Suicide as a Cultural Institution in Dostoevsky's Russia / Edition 1

Suicide as a Cultural Institution in Dostoevsky's Russia / Edition 1

by Irina Paperno
ISBN-10:
0801484251
ISBN-13:
9780801484254
Pub. Date:
02/19/1998
Publisher:
Cornell University Press
ISBN-10:
0801484251
ISBN-13:
9780801484254
Pub. Date:
02/19/1998
Publisher:
Cornell University Press
Suicide as a Cultural Institution in Dostoevsky's Russia / Edition 1

Suicide as a Cultural Institution in Dostoevsky's Russia / Edition 1

by Irina Paperno

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Overview

In the popular and scientific imagination, suicide has always been an enigmatic act that defies, and yet demands, explanation. Throughout the centuries, philosophers and writers, journalists and scientists have attempted to endow this act with meaning. In the nineteenth century, and especially in Russia, suicide became the focus for discussion of such issues as the immortality of the soul, free will and determinism, the physical and the spiritual, the individual and the social. Analyzing a variety of sources—medical reports, social treatises, legal codes, newspaper articles, fiction, private documents left by suicides—Irina Paperno describes the search for the meaning of suicide. Paperno focuses on Russia of the 1860s–1880s, when suicide was at the center of public attention.


Product Details

ISBN-13: 9780801484254
Publisher: Cornell University Press
Publication date: 02/19/1998
Edition description: New Edition
Pages: 336
Product dimensions: 6.00(w) x 9.00(h) x 0.88(d)
Lexile: 1420L (what's this?)
Age Range: 18 Years

About the Author

Irina Paperno is Professor of Slavic Languages and Literatures at the University of California, Berkeley. A graduate of Tartu University in the former Soviet Union, she holds advanced degrees in Slavic languages and literatures and in psychology from Stanford University. She is the author of Chernyshevsky and the Age of Realism: A Study in the Semiotics of Behavior.

What People are Saying About This

Laura Engelstein

Inspired by the interpretive dilemma of suicide in nineteenth-century Russia, Paperno offers a superb reading of contemporary responses, across genres and philosophical divides. A fascinating view of the symbolic recesses of a culture in transition.

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