Staging art and Chineseness: The politics of trans/nationalism and global expositions
This book addresses the politics of borders in the era of global art by exploring the identification of Chinese artists by location and exhibition. Focusing on performative, body-oriented video works by the post-1989 generation, it tests the premise of genealogical inscription and the ways in which cultural objects are attributed to the artist’s residency, homeland or citizenship rather than cultural tradition, style or practice. Acknowledging historical definitions of Chineseness, including the orientalist assumptions of the past and the cultural-mixing of the present, the book’s case studies address the paradoxes and contradictions of representation. An analysis of the historical matrix of global expositions reveals the structural connections among art, culture, capital and nation.
1132754080
Staging art and Chineseness: The politics of trans/nationalism and global expositions
This book addresses the politics of borders in the era of global art by exploring the identification of Chinese artists by location and exhibition. Focusing on performative, body-oriented video works by the post-1989 generation, it tests the premise of genealogical inscription and the ways in which cultural objects are attributed to the artist’s residency, homeland or citizenship rather than cultural tradition, style or practice. Acknowledging historical definitions of Chineseness, including the orientalist assumptions of the past and the cultural-mixing of the present, the book’s case studies address the paradoxes and contradictions of representation. An analysis of the historical matrix of global expositions reveals the structural connections among art, culture, capital and nation.
36.95 In Stock
Staging art and Chineseness: The politics of trans/nationalism and global expositions

Staging art and Chineseness: The politics of trans/nationalism and global expositions

by Jane Chin Davidson
Staging art and Chineseness: The politics of trans/nationalism and global expositions

Staging art and Chineseness: The politics of trans/nationalism and global expositions

by Jane Chin Davidson

Paperback

$36.95 
  • SHIP THIS ITEM
    Qualifies for Free Shipping
  • PICK UP IN STORE
    Check Availability at Nearby Stores

Related collections and offers


Overview

This book addresses the politics of borders in the era of global art by exploring the identification of Chinese artists by location and exhibition. Focusing on performative, body-oriented video works by the post-1989 generation, it tests the premise of genealogical inscription and the ways in which cultural objects are attributed to the artist’s residency, homeland or citizenship rather than cultural tradition, style or practice. Acknowledging historical definitions of Chineseness, including the orientalist assumptions of the past and the cultural-mixing of the present, the book’s case studies address the paradoxes and contradictions of representation. An analysis of the historical matrix of global expositions reveals the structural connections among art, culture, capital and nation.

Product Details

ISBN-13: 9781526170606
Publisher: Manchester University Press
Publication date: 12/13/2022
Series: Rethinking Art's Histories
Pages: 240
Product dimensions: 6.14(w) x 9.21(h) x 0.66(d)

About the Author

Jane Chin Davidson is Professor of Art and Design at California State University, San Bernardino

Table of Contents

Introduction: staging art and Chineseness
1 Chineseness as a theoretical, historical and political problem in global art and exhibition
2 Patty Chang and the transnational cinematic subject of Chineseness
3 Environment, labor, and video: (eco) feminist interpellations of Chineseness in the work of Yuk King Tan, Cao Fei, Wu Mali
4 The dialectical image of empire
5 The archive of Chineseness: the global exposition and the museum
Index

From the B&N Reads Blog

Customer Reviews