While cultural studies of crime in nineteenth-century France have generally focused on lurid murders, Stealing Things thoughtfully redirects our attention to theft—a crime that Peters reveals as definitive of the key social issues at stake in an age of industrialization and commodification. This book deftly weaves readings of memoirs, sociological treatises, penal codes, copyright law, and literature for adults and children into a sustained reflection on the era's shifting attitudes toward property—both material and conceptual. Ribbons, pocket watches, and poems, purloined, make their appearance (and disappearance) in this lively account.
Provocative and fresh, this wide-ranging study offers a unique perspective on the anxieties and pressures of an increasingly commercial 19th-century French culture. Juxtaposing memoirs, moral codes, specialized dictionaries, and a children's novel with more conventional newspapers, literary texts, and theories, Peters (Louisiana State Univ.) explores a weary and suspicious century caught up in the throes of exchange and reinvention. Thoughtful and diverse early chapters on Balzac's Code des gens honnêtes, Vidocq's contemporaneous Mémoirs and Les voleurs, and Ségur's Les Malheurs de Sophie give way to an analysis of pocket watches—symbol of the emergence of a new social order and the upheaval of commodification—in Zola and Balzac. Final chapters on urban spaces and socioeconomic transformation detail questions of intellectual property theft and the tensions of literary kleptomania. The thoroughness and originality of the introduction alone, with its presentation of the philosophical, legal, and literary conditions of the late 18th century, truly distinguish this volume. Summing Up: Highly recommended. Upper-division undergraduates through faculty.
Stealing Things constitutes a fine performance and will be of interest to students of crime fiction and the nineteenth century.
This new volume traces the evolving notions of property, ownership, and theft from pre-revolutionary France to the early 20thcentury by expertly exploring the vicissitudes and ramifications of this cultural nexus in fiction and nonfiction. Peters’ thoughtful and probing consideration takes in and even focuses on the rarely explored yet crucial areas of authorial plagiarism and, most significantly, the phenomenon of increased feminine involvement in theft by the end of the 19th century.
Provocative and fresh, this wide-ranging study offers a unique perspective on the anxieties and pressures of an increasingly commercial 19th-century French culture. Juxtaposing memoirs, moral codes, specialized dictionaries, and a children's novel with more conventional newspapers, literary texts, and theories, Peters (Louisiana State Univ.) explores a weary and suspicious century caught up in the throes of exchange and reinvention. Thoughtful and diverse early chapters on Balzac's Code des gens honnêtes, Vidocq's contemporaneous Mémoirs and Les voleurs, and Ségur's Les Malheurs de Sophie give way to an analysis of pocket watches—symbol of the emergence of a new social order and the upheaval of commodification—in Zola and Balzac. Final chapters on urban spaces and socioeconomic transformation detail questions of intellectual property theft and the tensions of literary kleptomania. The thoroughness and originality of the introduction alone, with its presentation of the philosophical, legal, and literary conditions of the late 18th century, truly distinguish this volume. Summing Up: Highly recommended. Upper-division undergraduates through faculty.
Provocative and fresh, this wide-ranging study offers a unique perspective on the anxieties and pressures of an increasingly commercial 19th-century French culture. Juxtaposing memoirs, moral codes, specialized dictionaries, and a children's novel with more conventional newspapers, literary texts, and theories, Peters (Louisiana State Univ.) explores a weary and suspicious century caught up in the throes of exchange and reinvention. Thoughtful and diverse early chapters on Balzac's Code des gens honnêtes, Vidocq's contemporaneous Mémoirs and Les voleurs, and Ségur's Les Malheurs de Sophie give way to an analysis of pocket watches—symbol of the emergence of a new social order and the upheaval of commodification—in Zola and Balzac. Final chapters on urban spaces and socioeconomic transformation detail questions of intellectual property theft and the tensions of literary kleptomania. The thoroughness and originality of the introduction alone, with its presentation of the philosophical, legal, and literary conditions of the late 18th century, truly distinguish this volume. Summing Up: Highly recommended. Upper-division undergraduates through faculty.
