Richard Hell has produced a rather small body of work as a musician -- two albums as a frontman --
Blank Generation and
Destiny Street -- and one in collaboration with a handful of downtown-New York all-stars, released under the handle
Dim Stars. But the work casts a very long shadow;
Hell has more than earned his reputation as one of the groundbreaking figures of the New York
new wave/
punk scene, not just for being there at the right place and time but for creating some powerful and startling records with a handful of gifted collaborators (most significantly, guitarist
Robert Quine), and the literacy and force of his songwriting has stood the test of time better than many of his peers' work (with the exception of
Patti Smith). But for a man with such a small legacy,
Richard Hell certainly seems fond of anthologizing his work, and
Spurts: The Best of Richard Hell marks the third time he has attempted to sum up his life in
rock & roll in one convenient package.
Spurts focuses a bit harder on the more recognizable facets of the
Hell canon than either 1984's
R.I.P. or 2002's expanded and revised version,
Time -- since
Spurts draws from a variety of sources rather than just unreleased material, it includes the most familiar versions of
"Love Comes in Spurts" and
"Blank Generation," as well as cuts from
Destiny Street (in newly remixed form) and the latter-day
Dim Stars sessions. There are a few historically important rarities on-board as well, most notably a live recording of
"Blank Generation," from
Hell's brief tenure with
Television, a radically different version of
"Love Comes in Spurts" recorded with
the Neon Boys (
Hell's pre-
Television collaboration with
Tom Verlaine), and a one-off, one-song reunion with the original
Voidoids from 2001 (
"Oh," which stands as a potent reminder of how great that band was). To look at the pieces, this is certainly the most career-inclusive
Hell collection of the three, and serves as a vivid testament to his talents. But despite the fact this set gets a ringing endorsement from
Hell himself (who compiled it), as a whole it isn't quite as satisfying as his two albums with the
Voidoids, and doesn't flow with the same jagged grace as
R.I.P. or
Time. (
Spurts also lacks
Time's witty and revealing liner notes, though the enclosed interview with
Robert Christgau and
Carola Dibbell certainly has its moments). As an introduction to
Hell's music,
Spurts is an appropriately intelligent, absorbing, and challenging anthology, but no one who is at all intrigued with his work should stop here. ~ Mark Deming
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