Publishers Weekly
08/19/2019
This anthology of 32 poems by a diverse array of writers invites readers into a deeper understanding of gratitude. Paul, a We Need Diverse Books cofounder, knits together an impressive patchwork of poetic forms and voices, including an acrostic ode to dimples and a ballad about uncovering a beach’s most perfect rock. Illustrations by Myles (who is Spirit Lake Dakota, Mohegan, and Muscokee Creek) have a static quality that frames the lyricism of the texts with myriad colors and textures. Back matter includes contributor bios, easy-to-digest descriptions of poetic and literary devices used throughout, and a letter from Paul about “the myths and half-truths” about Thanksgiving, and related misrepresentations of Native and First Nations people. Though some works are stronger than others, this is a thoughtful resource for poetry students and teachers. Ages 6–10. (Sept.)
From the Publisher
"[A] thoughtful resource for poetry students and teachers."—Publishers Weekly
Kirkus Reviews
2019-06-23
An anthology of diverse voices united by the theme of giving thanks.
In her editorial debut, Paul (Nine Months: Before a Baby Is Born, 2019, etc.) pairs over 30 poems with Myles' (Spirit Lake Dakota/Mohegan/Muscokee Creek) spirited illustrations capturing favorite things for which the nearly three-dozen poets represented here are thankful. Motivated by the sentiment that gratitude should be expressed year-round, Paul collects poems as varied in form as content. The poets not only select a wide array of objects inspiring gratitude—including dimples, "Deep indents in my brown skin / Inspired by the smile bouncing upward from my toes"; an alluring "ocean rock" too perfect for skipping across the water; and the rich experience behind "each scar"—but employ incredibly varied lyric forms such as acrostic, ballad, tricube, even "math poems" ("family + friends + love = a thankful heart"). Myles' colorful digitally rendered illustrations help contextualize the poems, saturated, often abstract backgrounds complementing neatly outlined, diverse figures. While Paul's choice of contributors and Myles' depictions of characters are refreshingly inclusive, the collection succeeds more in its individual poetic efforts than an anthology as a whole. Backmatter includes a guide to the forms and devices on display, thumbnail bios of each contributor, and an author's note complicating simplistic perceptions of Thanksgiving.
Lovely lyric lessons in appreciating the ordinary. (resources) (Picture book/poetry. 6-10)
