Standing Heavy

Standing Heavy

by Gauz

Narrated by Diontae Black

Unabridged

Standing Heavy

Standing Heavy

by Gauz

Narrated by Diontae Black

Unabridged

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Available for Pre-Order. This item will be released on August 27, 2024

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Overview

A funny, fast-paced, and poignant take on Franco-African history, as told through the eyes of three African security guards in Paris.



All over the city, they are watching: Black men paid to stand guard, invisible among the wealthy flâneurs and yet the only ones who truly see. From Les Grands Moulins to a Sephora on the Champs-Élysées, Ferdinand, Ossiri, and Kassoum find their way as undocumented workers amidst political infighting and the ever-changing landscape of immigration policy. Fast-paced and funny, poignant and sharply satirical, Standing Heavy is a searing deconstruction of colonial legacies and capitalist consumption and an unforgettable account of everything that passes under the security guards' all-seeing eyes.

Editorial Reviews

From the Publisher

Praise for Standing Heavy

"This shrewd, episodic novel stars the security guards of Paris ... undocumented Ivoirian immigrants whose watchful eyes examine Parisian turmoil over two generations."
—New York Times

“This book is about the anti-flâneurs: not the rich white men who roam the boulevards of Paris but poorly paid Black men whose jobs require them to stand still. As a security guard, the protagonist of Standing Heavy is invisible but sees everything. Told in a fragmentary style—as if from different camera angles—this is the story of colonialism and consumerism, of the specifics of power, and of the hope of the sixties diminishing as society turns cynical and corrupt.”
—International Booker Prize Judges’ citation

"A spry volume of 167 pages ... that manages to trade heavily in politics while also sneaking up on your sympathy. I won’t spoil the end, but it startled me in its poignancy."
—The Walrus

"Tightly written and tautly structured, Standing Heavy has a considerable heft to it ... There have been countless novels written about class and immigration over the years, but what GauZ’ has done here is truly singular."
—Tobias Carroll, Words Without Borders

“Inventive and very funny.”
—John Self, The Guardian

“This compact, humane satire, deftly translated by Frank Wynne, entertains as much as it informs.” 
—Lucy Popescu, Financial Times

“A cunning observer and a disenchanted protestor, Gauz’ makes shopping an ethnological mine, a priceless sketch and a combat sport.”
Elle

"Standing Heavy (in translation by Frank Wynne) reads quickly, even though it’s rich and complex. I’d intended to read just a couple of chapters, but I spent a snowy afternoon reading the whole book until it was finished ... the style is vivid, the dialogue taut, and the presentation is clever."
—Buried in Print

"An incisive ... meaningful document chronicling the humanity of undocumented workers."
—Kirkus Reviews

"This combines some of my favorite things, a solid one-sit-read, an elegant translation, and an author willing to play with form ... A book I felt satisfied after reading once and yet left me ready to dig in again."
Publisher's Weekly

“Gauz casts a tender, yet lucid gaze on the African community. By devoting a book to the shadowy men of security, Gauz finally gives voice and life to those who, oddly enough, are invisible.”
Le Matricule des Anges

“A funny and poignant intergenerational tale of three Ivoirian men newly arrived in Paris. And a sharp social and political commentary, delivered via the sharp eyes of the black security guards that white Paris relies on to keep itself safe.”
—Tiffany Tsao, author of The Majesties

Kirkus Reviews

2023-09-23
This debut by GauZ’—his first English translation, courtesy of Wynne—makes visible the lives of African immigrants in France serving as the nation’s security guards.

In movies, GauZ’ observes, “no security guard has ever been a hero.” Ossiri, Kassoum, and Ferdinand are among those working security in France, all Black immigrants from Abidjan, Côte d’Ivoire. They are “Standing Heavies,” a term defined as “designat[ing] all the various professions that require the employee to remain standing in order to earn a pittance.” Ossiri watches for shoplifters at Camaïeu, a women’s clothing retailer; Kassoum patrols Les Grands Moulins de Paris, a disused flour mill, to prevent squatters; Ferdinand subcontracts out jobs from his own security company. GauZ’ spends half the book following these characters over several decades and ruminating with brittle humor on the inherited injustices of capitalism and postcolonial French West Africa. One particularly piercing insight describes the bitter irony of Europeans selling cotton, picked by enslaved Africans in America, back to Africa, in the form of “African print fabric” designed by former colonizers. The other half of the book is split into short, semiconnected snippets—a fragmentary collage of ideas, images, and impressions of consumerism which reads as if they were jotted down by a security guard people-watching on the Champs-Élysées. “A Black woman is applying white lipstick. It makes her look as though her lips are infected and filled with pus,” one entry reads. “Here, everything is on sale, even self-esteem,” concludes another. These mishmash sections are interesting but less memorable than the main narrative. This book should perhaps be read in one sitting for maximum effect and digested for long after.

An incisive, uneven, yet meaningful document chronicling the humanity of undocumented workers.

Product Details

BN ID: 2940192032763
Publisher: Tantor Audio
Publication date: 08/27/2024
Edition description: Unabridged
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