Termites of the Gods: San cosmology in southern African rock art

Siyakha Mguni’s personal journey, over many years, to discover the significance of a hitherto enigmatic theme in San rock paintings known as formlings.
In Termites of the Gods, Siyakha Mguni narrates his personal journey, over many years, to discover the significance of a hitherto enigmatic theme in San rock paintings known as 'formlings'. Formlings are a painting category found across the southern African region, including South Africa, Namibia and Zimbabwe, with its densest concentration in the Matopo Hills, Zimbabwe.
Generations of archaeologists and anthropologists have wrestled with the meaning of this painting theme in San cosmology without reaching consensus or a plausible explanation. Drawing on San ethnography published over the past 150 years, Mguni argues that formlings are, in fact, representations of flying termites and their underground nests, and are associated with botantical subjects and a range of larger animals considered by the San to have great power and spiritual significance.
This book fills a gap in rock art studies around the interpretation and meaning of formlings. It offers an innovative methodological approach for understanding subject matter in San rock art that is not easily recognisable, and will be an invaluable reference book to students and scholars in rock art studies and archaeology.

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Termites of the Gods: San cosmology in southern African rock art

Siyakha Mguni’s personal journey, over many years, to discover the significance of a hitherto enigmatic theme in San rock paintings known as formlings.
In Termites of the Gods, Siyakha Mguni narrates his personal journey, over many years, to discover the significance of a hitherto enigmatic theme in San rock paintings known as 'formlings'. Formlings are a painting category found across the southern African region, including South Africa, Namibia and Zimbabwe, with its densest concentration in the Matopo Hills, Zimbabwe.
Generations of archaeologists and anthropologists have wrestled with the meaning of this painting theme in San cosmology without reaching consensus or a plausible explanation. Drawing on San ethnography published over the past 150 years, Mguni argues that formlings are, in fact, representations of flying termites and their underground nests, and are associated with botantical subjects and a range of larger animals considered by the San to have great power and spiritual significance.
This book fills a gap in rock art studies around the interpretation and meaning of formlings. It offers an innovative methodological approach for understanding subject matter in San rock art that is not easily recognisable, and will be an invaluable reference book to students and scholars in rock art studies and archaeology.

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Termites of the Gods: San cosmology in southern African rock art

Termites of the Gods: San cosmology in southern African rock art

by Siyakha Mguni
Termites of the Gods: San cosmology in southern African rock art

Termites of the Gods: San cosmology in southern African rock art

by Siyakha Mguni

eBook

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Overview

Siyakha Mguni’s personal journey, over many years, to discover the significance of a hitherto enigmatic theme in San rock paintings known as formlings.
In Termites of the Gods, Siyakha Mguni narrates his personal journey, over many years, to discover the significance of a hitherto enigmatic theme in San rock paintings known as 'formlings'. Formlings are a painting category found across the southern African region, including South Africa, Namibia and Zimbabwe, with its densest concentration in the Matopo Hills, Zimbabwe.
Generations of archaeologists and anthropologists have wrestled with the meaning of this painting theme in San cosmology without reaching consensus or a plausible explanation. Drawing on San ethnography published over the past 150 years, Mguni argues that formlings are, in fact, representations of flying termites and their underground nests, and are associated with botantical subjects and a range of larger animals considered by the San to have great power and spiritual significance.
This book fills a gap in rock art studies around the interpretation and meaning of formlings. It offers an innovative methodological approach for understanding subject matter in San rock art that is not easily recognisable, and will be an invaluable reference book to students and scholars in rock art studies and archaeology.


Product Details

ISBN-13: 9781868147779
Publisher: Wits University Press
Publication date: 03/01/2015
Sold by: Barnes & Noble
Format: eBook
Pages: 232
File size: 19 MB
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About the Author

Siyakha Mguni is the Project Manager of the International Rock Art Collaboration coordinated from the Rock Art Research Institute, School of Geography, Archaeology and Environmental Studies at the University of the Witwatersrand, Johannesburg. He holds a PhD from the University of Cape Town, South Africa.
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