Sunny, Vol. 1

by Taiyo Matsumoto

Overview

A story of childhood longing and dreams as only Eisner Award winner Taiyo Matsumoto (Tekkonkinkreet) could tell it.

What is Sunny? Sunny is a car. Sunny is a car you take on a drive with your mind. It takes you to the place of your dreams. Sunny is the story of beating the odds, in the ways that count. It’s the brand-new masterwork from Eisner Award-winner Taiyo Matsumoto, one of Japan’s most innovative and acclaimed manga artists. Translated by Tekkonkinkreet film director Michael Arias!

Product Details

ISBN-13:	9781421555256
Publisher:	VIZ Media LLC
Publication date:	05/21/2013
Series:	Sunny , #1
Pages:	224
Sales rank:	422,104
Product dimensions:	8.46(w) x 5.92(h) x 0.84(d)
Age Range:	14 - 17 Years

About the Author

Taiyo Matsumoto is best known to English-reading audiences as the creator of Tekkonkinkreet, which in 2006 was made into an animated feature film of the same name, directed by Michael Arias. In 2007, Matsumoto was awarded a Japan Media Arts Festival Excellence Award, and in 2008 he won an Eisner Award for the English publication of Tekkonkinkreet.

Editorial Reviews

Eisner Award–winner Matsumoto’s (Tekkon Kinkreet) newest work is a touching but sad story of the lost souls in the Star Kids children’s home. When new kid Sei is dropped off by his parents, he believes they’ll return for him soon. But he discovers that the other kids at the home once believed they, too, would quickly return to their parents. The home is populated with problem kids like Junsuke, a kleptomaniac; Haruo, a rebellious preteen whose devil-may-care attitude hides a soft heart; Kenji, who needs his absentee alcoholic father’s permission to drop out of middle school; sensitive Megumu, who fears dying alone; and Kiko, a girl trying too hard to become a woman. The Star Kids home is a chaotic place full of broken children desperate for love. Their sole break from reality is a dilapidated old car—Sunny—in the front lawn, where they imagine taking a ride to a magical world. The predominantly black-and-white art, in a style with more realism than most manga illustration, is occasionally interrupted by beautiful full-color paintings. Matsumoto deftly weaves a sense of longing and sadness into even the most chaotic scenes, and readers are drawn into the lives of children struggling to be themselves in a world that doesn’t want them. The first in a series. (May)

Publishers Weekly