Tartuffe
Jean-Baptiste Poquelin, known popularly by his stage name Molière, is regarded as one of the masters of French comedic drama. When Molière began acting in Paris there were two well-established theatrical companies, those of the Hôtel de Bourgogne and the Marais. Joining these theatrical companies would have been impossible for a new member of the acting profession like Molière and thus he performed with traveling troupes of actors in the French provinces. It was during this period that Molière would refine his skills as both an actor and a writer. Eventually his reputation would increase allowing him to return to Paris where he gained the patronage of Philippe I, Duke of Orléans, the brother of the King of France, Louis XIV. One of Molière’s most controversial plays, “Tartuffe” first appeared in 1664. It is the story of Orgon, the head of his family, who has fallen under the influence of Tartuffe, an imposter who pretends to be pious and to speak with divine authority. Because of its satirical presentation of religion “Tartuffe” greatly offended religious authorities of the time causing its censor by the King. Eventually after two revisions the play was allowed to be publically performed at the Palais-Royal theatre were it was highly successful. This edition follows the translation of Curtis Hidden Page, includes an introduction by John E. Matzke, and a biographical afterword.
"1003062702"
Tartuffe
Jean-Baptiste Poquelin, known popularly by his stage name Molière, is regarded as one of the masters of French comedic drama. When Molière began acting in Paris there were two well-established theatrical companies, those of the Hôtel de Bourgogne and the Marais. Joining these theatrical companies would have been impossible for a new member of the acting profession like Molière and thus he performed with traveling troupes of actors in the French provinces. It was during this period that Molière would refine his skills as both an actor and a writer. Eventually his reputation would increase allowing him to return to Paris where he gained the patronage of Philippe I, Duke of Orléans, the brother of the King of France, Louis XIV. One of Molière’s most controversial plays, “Tartuffe” first appeared in 1664. It is the story of Orgon, the head of his family, who has fallen under the influence of Tartuffe, an imposter who pretends to be pious and to speak with divine authority. Because of its satirical presentation of religion “Tartuffe” greatly offended religious authorities of the time causing its censor by the King. Eventually after two revisions the play was allowed to be publically performed at the Palais-Royal theatre were it was highly successful. This edition follows the translation of Curtis Hidden Page, includes an introduction by John E. Matzke, and a biographical afterword.
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Tartuffe

Tartuffe

by Moliere
Tartuffe

Tartuffe

by Moliere

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Overview

Jean-Baptiste Poquelin, known popularly by his stage name Molière, is regarded as one of the masters of French comedic drama. When Molière began acting in Paris there were two well-established theatrical companies, those of the Hôtel de Bourgogne and the Marais. Joining these theatrical companies would have been impossible for a new member of the acting profession like Molière and thus he performed with traveling troupes of actors in the French provinces. It was during this period that Molière would refine his skills as both an actor and a writer. Eventually his reputation would increase allowing him to return to Paris where he gained the patronage of Philippe I, Duke of Orléans, the brother of the King of France, Louis XIV. One of Molière’s most controversial plays, “Tartuffe” first appeared in 1664. It is the story of Orgon, the head of his family, who has fallen under the influence of Tartuffe, an imposter who pretends to be pious and to speak with divine authority. Because of its satirical presentation of religion “Tartuffe” greatly offended religious authorities of the time causing its censor by the King. Eventually after two revisions the play was allowed to be publically performed at the Palais-Royal theatre were it was highly successful. This edition follows the translation of Curtis Hidden Page, includes an introduction by John E. Matzke, and a biographical afterword.

Product Details

ISBN-13: 9781420977264
Publisher: Digireads.com Publishing
Publication date: 09/21/2021
Sold by: Barnes & Noble
Format: eBook
File size: 3 MB

About the Author

Jean-Baptiste Poquelin Molière (1622-73), the French actor-manager and dramatist, was one of the theatre's greatest comic classics. Inspired by traditions of French farce and the 'commedia dell'arte', he courted controversy with his satiric commentaries on the society of his time and on eternal human foibles, but was saved by the patronage of the 'Sun King' Louis XIV.

ChrisCampbell read English and French at St Edmund Hall, Oxford. He is currently the Literary Manager at the Royal Court Theatre. Christopher has worked as an actor in Canada, France and Belgium, as well as here in the UK.

What People are Saying About This

Florent Masse

This dynamic new translation of Tartuffe conveys the subject matter of Molière's perennial masterpiece in a way that resonates for contemporary audiences. Prudence Steiner has modernized and revitalized the text, making its burning and scandalous tone stand out, as it does in the original French. The thorough introduction to the play skillfully invites the reader into the dark and controversial world of Tartuffe. (Florent Masse, Princeton University)

Jim Carmody

The new Steiner Tartuffe offers welcome relief from all the rhymed translations that make Molière sound like a third-rate Restoration poet while creating the (false) impression that verbal dexterity and wit trump all other values in the great comic playwright's dramaturgy. Steiner's crisp, lucid prose - her adroitly balanced sentences are especially effective at conveying the slippery rhetoric of Tartuffe's seductions - unfolds the plot and characters of Molière's play with an unaccustomed clarity, presenting the ideological clashes of the play with a bluntness many other translations attenuate. Roger Herzel's Introduction is well-focused for those encountering Molière for the first time and informed throughout by his own excellent scholarship. (Jim Carmody, University of California, San Diego)

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