Teaching General Music: Approaches, Issues, and Viewpoints
General music is informed by a variety of teaching approaches and methods. These pedagogical frameworks guide teachers in planning and implementing instruction. Established approaches to teaching general music must be understood, critically examined, and possibly re-imagined for their potential in school and community music education programs.
Teaching General Music brings together the top scholars and practitioners in general music education to create a panoramic view of general music pedagogy and to provide critical lenses through which to view these frameworks. The collection includes an examination of the most prevalent approaches to teaching general music, including Dalcroze, Informal Learning, Interdisciplinary, Kodály, Music Learning Theory, Orff Schulwerk, Social Constructivism, and World Music Pedagogy. In addition, it provides critical analyses of general music and teaching systems, in light of the ways children around the world experience music in their lives. Rather than promoting or advocating for any single approach to teaching music, this book presents the various approaches in conversation with one another. Highlighting the perceived and documented benefits, limits, challenges, and potentials of each, Teaching General Music offers myriad lenses through which to re-read, re-think, and re-practice these approaches.
"1122980654"
Teaching General Music: Approaches, Issues, and Viewpoints
General music is informed by a variety of teaching approaches and methods. These pedagogical frameworks guide teachers in planning and implementing instruction. Established approaches to teaching general music must be understood, critically examined, and possibly re-imagined for their potential in school and community music education programs.
Teaching General Music brings together the top scholars and practitioners in general music education to create a panoramic view of general music pedagogy and to provide critical lenses through which to view these frameworks. The collection includes an examination of the most prevalent approaches to teaching general music, including Dalcroze, Informal Learning, Interdisciplinary, Kodály, Music Learning Theory, Orff Schulwerk, Social Constructivism, and World Music Pedagogy. In addition, it provides critical analyses of general music and teaching systems, in light of the ways children around the world experience music in their lives. Rather than promoting or advocating for any single approach to teaching music, this book presents the various approaches in conversation with one another. Highlighting the perceived and documented benefits, limits, challenges, and potentials of each, Teaching General Music offers myriad lenses through which to re-read, re-think, and re-practice these approaches.
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Teaching General Music: Approaches, Issues, and Viewpoints

Teaching General Music: Approaches, Issues, and Viewpoints

Teaching General Music: Approaches, Issues, and Viewpoints

Teaching General Music: Approaches, Issues, and Viewpoints

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Overview

General music is informed by a variety of teaching approaches and methods. These pedagogical frameworks guide teachers in planning and implementing instruction. Established approaches to teaching general music must be understood, critically examined, and possibly re-imagined for their potential in school and community music education programs.
Teaching General Music brings together the top scholars and practitioners in general music education to create a panoramic view of general music pedagogy and to provide critical lenses through which to view these frameworks. The collection includes an examination of the most prevalent approaches to teaching general music, including Dalcroze, Informal Learning, Interdisciplinary, Kodály, Music Learning Theory, Orff Schulwerk, Social Constructivism, and World Music Pedagogy. In addition, it provides critical analyses of general music and teaching systems, in light of the ways children around the world experience music in their lives. Rather than promoting or advocating for any single approach to teaching music, this book presents the various approaches in conversation with one another. Highlighting the perceived and documented benefits, limits, challenges, and potentials of each, Teaching General Music offers myriad lenses through which to re-read, re-think, and re-practice these approaches.

Product Details

ISBN-13: 9780199328109
Publisher: Oxford University Press
Publication date: 02/03/2016
Edition description: Reprint
Pages: 392
Sales rank: 985,443
Product dimensions: 6.10(w) x 9.10(h) x 1.10(d)

About the Author

Carlos R. Abril is professor and director of undergraduate music education at the University of Miami Frost School of Music. His research focuses on sociocultural issues in music education, music education policy, and curriculum. Abril is co-editor of the book Musical Experiences in Our Lives and serves on the editorial board of numerous journals in North America, South America, and Europe. He is a recipient of the Provost's Research Award at the University of Miami.


Brent M. Gault is associate professor of music education at the Indiana University Jacobs School of Music. His areas of interest include music education policy, children's vocal development, and music listening in childhood. Articles by Gault have appeared in the Journal of Research in Music Education and Bulletin for the Council of Research in Music Education. He is the author of the book Listen Up! Fostering Musicianship through Active Listening, also published by Oxford University Press.

Table of Contents

Introduction
Carlos R. Abril and Brent M. Gault
1. Untangling General Music Education: Concept, Theory, and Practice
Carlos R. Abril
Approaches
2. Orff Schulwerk: Releasing and Developing the Musical Imagination
Amy Beegle and Judith Bond
3. Teaching Music with a Social Constructivist Vision of Learning
Jackie Wiggins
4. Kodály-Inspired Teaching: A Bridge to Musical Fluency
Brent M. Gault
5. World Music Pedagogy: Where Music Meets Culture in Classroom Practice
Patricia Shehan Campbell
6. Learning with Digital Media and Technology in Hybrid Music Classrooms
Evan Tobias
7. The Dalcroze Approach: Experiencing and Knowing Music through the Embodied Exploration
Marja-Leena Juntunen
8. Adopting an Interdisciplinary Approach to General Music
Janet R. Barrett
9. Music Learning Theory: A Theoretical Framework in Action
Cynthia Crump Taggart
10. Informal Learning in General Music Education
Ruth Wright
Issues and Viewpoints
11. Thinking About and Responding to Culture in General Music
Carlos R. Abril and Jacqueline Kelly-McHale
12. Adaptability and Flexibility in General Music Teaching
Chee Hoo Lum
13. Questioning the Unmusical Ways We Teach Children Music
Peggy D. Bennett
14. Applying the Principles of Universal Design for Learning in General Music
Alice Ann Darrow
15. Teaching General Music in the Digital Age
Ann Clements
16. "Reading" Methods
Cathy Benedict
Conclusion
17. Looking Back, Moving Forward
Brent M. Gault
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