Sonidos de Karm¿¿tica Resonancia

Sonidos de Karm¿¿tica Resonancia

by Zoe
Sonidos de Karm¿¿tica Resonancia

Sonidos de Karm¿¿tica Resonancia

by Zoe

CD

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Overview

After the two lengthy intervals that preceded Zoe's last two albums, the Mexican band was on track for the usual cycle of touring and recording when the pandemic threw a spanner in the works. Their seventh studio album, Sonidos de Karmatica Resonancia, was meant to be completed in mid-2020, a mere two years after the Grammy-winning Aztlan (2018), but the band had to stop recording in March and could only physically reconvene in September to finish the proceedings in a couple of weeks. Even if its track list doesn't exactly correlate with the actual recording chronology, SKR also has the distinct feel of being an album of two halves. The first half is frontloaded with flawless Zoe singles, heavily indebted to indie pop of the late '80s and early '90s, and brimming with driving synthesizer riffs and textures, and eminent melodies all infused with the trademark romantic longing of Leon Larregui's voice and lyrics. "Velur" neatly compresses this formula into its first minute-and-a-half: the intro bears more than a passing resemblance to the Cure's "In Between Days," and as soon as Larregui starts to sing it is impossible not to conjure the ghost of Gustavo Cerati, so similar are his timbre, vocal mannerisms, and even his lexicon, to the late Soda Stereo frontman. The second half of SKR is a bit more uneven. As opposed to the unified front end presented by the initial salvo, the rest of the album offers a series of nods to different strands of Zoe's sonic legacy, as if the band want to reassure their fans (or perhaps themselves) that they have not turned into a singles-only machine. Besides being one of the few tracks built upon predominant acoustic guitars, "Cancion de Cuna para Marte" fulfills the mandatory cosmic song spot, "Tepoztlan" is a close cousin to the Aztec world of "Aztlan," "Ese Cuadro no Me Pinta" references the space rock of Pink Floyd augmented with tribal drumming, and "Bestiario" wraps things up with some social commentary. To their credit, the band never sound like they're on autopilot: so much attention is paid to the fine details in the songwriting and the production, not to mention the vibrancy in the execution. In short, SKR is a standard late-period Zoe album with the extra bonus of adding a slew of sure-fire hits ("SKR," "Fiebre," "Karmadame," and "Velur") to the band's already impressive set list. ~ Mariano Prunes

Product Details

Release Date: 04/09/2021
Label: Universal
UPC: 0602435890036
Rank: 52656

Tracks

  1. Popular
  2. Karmadame
  3. Velur
  4. El Duelo
  5. SKR
  6. Canci¿¿n de Cuna Para Marte
  7. Tepoztl¿¿n
  8. Fiebre
  9. Ese Cuadro No Me Pinta
  10. Bestiario

Album Credits

Performance Credits

Zoe   Primary Artist
Jesus Baez   Synthesizer
Leon Larregui   Voices
Rodrigo Guardiola   Drums
Yamil Rezc   Bass
Sergio Acosta   Guitar
Andres Sanchez   Bass
Daniel Slotnik   Saxophone
Angel Antonio Mosqueda Dominguez   Bass (Electric)
Felipe Ceballos   Percussion
Carla Sarinana   Voices
Mario Frias Corona   Guitar (Acoustic)
Florencia Quinteros   Voices
Andrea Franz   Voices

Technical Credits

Edgar Avelica   Editing Assistant
Leo Perez   Assistant Engineer
Tania Ornelas   Vocal Editing
Craig Silvey   Mixing,Producer
Jesus Baez   Composer
Leon Larregui   Composer
Rodrigo Guardiola   Composer
Alex Perez   Assistant Engineer
Sergio Acosta   Editing Assistant
Eduardo De La Paz   Recording
Fernando Grediaga   A&R
Fabrizio Onetto   A&R
Christian Jean   Composer,Music Assistant
Sergio Eduardo Acosta Russek   Composer
Juan Sebastian Rodriguez   Editing Assistant,Assistant Engineer
Angel Antonio Mosqueda Dominguez   Composer
Luis Lopez Valls   Editing
Gabriel Leal   Editing Assistant,Assistant Engineer
Dani Spragg   Mixing Assistant,Digital Mixing Assistant
Eduardo Barreiro   A&R
Mario Frias Corona   Editing Assistant,Assistant Engineer
Diego Garcia Beltran   Assistant Engineer
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