Sovereign Screens: Aboriginal Media on the Canadian West Coast

by Kristin L. Dowell

Overview

While Indigenous media have gained increasing prominence around the world, the vibrant Aboriginal media world on the Canadian West Coast has received little scholarly attention. As the first ethnography of the Aboriginal media community in Vancouver, Sovereign Screens reveals the various social forces shaping Aboriginal media production including community media organizations and avant-garde art centers, as well as the national spaces of cultural policy and media institutions.

Kristin L. Dowell uses the concept of visual sovereignty to examine the practices, forms, and meanings through which Aboriginal filmmakers tell their individual stories and those of their Aboriginal nations and the intertribal urban communities in which they work. She explores the ongoing debates within the community about what constitutes Aboriginal media, how this work intervenes in the national Canadian mediascape, and how filmmakers use technology in a wide range of genres—including experimental media—to recuperate cultural traditions and reimagine Aboriginal kinship and sociality.  Analyzing the interactive relations between this social community and the media forms it produces, Sovereign Screens offers new insights into the on-screen and off-screen impacts of Aboriginal media. 
 

Product Details

ISBN-13:	9780803245389
Publisher:	Nebraska
Publication date:	12/01/2013
Pages:	296
Product dimensions:	6.40(w) x 9.00(h) x 1.20(d)

About the Author

Kristin L. Dowell is an associate professor of anthropology at Florida State University. She is a visual anthropologist who has worked as a film curator at several Native film festivals. Her articles have appeared in the journals American Anthropologist and Transformations and in edited volumes, including Native Art of the Northwest Coast: A History of Changing Ideas, winner of the 2015 Canada Prize in the Humanities.

Table of Contents

List of Illustrations ix

Preface xi

Acknowledgments xix

List of Abbreviations xxvii

Introduction: Vancouver's Aboriginal Media World 1

1 The Indigenous Media Arts Group 21

2 Canadian Cultural Policy and Aboriginal Media 50

3 Aboriginal Diversity On-Screen 76

4 Building Community Off-Screen 106

5 Cultural Protocol in Aboriginal Media 134

6 Visual Sovereignty in Aboriginal Experimental Media 154

Epilogue 173

Appendix: Filmmakers and Films 187

Notes 201

References 237

Index 253

Editorial Reviews

"This important contribution to media and indigenous studies is destined to become required reading in these areas."—C. R. King, Choice

Choice - C. R. King

http://wings.buffalo.edu/ARD/cgi/showme.cgi?keycode=5866

Anthropology Review Database - Jack David Eller

“Nowhere is Aboriginal media more active, more vibrant, and more significant than in Canada. . . . The efforts of small, underfunded, ambitious, and creative groups of filmmakers in Vancouver make for an engaging story. . . . This is a clear, useful, and well-researched book.”—Michael Evans, author of Fast Runner: Filming the Legend of Atanarjuat
 
 

Michael Evans

“An accessible, thoughtful exploration of the important contributions Aboriginal media arts offer to Indigenous media studies, experimental and avant-garde media arts, and Indigenous sovereignty.”—Bernard C. Perley, American Ethnologist

American Ethnologist - Bernard C. Perley

“Sovereign Screens validates film as a powerful engine that drives self-determination through visual sovereignty, a returning to ourselves that can unite Aboriginal and all peoples through the shared experience of cinema.”—Grace L. Dillon, Pacific Historical Review
 

Pacific Historical Review - Grace L. Dillon

“Establishes a persuasive narrative of the development of an influential aspect of Aboriginal culture.”—Roy Todd, British Journal of Canadian Studies
 

British Journal of Canadian Studies - Roy Todd

“[A] beautifully detailed ethnography of Vancouver’s growing Aboriginal media hub. . . . Dowell convincingly argues that Aboriginal media is an act of visual sovereignty.”—Jennifer Kramer, author of Switchbacks: Art, Ownership, and Nuxalk National Identity 

Jennifer Kramer