Staging Governance: Theatrical Imperialism in London, 1770-1800

Between 1770 and 1800, transformations in the relationship between metropolitan British society and its colonial holdings, and in the concept of the nation itself, left Britons with a new sense of themselves. Over the same period, the consolidation of the middle classes was accompanied by growing social constraints on sexuality and family life. Staging Governance locates the intersection of these two trends in the representation of British India on the London stage. Theatrical productions, especially those representing colonial life, pushed the limits of public discourse on sexuality and colonialism even as the government made efforts to shape and narrow them. At the same time, official discourse on colonial practices, such as the public trials of Clive and Hastings, became theatrical events themselves.

Exploring this rapidly shifting world through a series of original readings of dramatic texts and important moments of oratory, Staging Governance demonstrates how the perceived crises of imperial and domestic Britain joined these spheres in the popular imagination. The economics of political and sexual exchange not only became entwined but functioned as mutual supports during a period of social, cultural, and political readjustment.

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Staging Governance: Theatrical Imperialism in London, 1770-1800

Between 1770 and 1800, transformations in the relationship between metropolitan British society and its colonial holdings, and in the concept of the nation itself, left Britons with a new sense of themselves. Over the same period, the consolidation of the middle classes was accompanied by growing social constraints on sexuality and family life. Staging Governance locates the intersection of these two trends in the representation of British India on the London stage. Theatrical productions, especially those representing colonial life, pushed the limits of public discourse on sexuality and colonialism even as the government made efforts to shape and narrow them. At the same time, official discourse on colonial practices, such as the public trials of Clive and Hastings, became theatrical events themselves.

Exploring this rapidly shifting world through a series of original readings of dramatic texts and important moments of oratory, Staging Governance demonstrates how the perceived crises of imperial and domestic Britain joined these spheres in the popular imagination. The economics of political and sexual exchange not only became entwined but functioned as mutual supports during a period of social, cultural, and political readjustment.

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Staging Governance: Theatrical Imperialism in London, 1770-1800

Staging Governance: Theatrical Imperialism in London, 1770-1800

by Daniel O'Quinn
Staging Governance: Theatrical Imperialism in London, 1770-1800

Staging Governance: Theatrical Imperialism in London, 1770-1800

by Daniel O'Quinn

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Overview

Between 1770 and 1800, transformations in the relationship between metropolitan British society and its colonial holdings, and in the concept of the nation itself, left Britons with a new sense of themselves. Over the same period, the consolidation of the middle classes was accompanied by growing social constraints on sexuality and family life. Staging Governance locates the intersection of these two trends in the representation of British India on the London stage. Theatrical productions, especially those representing colonial life, pushed the limits of public discourse on sexuality and colonialism even as the government made efforts to shape and narrow them. At the same time, official discourse on colonial practices, such as the public trials of Clive and Hastings, became theatrical events themselves.

Exploring this rapidly shifting world through a series of original readings of dramatic texts and important moments of oratory, Staging Governance demonstrates how the perceived crises of imperial and domestic Britain joined these spheres in the popular imagination. The economics of political and sexual exchange not only became entwined but functioned as mutual supports during a period of social, cultural, and political readjustment.


Product Details

ISBN-13: 9781421429205
Publisher: Johns Hopkins University Press
Publication date: 03/03/2020
Sold by: Barnes & Noble
Format: eBook
Pages: 440
File size: 8 MB
Age Range: 18 Years

About the Author

Daniel O'Quinn is an associate professor in the School of Literatures and Performance Studies in English at the University of Guelph, Ontario.

Table of Contents

Acknowledgements
Introduction: The Supplementation of Imperial Sovereignty
Part I: Ethnographic Acts
Chapter 1. Empire's Vicious Expenses: Samuel Foote's The Nabob and the Credit Crisis of 1772
Chapter 2. "As Much as Science Can Approach Barbarity" Pantomimical Ethnography in Omai; or, A Trip round the World
Part II: Women and the Trials of Imperial Masculinity
Chapter 3. Inchbald's Indies: Meditations on Despotism circa 1784
Chapter 4. The Raree Show of Impeachment
Chapter 5. Molière's Old Woman: Judging and Being Judged with Frances Burney
Part III: A Theatre of Perpetual War
Chapter 6. Starke Reforms: Martial Masculinity and the Perils of Indianization
Chapter 7. War and Precinema: Tipu Sultan and the Allure of Mechanical Display
Afterword: Recreational Alterity
Notes
Index

What People are Saying About This

Kalpana Seshadri-Crooks

A valuable piece of scholarship. It makes significant contributions to several fields simultaneously: British Romanticism, colonial discourse analysis, and drama studies.

Kalpana Seshadri-Crooks, Boston College

From the Publisher

A valuable piece of scholarship. It makes significant contributions to several fields simultaneously: British Romanticism, colonial discourse analysis, and drama studies.
—Kalpana Seshadri-Crooks, Boston College

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