Songs in the Key of Black Life: A Rhythm and Blues Nation / Edition 1

by Mark Anthony Neal

Overview

In Songs in the Key of Black Life, acclaimed cultural critic Mark Anthony Neal turns his attention to Rhythm and Blues. He argues that R&B-often dismissed as just a bunch of love songs, yet the second most popular genre in terms of sales-can tell us much about the dynamic joys, apprehensions, tensions, and contradictions of contemporary black life, if we listen closely. With a voice as heartfelt and compelling as the best music, Neal guides us through the work of classic and contemporary artists ranging from Marvin Gaye to Macy Gray. In the first section of the book, Rhythm, he uses the music of Meshell N'degeocello, Patti Labelle, Jill Scott, Alicia Keys, and others as guideposts to the major concerns of contemporary black life-issues such as gender, feminist politics, political activism, black masculinity, celebrity, and the fluidity of racial and sexual identity. The second part of the book, Blues, uses the improvisational rhythms of black music as a metaphor to examine currents in black life including the public dispute between Cornel West and Harvard President Lawrence Summers and the firing of BET's talk-show host Tavis Smiley. Songs in the Key of Black Life is a remarkable contribution to the study of black popular music, and valuable reading for anyone interested in how race is lived in America.

Product Details

ISBN-13:	9780415965712
Publisher:	Taylor & Francis
Publication date:	05/16/2003
Edition description:	New Edition
Pages:	232
Product dimensions:	6.00(w) x 9.00(h) x (d)

About the Author

Mark Anthony Neal is Associate Professor of Black Popular Culture in the Program in African and African-American Studies at Duke University. Neal is the author of What the Music Said, Soul Babies, and Songs in the Key of Black Life, all published by Routledge.

Table of Contents

Acknowledgments Prologue Introduction: Music on My Mind Rhythm 1. Revolutionary Mixtape 2. Grown-Ass Women 3. Digging the Scene (with the Gangsta Lean) 4. Habermas in the Hood 5. Oh My! (The Sexual Healing Interlude) 6. The E-Double and the Trouble Man 7. Bellbottoms, Bluebelles, and the Funke-Ass White Girl 8. Nuyorican Nostalgia 9. Some Otha Shit And Blues 10. Radio Free Soul 11. Big Pimpin' 12. But It's Not a Rap CD 13. Three the Hard Way

Editorial Reviews

Neal's (African American studies, SUNY at Albany) cogent, coherent, and comprehensive What the Music Said is arguably the definitive study of the relationship between 20th-century black American music and black American society as a whole. Here, he narrows his focus, addressing very specific topics related to black American music of the past 40 years. Thirteen distinct chapters analyze such subjects as the history of "Nuyorican Soul"; white singer-songwriter Laura Nyro and her groundbreaking 1971 collaboration with black vocal group Labelle; and the firing of BET's talk show host Travis Smiley. Neal's overgenerous peppering of urban slang du jour-flava, fo' sho,' uh-huh, Angie, you all woman, it's big pimpin', baby!-with postmodernist cant makes Songs at times an odd approximation of Joel Chandler Harris interpreting J rgen Habermas. And beyond simply feeling more awkward than clever, this discordant bidialectalism limits the optimal readership to those patrons who are fluent in both idioms. Beyond this caveat, however, Neal's vision is (as always) right on target, and he does analyze important subjects never heretofore treated in depth. Surely worthy of consideration by those academic libraries with a strong interest in contemporary black American cultural studies.-Bill Piekarski, Lackawanna, NY Copyright 2003 Reed Business Information.

Library Journal

"Neal avoids polemics on the lyrical banality of black music or the over-hyped, oversexed videos pervading Black Entertainment Television. He redefines the terrain by advancing a discussion of artists working and succeeding within—and along the boundaries of—the existing subgenres of black popular music." — The Washington Post
"Neal creates a dense, sensuous space for a critical cultured black perspective, what Soul Babies called the 'post-soul aesthetic' in black America. He illustrates his thesis through use of black vernacular forms to produce a voice that is both streetwise and scholarly ...Neal may be the first writer capable of developing groundbreaking ideas in the academy and getting a new sticker on his 'ghetto pass' in one stroke." — The Washington Post
"Neal's vision is (as always) right on target, and he does analyze important subjects never heretofore treated in depth. Surely worthy of consideration by those academic libraries with a strong interest in contemporary black American cultural studies." — Library Journal
"Reading this book is like sitting down to a plate of collard greens with chopped up onions and tomatoes and a little touch of wine vinegar. A mouth-watering piece of hot water corn bread. A lean mean piece of short rib. And you know it's only going to get better because there is a sumptuous banana pudding bringing up the rear . . . . Smack those lips. Rub them hands. Say the blessing and get ready to feast! Thank you Mark Anthony Neal. It is delicious and truly delectable." — Umar Bin Hassan, The Last Poets: Selected Poems and a History of the Last Poetsn
"Engaging, smart, and funny as hell, Songs in the Key of Black Life leaves no soul unturned. His lyrical analyses range from Patti Labelle to Laura Nyro, Jill Scott to Jay Z, academia to black radio. You won't find many scholars with Neal's deep and abiding knowledge of contemporary black popular culture, and you won't find any able to throw down such head-noddin' prose." — Robin D. G. Kelley, author of Freedom Dreams: The Black Radical Imagination
"Mark Anthony Neal is one of the most creative and insightful intellectuals on the contemporary scene exploring how black popular music, especially R&B, provides a complex and rich historical legacy of submerged memories and communities of struggle that encompass the lived experience of black life in the United States." — Henry Giroux, author of Impure Acts: The Practical Politics of Cultural Studies
"Once again, Mark Anthony Neal has proven himself to be one of our most astute critics of contemporary American music. Neal takes readers on an exciting journey through the terrain of black popular culture shedding new light on the relationship between power, politics and cultural production. Courageous, Provocative and Insightful, Songs in the Key of Black Life is sure to spark dialogue and debate for all who read it." — Farah Jasmine Griffin, Professor of English and Comparative Literature at Columbia University
"Reading this book is like sitting down to a plate of collard greens with chopped up onions and tomatoes and a little touch of wine vinegar. A mouth-watering piece of hot water corn bread. A lean mean piece of short rib. And you know it's only going to get better because there is a sumptuous banana pudding bringing up the rear . . . . Smack those lips. Rub them hands. Say the blessing and get ready to feast! Thank you Mark Anthony Neal. It is delicious and truly delectable." — Umar Bin Hassan, The Last Poets: Selected Poems and a History of the Last Poets
"Neal creates a dense, sensuous space for a critical cultured black perspective, what "Soul Babies" called the "post-soul aesthetic" in black America. He illustrates his thesis throught use of black vernacular forms to produce a voice that is both streetwise and scholarly ...Neal may be the first writer capable of developing groundbreaking ideas in the academy and getting a new sticker on his "ghetto pass" in one stroke." — The Washington Post

From the Publisher