Far and away the prettiest record
Jethro Tull released at least since
Thick as a Brick and a special treat for anyone with a fondness for the group's more
folk-oriented material.
Ian Anderson had moved to the countryside sometime earlier, and it showed in his choice of source material. The band's aggressive
rock interplay and
Anderson's fascination with early
British folk melodies produce a particularly appealing collection of songs -- the seriousness with which the group took this effort can be discerned by the album's unofficial "full" title on the original LP: "Jethro Tull With Kitchen Prose, Gutter Rhymes, and Divers Songs from the Wood." The group's sound was never more carefully balanced between acoustic
folk and
hard rock -- the result is an album that sounds a great deal like the work of
Tull's
Chrysalis Records labelmates
Steeleye Span (though
Nigel Pegrum never attacked his cymbals -- or his entire drum kit -- with
Barriemore Barlow's ferocity). The harmonizing on
"Songs From the Wood" fulfills the promise shown in some of the singing on
Thick as a Brick, and the delicacy of much of the rest, including
"Ring Out, Solstice Bells" (where the group plays full out, but with wonderful elegance),
"Hunting Girl," and
"Velvet Green," set a new standard for the group's sound.
"Pibroch (Cap in Hand)," which is dominated by
Martin Barre's electric guitar -- in a stunning array of overlapping flourishes at full volume -- is the only concession to the group's usual
hard rock rave-ups, and even it has some lovely singing to counterbalance the bulk of the song. ~ Bruce Eder
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