Sing Yer Heart Out for the Lads

Sing Yer Heart Out for the Lads

by Roy Williams
Sing Yer Heart Out for the Lads

Sing Yer Heart Out for the Lads

by Roy Williams

eBook

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Overview

A fierce and excoriating portrait of British racism, Roy William's Sing Yer Heart Out for the Lads premiered in 2002 at the National Theatre.

Set in a south-west London pub during the 2000 England vs. Germany match, tempers are running high. As England lose again, their supporters in The King George lose it too – at full time, patriotism has become unapologetic racism.

This Methuen Drama Student Edition of the play includes commentary and notes by Gemma Edwards, University of Manchester, UK, which explore the production history of the play as well as the historical, social and cultural contexts that surround it, such as the rise of Nationalism and far-right groups in the UK. Also featuring an interview with Roy Williams about the play and its relevance 20 years on, this edition is a must-have resource for any student exploring Sing Yer Heart Out for the Lads.

Product Details

ISBN-13: 9781350249349
Publisher: Bloomsbury Publishing
Publication date: 08/25/2022
Series: Student Editions
Sold by: Barnes & Noble
Format: eBook
Pages: 136
File size: 388 KB

About the Author

Roy Williams OBE worked as an actor before turning to writing full-time in 1990. His plays for the theatre include The No Boys Cricket Club, Clubland, Fallout, Sing Yer Heart Out for the Lads, Little Sweet Thing, Days of Significance, Joe Guy, Baby Girl and Sucker Punch. He was the first recipient of the Alfred Fagon Award and was awarded the OBE for Services to Drama in the 2008 Birthday Honours List.

Gemma Edwards received her PhD from the University of Nottingham, UK, and is currently a postdoctoral researcher at the University of Manchester, UK. Her work explores the representation of non-metropolitan communities and environments in contemporary theatre, with a focus on the relationships between place, politics, and performance.



Roy Williams, OBE, worked as an actor before turning to writing full-time in 1990. He graduated from Rose Bruford in 1995 with a first class BA Hons degree in Writing and participated in the 1997 Carlton Television screenwriter's course. The No Boys Cricket Club (Theatre Royal, Stratford East, 1996) won him nominations for the TAPS Writer of the Year Award 1996 and for New Writer of the Year Award 1996 by the Writers' Guild of Great Britain. He was the first recipient of the Alfred Fagon Award 1997 for Starstruck (Tricycle Theatre, London, 1998), which also won the 31st John Whiting Award and the EMMA Award 1999. Lift Off (Royal Court Theatre Upstairs, 1999) was the joint winner of the George Devine Award 2000. His other plays include: Night and Day (Theatre Venture, 1996); Josie's Boys (Red Ladder Theatre Co., 1996); Souls (Theatre Centre, 1999); Local Boy (Hampstead Theatre, 2000); The Gift (Birmingham Rep/Tricycle Theatre, 2000); Clubland (Royal Court, 2001), winner of the Evening Standard Charles Wintour Award for the Most Promising Playwright; Fallout (Royal Court Theatre, 2003) which was made for television by Company Pictures/Channel 4; Sing Yer Heart Out for the Lads (National Theatre, 2002, 2004), Little Sweet Thing (New Wolsey, Ipswich/ Nottingham Playhouse/Birmingham Rep, 2005), Slow Time (National Theatre Education Department tour, 2005), Days of Significance (Swan Theatre, Stratfordupon- Avon, 2007), Absolute Beginners (Lyric Theatre, Hammersmith, 2007), Joe Guy (Tiata Fahodzi/Soho Theatre, 2007), Baby Girl (National Theatre, 2007), Out of the Fog (Almeida Theatre, 2007), There's Only One Wayne Matthews (Polka Theatre, 2007), Category B (Tricycle Theatre, 2009) and Sucker Punch (Royal Court, 2010). He also contributed A Chain Play (Almeida Theatre, 2007) and Sixty Six (Bush Theatre, 2011). His screenplays include Offside, winner of a BAFTA for Best Schools Drama 2002. His radio plays include Tell Tale, Homeboys, Westway, which was broadcast as part of Radio 4 First Bite Young Writers' Festival, To Sir with Love, and The Interrogation. He also wrote Babyfather for BBC TV. He was awarded the OBE for Services to Drama in the 2008 Birthday Honours List.

Table of Contents

Chronology and Significant Historical Events

Context:
Cultural and Political (development of English nationalism, including more recently Brexit, Scottish Referendum, rise of UKIP, Windrush scandal, #BlackLivesMatter movement)
Theatrical (social realism of pub setting)

Genre:
In Yer Face theatre
Sport shaping form
Games and strategy

Characters:
Ensemble cast and its tribal nature
Behaviours across generations
The young: Barry and Glen (also Duane and Bad T)
Middle-aged men: Mark (military) and Lee (police officer)
Different types of racism: Alan (intellectualised racism) and Lawrie (overt racism)
Mothers: Gina and Sharon

Themes:
Sport
English nationalism
Racism

Production History:
Revival at Chichester Festival Theatre, 2019
Scheduled 'Coming Home' production at the National Theatre, 2020

Further Exploration
Interview with Roy Williams

SING YER HEART OUT FOR THE LADS

Notes

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