi Weiss argues that, from its very beginnings, Greek theater in the fifth century BCE was understood as a complex interplay of actuality and virtuality. Classical drama frequently exposes and interrogates potential viewing experiences within the theatron—literally, “the place for seeing.” Weiss shows how, in so doing, it demands distinctive modes of engagement from its audiences. Examining plays and pottery with attention to the instability and ambiguity inherent in visual perception, Seeing Theater provides an entirely new model for understanding this ancient art form.
71.49 In Stock
Seeing Theater: The Phenomenology of Classical Greek Drama

Seeing Theater: The Phenomenology of Classical Greek Drama

by Naomi A. Weiss
Seeing Theater: The Phenomenology of Classical Greek Drama

Seeing Theater: The Phenomenology of Classical Greek Drama

by Naomi A. Weiss

eBook

$71.49  $95.00 Save 25% Current price is $71.49, Original price is $95. You Save 25%.

Available on Compatible NOOK devices, the free NOOK App and in My Digital Library.
WANT A NOOK?  Explore Now

Related collections and offers


Overview

This is the first book to approach the visuality of ancient Greek drama through the lens of theater phenomenology. Gathering evidence from tragedy, comedy, satyr play, and vase painting, Naomi Weiss argues that, from its very beginnings, Greek theater in the fifth century BCE was understood as a complex interplay of actuality and virtuality. Classical drama frequently exposes and interrogates potential viewing experiences within the theatron—literally, “the place for seeing.” Weiss shows how, in so doing, it demands distinctive modes of engagement from its audiences. Examining plays and pottery with attention to the instability and ambiguity inherent in visual perception, Seeing Theater provides an entirely new model for understanding this ancient art form.

Product Details

ISBN-13: 9780520393097
Publisher: University of California Press
Publication date: 05/16/2023
Sold by: Barnes & Noble
Format: eBook
Pages: 264
File size: 4 MB

About the Author

Naomi Weiss is Professor of Classics at Harvard University. She is author of The Music of Tragedy: Performance and Imagination in Euripidean Theater.

Table of Contents

Contents

List of Illustrations 
Acknowledgments 
Note on Texts, Translations, and Abbreviations 

Introduction 
Phenomenology, Aristotle, and Classical Greek Drama 
Theōrein and Seeing Theater 
The “Play of Actuality” beyond Fifth-Century Theater 
Engaged Spectatorship 
Genre and Scope 

1. Opening Spaces 
Tragic and Comic Space 
Seeing the Setting 
Staged Spectatorship 
Seeing Theater, Seeing Assembly 
Atopic Beginnings 
The Phenomenology of Space in the Classical Greek Theater 

2. Seeing What? 
Is This That? Aeschylus’s Theoroi 
Visual Indeterminacy in Aeschylus’s Suppliants 
Winging with Words in Aristophanes’s Birds

3. Pain Between Bodies 
Dustheatos 
Blinded Bodies I: Euripides’s Cyclops and Hecuba 
Blinded Bodies II: Sophocles’s Oedipus the King 
Sympathetic Bodies: [Aeschylus’s] Prometheus Bound 
Pleasure in Pain 

4. Pots and Plays 
Actor, Mask, Costume 
The Basel Chorus Krater 
The London Pandora Krater 
The Naples Birds Krater 

Epilogue 
Works Cited 
General Index 
Index Locorum
From the B&N Reads Blog

Customer Reviews