Something Wicked This Way Comes

Something Wicked This Way Comes

Adapted — 1 hours, 58 minutes

Something Wicked This Way Comes

Something Wicked This Way Comes

Adapted — 1 hours, 58 minutes

Audiobook (Digital)

$14.20
(Not eligible for purchase using B&N Audiobooks Subscription credits)
$14.95 Save 5% Current price is $14.2, Original price is $14.95. You Save 5%.

Listen on the free Barnes & Noble NOOK app


Related collections and offers


Overview

By the pricking of my thumbs...something wicked this way comes.

Ray Bradbury has dramatized his literary classic, Something Wicked This Way Comes, into this first-class audio drama, produced by the Colonial Radio Theatre on the Air, complete with a full cast, sound effects, and original music.

“Cooger and Dark's Pandemonium Shadow Show” comes to Greentown, Illinois, one week before Halloween. Two boys, Jim Nightshade and Will Halloway, soon discover the evil of this carnival, which promises to make your every wish and dream come true. But with those wishes and dreams comes a price that must be paid. Behind the mirrors and the mazes is the nightmare of a lifetime.

Few American novels written in the twentieth century have endured in the heart and memory as has Ray Bradbury's unparalleled literary classic Something Wicked This Way Comes. For those who still dream and remember, for those yet to experience the hypnotic power of its dark poetry, step inside. The show is about to begin.

A Blackstone Audio production.


Editorial Reviews

Chicago Tribune

"Ray Bradbury can evoke nostalgia for a mythic, golden past or raise goosebumps with tales of horror... He is very good at what he does."

Portland Oregonian

"A master... Bradburyhas a style all his own, much imitated but never matched."

Flint Journal

"Bradbuy crosses over the ines that divide various genres... His true vocation is that of spinning yarns, some fanciful, others morbid, and yet others laced with an undeniable sense of hope."

Nashville Tennessean

"In literary circles, Ray Bradbury can validly be called a living legend... Since he was eight years old, he wanted to become amagician. And that's what he is."

Time

Bradbury is an authentic original. --Time

SFSite.com

One of the great classics of fantasy…A nightmarishly gripping page-turner.”

Science Fiction Magazine

A dark fantasy set in a small town, its people are brought to life so expertly readers feel very much like citizens...Bradbury’s prose is musical and hypnotic, fully engaging the senses and emotions. This is a book, once opened, that truly makes the real world disappear.”

Phil Nichols

Spectacular.”

Denver Rocky Mountain News

If rational beings had created the 100 best books of the century list, this one would surely have been on it.”

From the Publisher

"Bradbury's classic 1962 novel is here masterfully read by voice artist Kevin Foley, whose deep tones are well suited to the story's dark characters." ---Library Journal Starred Audio Review

DEC/JAN 01 - AudioFile

Part fantasy, part allegory, Bradbury's mad ecstasy of words spews forth like a demented poem. Some listeners may find themselves swamped in the lush, expository verbiage, but Hecht's measured baritone keeps it all from running amok. Slowly he builds the menace of a carnival arriving in the night, with weird calliope music that transforms time itself. The tatooed director and his freaks emerge to lure customers to death, or worse. As Will and Jim follow their 13-year-old appetites of derring-do, Hecht uses a breathless falsetto of wonder and apprehension. In the wrong hands, the symbolism might have wilted into cartoonish platitudes. But Hecht's careful handling delivers the message with dignity. S.B.S. © AudioFile 2000, Portland, Maine

Product Details

BN ID: 2940169777925
Publisher: Blackstone Audio, Inc.
Publication date: 05/01/2016
Series: The Green Town Series
Edition description: Adapted
Sales rank: 579,288

Read an Excerpt

Chapter One


Arrivals



The seller of lightning rods arrived just ahead of the storm. He came along the street of Green Town, Illinois, in the late cloudy October day, sneaking glances over his shoulder. Somewhere not so far back, vast lightnings stomped the earth. Somewhere, a storm like a great beast with terrible teeth could not be denied.

So the salesman jangled and clanged his huge leather kit in which oversized puzzles of ironmongery lay unseen but which his tongue conjured from door to door until he came at last to a lawn which was cut all wrong.

No, not the grass. The salesman lifted his gaze. But two boys, far up the gentle slope, lying on the grass. Of a like size and general shape, the boys sat carving twig whistles, talking of olden or future times, content with having left their fingerprints on every movable object in Green Town during summer past and their footprints on every open path between here and the lake and there and the river since school began.

"Howdy, boys!" called the man all dressed in stormcolored clothes. "Folks home?"

The boys shook their heads.

"Got any money, yourselves?"

The boys shook their heads.

"Well --" The salesman walked about three feet, stopped and hunched his shoulders. Suddenly he seemed aware of house windows or the cold sky staring at his neck. He turned slowly, sniffing the air. Wind rattled the empty trees. Sunlight, breaking through a small rift in the clouds, minted a last few oak leaves all gold. But the sun vanished, the coins were spent, the air blew gray; the salesman shook himself from the spell.

The salesman edged slowly up thelawn.

"Boy," he said. "What's your name?"

And the first boy, with hair as blond-white as milk thistle, shut up one eye, tilted his head, and looked at the salesman with a single eye as open, bright and clear as a drop of summer rain.

"Will," he said. "William Halloway."

'Me storm gentleman turned. "And you?"

The second boy did not move, but lay stomach down on the autumn grass, debating as if he might make up a name. His hair was wild, thick, and the glossy color of waxed chestnuts. His eyes, fixed to some distant point within himself, were mint rock-crystal green. At last he put a blade of dry grass in his casual mouth.

"Jim Nightshade," he said.

The storm salesman nodded as if he had known it all along.

"Nightshade. That's quite a name."

"And only fitting," said Will Halloway. I was born one minute before midnight, October thirtieth. Jim was born one minute after midnight, which makes it October thirty-first."

"Halloween," said Jim.

By their voices, the boys had told the tale all their lives, proud of their mothers, living house next to house, running for the hospital together, bringing sons into the world seconds apart; one light, one dark . There was a history of mu mutual celebration behind them. Each year Will lit the candles on a single cake at one minute to midnight. Jim, at one minute after, with the last day of the month begun, blew them out.

So much Will said, excitedly. So much Jim agreed to, silently. So much the salesman, running before the storm, but poised here uncertainly, heard looking from face to face.

"Halloway. Nightshade. No money, you say?"

The man, grieved by his own conscientiousness, rummaged in his leathery bag and seized forth an iron contraption.

"Take this, free! Why? One of those houses will be struck by lightning! Without this rod, bang'. Fire and ash, roast pork and cinders! Grab!"

The salesman released the rod. Jim did not move, But Will caught the iron and gasped.

"Boy, it's heavy!. And funny-looking. Never seen a lightning rod like this. Look, Jim!"

And Jim, at last, stretched like a cat, and turned his head. His green eyes got big and then very narrow.

The metal thing was hammered and shaped half-crescent, half-cross. Around the rim of the main rod little curlicues and doohingies had been soldered on, later. The entire surface of the rod was finely scratched and etched with strange languages, names that could tie the tongue or break the jaw, numerals that added to incomprehensible sums, pictographs of insect-animals all bristle, chaff, and claw.

"That's Egyptian." Jim pointed his nose at a bug soldered to the iron. "Scarab beetle."

"So it is, boy."

Jim squinted. "And those there -- Phoenician hen tracks."

"Right!"

"Why?" asked Jim.

"Why?" said the man. "Why the Egyptian, Arabic, Abyssinian, Choctaw? Well, what tongue does the wind talk? What nationality is a storm? What country do rains come from? What color is lightning? Where does thunder go when it dies? Boys, you got to be ready in every dialect with every shape and form to hex the St. Elmo's fires, the balls of blue light that prowl the earth like sizzling cats. I got the only lightning rods in the world that hear, feel, know, and sass back any storm, no matter what tongue, voice, or sign. No foreign thunder so loud this rod can't soft-talk it!"

But Will was staring beyond the man now.

"Which," he said. "Which house will it strike?"

"Which? Hold on. Wait." The salesman searched deep in their faces. "Some folks draw lightning, suck it like cats suck babies' breath. Some folks' polarities are negative, some positive. Some glow in the dark. Some snuff out. You now, the two of you ... I --"

"What makes you so sure lightning will strike anywhere around here?" said Jim suddenly, his eyes bright.

The salesman almost flinched. "Why, I got a nose, an eye, an ear. Both those houses, their timbers! Listen!"

They listened. Maybe their houses leaned under the cool afternoon wind, Maybe not.

"Lightning needs channels, like rivers, to run in. One of those attics is a dry river bottom, itching to let lightning pour through! Tonight...

From the B&N Reads Blog

Customer Reviews