The author of Armchair Nation and On Roads examines shyness in a“sparkling cultural history rang[ing]from Jane Austen to Silicon Valley” (The Guardian).
Shyness is a pervasive human trait: even most extroverts know what it is like to stand tongue-tied at the fringe of an unfamiliar group or flush with embarrassment at being the unwelcome center of attention. And yet the cultural history of shyness has remained largely unwritten—until now.
With incisiveness, passion, and humor, Joe Moran offers an eclectic and original exploration of what it means to be a “shrinking violet.” Along the way, he provides a collective biography of shyness through portraits of such shy individuals as Charles Darwin, Charles Schulz, Garrison Keillor, and Agatha Christie, among many others. In their stories often both heartbreaking and inspiring and through the myriad ways scientists and thinkers have tried to explain and “cure” shyness, Moran finds hope. To be shy, he decides, is not simply a burden; it is also a gift, a different way of seeing the world that can be both enriching and inspiring.
“Fantastic and involving . . . [A] feat of empathy. Every page radiates understanding; every paragraph, its (shy) author’s gentle wit.”—The Observer
“Whether you’re boldly outgoing or reticent and self-effacing, you’ll find something to inspire, inform, or surprise in this thoughtful, beautifully written, and vividly detailed cultural history.”—Susan Cain, New York Times bestselling author of Quiet
Joe Moran is a professor of English and cultural history at Liverpool John Moores University. His books include On Roads: A Hidden History, which was long-listed for the Samuel Johnson Prize, and Queuing for Beginners. He lives in Liverpool, England.Matthew Lloyd Davies is a veteran actor, director, and Audie Award-winning audiobook narrator. Highlights of his acting career include regular appearances with the Royal Shakespeare Company, Royal National Theatre in the West End, on international tours, and in award-winning television shows and films. He has experience in radio, a master's degree in directing, and extensive experience in presenting at corporate events.
Table of Contents
Chapter 1 A Tentative History 1
Chapter 2 This Odd State of Mind 24
Chapter 3 How Embarrassing 53
Chapter 4 Tongue-Tied 89
Chapter 5 Stage Fright 117
Chapter 6 Shy Art 151
Chapter 7 The War against Shyness 182
Chapter 8 The New Ice Age 214
Notes 237
Acknowledgments 255
Index 257
Interviews
Why write about shyness?
Well, it’s personal: I am shy. But I was also attracted to shyness as a subject that is quite nebulous and hard to define and evidence. I thought it might let me range over quite a wide canvas and bring together literature, art, biography, history, anthropology, psychology, and so on. There isn’t a vast scholarly literature on shyness in the same way as there is on, say, shame or embarrassment. People tend to talk about it in passing while they are talking about something else. So I enjoyed trying to bring all this disparate material together.
What exactly is shyness?
There is something very human about it – it’s not just about the instincts of fear or timidity we share with other animals. It’s about our tendency to overthink and construct weird, sometimes self-fulfilling meanings out of our lives. And it’s about our capacity to feel part of but also apart from other people, to be a social animal and yet finally alone – to have this gift for what Darwin called "self-attention."
Are there benefits to being shy?
I don’t romanticize being shy: it can be a burden. But it can often make us social in creative and circuitous ways. Shy people are sometimes good performers and speakers, for example. I suppose I think of shyness as just another piece in the jigsaw of human diversity. Without it, people like me might be happier, but the world might also be a little blander and less interesting.
