Leon Redbone entered the 1990s with the baker's dozen of selections on
Sugar (1991), one of his best overall efforts to date. His unique and unmistakable interpretations of obscure
jazz and early popular melodies are augmented by the occasional and equally singular original composition. The tunes are carefully crafted in such a way that they ably augment
Redbone's distinct vocals, which vacillate between a gravel-voiced mumble and full-bodied bellow. In keeping with the musical persona he'd established for himself, the arrangements are often a synthesis of the refined
jazz stylings of the
Quintet of the Hot Club of France, with essential nuggets of
traditional American
folk,
blues and
pop. The opening
"Ghost of the St. Louis Blues" is the perfect case in point, as the tastefully scored string section caresses the mid-tempo pace.
Asleep at the Wheel member
Cindy Cashdollar's twangy dobro and
Bob Mastro's sweet mandolin frail earmark the rural sleepy
waltz "Roll Along Kentucky Moon." Comparatively spry are
"Right or Wrong," the title track
"Sugar," and a standout cover of
"When I Take My Sugar to Tea," which are a rousing mixture of freewheeling
ragtime and the playfulness of
Django Reinhardt's days in the aforementioned
Quintet of the Hot Club of France. Another adeptly executed remake is
"Pretty Baby," capturing all the charm of
Al Jolson's best-known rendering, yet the artist provides a freshness in this interpretation, making it unquestionably his own.
Redbone supplies a few of the album's more memorable sides, such as the jaunty wordless
"Whistling Colonel" and the understated and intimate repose of
"So, Relax." The closing instrumental
"14th Street Blues" is brought to life by the honey toned clarinet of
Ken Peplowski, whose tenure in the modern re-creation of the
Tommy Dorsey Orchestra is evident by the redolent
soul he brings to the performance. Longtime enthusiasts will not be disappointed with
Sugar and curious parties will similarly find it a great entree into
Redbone's catalog. ~ Lindsay Planer
