Shakespeare's Tragedies Reviewed: A Spectator's Role
Shakespeare's Tragedies Reviewed explores how the recognition of spectator interests by the playwright has determined the detailed character of Shakespeare tragedies.
1122607688
Shakespeare's Tragedies Reviewed: A Spectator's Role
Shakespeare's Tragedies Reviewed explores how the recognition of spectator interests by the playwright has determined the detailed character of Shakespeare tragedies.
113.8 In Stock
Shakespeare's Tragedies Reviewed: A Spectator's Role

Shakespeare's Tragedies Reviewed: A Spectator's Role

by Hugh M. Richmond
Shakespeare's Tragedies Reviewed: A Spectator's Role

Shakespeare's Tragedies Reviewed: A Spectator's Role

by Hugh M. Richmond

Hardcover

$113.80 
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Overview

Shakespeare's Tragedies Reviewed explores how the recognition of spectator interests by the playwright has determined the detailed character of Shakespeare tragedies.

Product Details

ISBN-13: 9781433129193
Publisher: Peter Lang Inc., International Academic Publishers
Publication date: 08/31/2015
Series: Studies in Shakespeare , #22
Pages: 207
Product dimensions: 5.91(w) x 9.06(h) x (d)

About the Author

Hugh Macrae Richmond is Professor of English Emeritus at the University of California, Berkeley. He earned a BA from Cambridge University and a DPhil from Oxford University, as well as diplomas in language from Florence and Munich. He has received many awards for his scholarship and teaching. His numerous books include: Shakespeare’s Political Plays, Shakespeare’s Sexual Comedy, and editions of Henry IV, Part 1 and Henry VIII. Dr. Richmond has also compiled critical bibliographies: Shakespeare and the Renaissance Stage to 1616: Shakespearean Stage History 1616 to 1998 and Shakespeare’s Theatre: A Dictionary of His Stage Context. He has created two websites: http://shakespearestaging. berkeley.edu/ and http://miltonrevealed.berkeley.edu/.

Table of Contents

Contents: The Spectator and the Dramatists – Renaissance Dramaturgy – Richard III as «a Tragedy with a Happy Ending» – A Spectator’s View of Shakespeare’s Romeo and Juliet and Lope de Vega’s Castelvines y Monteses – Interlude: Mixed Modes Throughout Shakespeare – Julius Caesar and Neoclassicism 59 – Hamlet: The Spectator as Detective – Othello: Iago’s Audience – Macbeth: Satisfying the Spectator – Coriolanus: The Spectator and Aristotelianism – Enjoying King Lear – Antony and Cleopatra: Comical/Historical/Tragical – Cymbelene as Resolution: Tragical-Comical-Historical-Pastoral – Henry VIII and The Two Noble Kinsmen.
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