Sexing La Mode: Gender, Fashion and Commercial Culture in Old Regime France
The connection between fashion, femininity, frivolity and Frenchness has become a cliché. Yet, relegating fashion to the realm of frivolity and femininity is a distinctly modern belief that developed along with the urban culture of the Enlightenment. In eighteenth-century France, a commercial culture filled with shop girls, fashion magazines and window displays began to supplant a court-based fashion culture based on rank and distinction, stimulating debates over the proper relationship between women and commercial culture, public and private spheres, and morality and taste. Mary Wollstonecraft was one of those particularly critical of this 'vulgar' obsession with 'tawdry finery', declaring it to be 'merely the external mark of a depravity shared with slaves'. The story of how la mode was 'sexed' as feminine offers a compelling insight into the political, economic and cultural tensions that marked the birth of modern commercial culture. Jones examines men's and women's relation to fashion at this time, looking at both consumption and production to argue how clothing was becoming increasingly conceptualized as feminine/effeminate. A concise history of French fashion culture suitable for anyone interested in eighteenth-century culture, women and gender studies or fashion history.
"1100656497"
Sexing La Mode: Gender, Fashion and Commercial Culture in Old Regime France
The connection between fashion, femininity, frivolity and Frenchness has become a cliché. Yet, relegating fashion to the realm of frivolity and femininity is a distinctly modern belief that developed along with the urban culture of the Enlightenment. In eighteenth-century France, a commercial culture filled with shop girls, fashion magazines and window displays began to supplant a court-based fashion culture based on rank and distinction, stimulating debates over the proper relationship between women and commercial culture, public and private spheres, and morality and taste. Mary Wollstonecraft was one of those particularly critical of this 'vulgar' obsession with 'tawdry finery', declaring it to be 'merely the external mark of a depravity shared with slaves'. The story of how la mode was 'sexed' as feminine offers a compelling insight into the political, economic and cultural tensions that marked the birth of modern commercial culture. Jones examines men's and women's relation to fashion at this time, looking at both consumption and production to argue how clothing was becoming increasingly conceptualized as feminine/effeminate. A concise history of French fashion culture suitable for anyone interested in eighteenth-century culture, women and gender studies or fashion history.
46.95 In Stock
Sexing La Mode: Gender, Fashion and Commercial Culture in Old Regime France

Sexing La Mode: Gender, Fashion and Commercial Culture in Old Regime France

by Jennifer Jones
Sexing La Mode: Gender, Fashion and Commercial Culture in Old Regime France

Sexing La Mode: Gender, Fashion and Commercial Culture in Old Regime France

by Jennifer Jones

Paperback

$46.95 
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Overview

The connection between fashion, femininity, frivolity and Frenchness has become a cliché. Yet, relegating fashion to the realm of frivolity and femininity is a distinctly modern belief that developed along with the urban culture of the Enlightenment. In eighteenth-century France, a commercial culture filled with shop girls, fashion magazines and window displays began to supplant a court-based fashion culture based on rank and distinction, stimulating debates over the proper relationship between women and commercial culture, public and private spheres, and morality and taste. Mary Wollstonecraft was one of those particularly critical of this 'vulgar' obsession with 'tawdry finery', declaring it to be 'merely the external mark of a depravity shared with slaves'. The story of how la mode was 'sexed' as feminine offers a compelling insight into the political, economic and cultural tensions that marked the birth of modern commercial culture. Jones examines men's and women's relation to fashion at this time, looking at both consumption and production to argue how clothing was becoming increasingly conceptualized as feminine/effeminate. A concise history of French fashion culture suitable for anyone interested in eighteenth-century culture, women and gender studies or fashion history.

Product Details

ISBN-13: 9781859738351
Publisher: Berg Publishers
Publication date: 07/01/2004
Pages: 256
Product dimensions: 6.14(w) x 9.21(h) x 0.55(d)

About the Author

Jennifer M. Jones is Graduate Director of Women's Studies and Associate Professor of History, Rutgers University

Table of Contents

Prologue: The Morning Toilette * Introduction * Part I: La Cour: Absolutism and Appearance in the Court of Louis XIV * Courting La Mode and Costuming the French * Fashion Culture in Print * Objects of Desire, Subjects of the King * Part II: La Ville: Clothing and Consumption in an Enlightened Society of Taste * "A Natural Right to Dress Women" * The Agreeable Art of Clothing * Coquettes and Grisettes * Selling La Mode * Conclusion * Epilogue: From the Absolutist Gaze to the Republican Look

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