Septuagenarian: love is what happens when I die

Septuagenarian: love is what happens when I die is a memoir in poetic form. It is the author's journey from being a mixed-race girl who passed for white to being a woman in her seventies who understands and accepts her complex intersectional identity; and no longer has to imagine love. It is a follow-up to the author's previous memoir (prose), Love Imagined: a mixed-race memoir, A Minnesota Book Award finalist.

In Septuagenarian, Sherry Quan Lee accepts her own invitation to look at life in retrospect, but with a new lens. Pulling from and expanding upon her previous body of work, she examines the version of herself that was writing at that time. The dignity and fire of her seventy-three-year-old gaze taking in snapshots of those selves...straightens my spine and gives me a vision for myself traveling today into my future septuagenarian. Lola Osunkoya, MA, LPCC

Sherry Quan Lee writes courageously to understand herself and the world. She uses rich language and her skills as a storyteller to focus her sharp lens on what it means to have a complex, sometimes complicated identity: becoming invisible as she ages, a history of passing unseen, love and sex, grieving and celebration. She ruminates on history, which repeats itself in the current moment and widens her lens to look at the bigger, global picture to tell truths in poems that tenderly hold memory, time, rituals, trauma, mothering, fear of death and love in many forms. Her poems offer deeply personal, intimate and perceptive insights and opportunities to reflect on what it means to truly live. It feels like I've taken the journey with her, and I'm wiser for it. Shay Youngblood, author of Soul Kiss and Black Girl in Paris

Learn more at blog.SherryQuanLee.com

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Septuagenarian: love is what happens when I die

Septuagenarian: love is what happens when I die is a memoir in poetic form. It is the author's journey from being a mixed-race girl who passed for white to being a woman in her seventies who understands and accepts her complex intersectional identity; and no longer has to imagine love. It is a follow-up to the author's previous memoir (prose), Love Imagined: a mixed-race memoir, A Minnesota Book Award finalist.

In Septuagenarian, Sherry Quan Lee accepts her own invitation to look at life in retrospect, but with a new lens. Pulling from and expanding upon her previous body of work, she examines the version of herself that was writing at that time. The dignity and fire of her seventy-three-year-old gaze taking in snapshots of those selves...straightens my spine and gives me a vision for myself traveling today into my future septuagenarian. Lola Osunkoya, MA, LPCC

Sherry Quan Lee writes courageously to understand herself and the world. She uses rich language and her skills as a storyteller to focus her sharp lens on what it means to have a complex, sometimes complicated identity: becoming invisible as she ages, a history of passing unseen, love and sex, grieving and celebration. She ruminates on history, which repeats itself in the current moment and widens her lens to look at the bigger, global picture to tell truths in poems that tenderly hold memory, time, rituals, trauma, mothering, fear of death and love in many forms. Her poems offer deeply personal, intimate and perceptive insights and opportunities to reflect on what it means to truly live. It feels like I've taken the journey with her, and I'm wiser for it. Shay Youngblood, author of Soul Kiss and Black Girl in Paris

Learn more at blog.SherryQuanLee.com

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Septuagenarian: love is what happens when I die

Septuagenarian: love is what happens when I die

by Sherry Quan Lee
Septuagenarian: love is what happens when I die

Septuagenarian: love is what happens when I die

by Sherry Quan Lee

Paperback

$17.95 
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Overview

Septuagenarian: love is what happens when I die is a memoir in poetic form. It is the author's journey from being a mixed-race girl who passed for white to being a woman in her seventies who understands and accepts her complex intersectional identity; and no longer has to imagine love. It is a follow-up to the author's previous memoir (prose), Love Imagined: a mixed-race memoir, A Minnesota Book Award finalist.

In Septuagenarian, Sherry Quan Lee accepts her own invitation to look at life in retrospect, but with a new lens. Pulling from and expanding upon her previous body of work, she examines the version of herself that was writing at that time. The dignity and fire of her seventy-three-year-old gaze taking in snapshots of those selves...straightens my spine and gives me a vision for myself traveling today into my future septuagenarian. Lola Osunkoya, MA, LPCC

Sherry Quan Lee writes courageously to understand herself and the world. She uses rich language and her skills as a storyteller to focus her sharp lens on what it means to have a complex, sometimes complicated identity: becoming invisible as she ages, a history of passing unseen, love and sex, grieving and celebration. She ruminates on history, which repeats itself in the current moment and widens her lens to look at the bigger, global picture to tell truths in poems that tenderly hold memory, time, rituals, trauma, mothering, fear of death and love in many forms. Her poems offer deeply personal, intimate and perceptive insights and opportunities to reflect on what it means to truly live. It feels like I've taken the journey with her, and I'm wiser for it. Shay Youngblood, author of Soul Kiss and Black Girl in Paris

Learn more at blog.SherryQuanLee.com


Product Details

ISBN-13: 9781615995684
Publisher: Modern History Press
Publication date: 03/01/2021
Pages: 102
Product dimensions: 6.00(w) x 9.00(h) x 0.21(d)

About the Author

Sherry Quan Lee, MFA, University of Minnesota, is the author of Chinese Blackbird, a memoir in verse; How to Write a Suicide Note, serial essays that saved a woman's life; Love Imagined: a mixed-race memoir (a Minnesota Book Award Finalist); and, the picture book And You Can Love Me a story for everyone who loves someone with ASD-published by LHP, Modern History Press, Ann Arbor, MI. She is the editor of How Dare We! Write: a multicultural creative writing discourse, an anthology finding home in university writing classrooms.
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