The 13 Nights of Halloween

by Guy Vasilovich, Guy Vasilovich (Illustrator)

Overview

On the first night of Halloween, my mummy gives to me…a bright, shiny Skeleton Key!

Sing along with this fun and silly Halloween take on the classic song “The 12 Days of Christmas."

For each of the thirteen nights leading up to the creepiest—and silliest—night of the year, the mummy is ready with gifts. From singing skulls to demons dancing to icky eyeballs, each one is spookier and slimier than the next!

This holiday mashup is the perfect way to gear up for Halloween celebrations. Filled with tricks and treats, laughs and smiles, this picture book’s catchy text and whimsical illustrations are sure to make the Halloween season even more fun!

Perfect for fans of Room on the Broom by Julia Donaldson and Creepy Carrots! by Aaron Reynolds. 

Product Details

ISBN-13:	9780062183668
Publisher:	HarperCollins
Publication date:	11/15/2011
Sold by:	HARPERCOLLINS
Format:	eBook
Pages:	40
File size:	6 MB
Age Range:	4 - 7 Years

About the Author

Guy Vasilovich is supervising director of the international animated series Geronimo Stilton, as well as executive producer and creator of his own animated series for YTV in Canada, Moville Mysteries, starring the voice of Frankie Muniz. He has directed, developed, designed, and written animated shows for Nickelodeon, Warner Brothers, Universal, Disney, and Comedy Central and has served as Film Roman’s creative executive, developing original properties for live action and animation. Guy also cocreated the popular daily and Sunday syndicated comic strip When I Was Short. He lives in Burbank, California. This is his first picture book.

Editorial Reviews

In a raucous revamp of the “Twelve Days of Christmas” carol, an impish child describes the gifts that her “mummy” gives to her, starting with “a bright, shiny skeleton key.” On the third night of Halloween, she receives “3 Baseball Bats” (the flying mammals wear baseball caps); on the fifth night, “5 Singing Skulls;” and on the seventh night, “7 Goblins Gobbling.” With a fluorescent palette and an undead Nickelodeon aesthetic, debut talent Vasilovich offers a suitably creepy vision of Halloween night. Ages 4–8. (Aug.)

Publishers Weekly

PreS-Gr 2—Using the formula for "The 12 Days of Christmas," Vasilovich has created a mildly spooky rhyme for Halloween. On the first night of the holiday, a small girl with an oversize head, huge eyes, and antennaelike pigtails receives a bright, shiny skeleton key from her mummy. Each successive night, a spread describes the next eerie gift and recaps the previous presents. Some of these alliterative offerings are clever: icky eyeballs, baseball bats, singing skulls, corpses caroling, and marching mutants. But others are merely redundant: witches witching and ghosts a-ghosting. The illustrations are delightfully macabre. The smiling little ghoul and the bright, angular creatures she is given are set against swirling backgrounds that should elicit squeals from youngsters who are looking for slightly scary stories.—Martha Simpson, Stratford Library Association, CT

School Library Journal

"The 12 Days of Christmas" inspires a creepy countdown to Halloween night.

Before any text appears, a spunky little witch girl flies into the body of the book clutching her crooked broom and imploring with oversize manga-bright eyes for readers to come, too. "On the first night of Halloween / my mummy gave to me: / a bright, / shiny / Skeleton Key." The following nights bring a 2-headed snake, 3 Baseball Bats, 4 Icky Eyeballs and so on. (All cardinal numbers are rendered as numerals, while the ordinal numbers are spelled out.) Some days are less successful than others. Ghosts a-Ghosting and Witches Witching—huh? But Vasilovich is one to watch: His extensive experience in television animation and comics illustration is evident. Any page looks like a still from a scary cartoon movie. He achieves a Tim Burton–esque mood with settings full of sharp angles and zigzagging lines. Backgrounds of deep greens and purples and glowing oranges and yellows set off the dark action on each spread. Even though the creatures seem more sinister as each night goes by (the eyes are particularly chilling), the witch seems positively charmed. The big day finally arrives, and the text spirals with the key at the center of the page. It unlocks a room where all the characters come together for a most haunting Halloween celebration.

More shivery than stunning; for slightly older readers.(Picture book. 5-8)

Kirkus Reviews