Table of Contents
Acknowledgements
Illustrations
Introduction
1 Museum Trouble: Complicating the ‘new’ inclusion
Reading the gallery in silent film
The inclusion dilemma
A difficult heritage
The ‘new’ museology
Demanding objects
Museum ‘blockbusters’
2 Fissures and Cracks: Unfettering identity from the ‘new’ inclusion
Object autopoeisis
‘The crack’
Institutional autotelicity and rhizomatic objects
Re-invigorating the fetish
Actually, virtually becoming-animal
Curiously resistant
3 Outcasting Oedipus: The autonomy of affecting experience
The sublime as a discourse of loss
Ekstasis: From Longinus to Lyotard
What about the body!
Affectus: One unfolding substance
Cultural objects and the transmission of affect
The duality of affect
4 Show Time! Psychoanalysing the museum to death
Ghostbusters: Green slime and a dangerous portrait
Viewing pleasures: Phantasy or lines of flight
The Topkapi imaginary: The museum as phallic (m)other
Night at the Museum: The museum as object a
Horror museums: Beyond abjection
Post Lacan: Restoring affect to cinema
5 Dangerous Identity: Museums in Vertigo and the ‘truth’ of false objects
The mental-image: Inside the deceived self
The abyss or the power of eternal return
Signs of time: Escaping dusty semiology
The fatal spiral: Identity and obsession
6 Museums and cinematic time
Mischievous dream worlds: musicals in the gallery
Moving stillness: A thinking cinema
Marking time in La Jetée
Night and Fog: Difficult heritage and the time-image
Russian Ark: In any moment
The storm we call progress
Filmography
Bibliography
Index