The Adversary: A True Story of Monstrous Deception
The Adversary—now a major motion picture starring Daniel Auteuil (Sade, Girl on the Bridge, Jean de Florette) directed by Nicole Garcia (Place Vendome).

Acclaimed master of psychological suspense, Emmanuel Carrère, whose fiction John Updike described as "stunning" (The New Yorker) explores the double life of a respectable doctor, eighteen years of lies, five murders, and the extremes to which ordinary people can go.

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The Adversary: A True Story of Monstrous Deception
The Adversary—now a major motion picture starring Daniel Auteuil (Sade, Girl on the Bridge, Jean de Florette) directed by Nicole Garcia (Place Vendome).

Acclaimed master of psychological suspense, Emmanuel Carrère, whose fiction John Updike described as "stunning" (The New Yorker) explores the double life of a respectable doctor, eighteen years of lies, five murders, and the extremes to which ordinary people can go.

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The Adversary: A True Story of Monstrous Deception

The Adversary: A True Story of Monstrous Deception

The Adversary: A True Story of Monstrous Deception

The Adversary: A True Story of Monstrous Deception

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Overview

The Adversary—now a major motion picture starring Daniel Auteuil (Sade, Girl on the Bridge, Jean de Florette) directed by Nicole Garcia (Place Vendome).

Acclaimed master of psychological suspense, Emmanuel Carrère, whose fiction John Updike described as "stunning" (The New Yorker) explores the double life of a respectable doctor, eighteen years of lies, five murders, and the extremes to which ordinary people can go.


Product Details

ISBN-13: 9780312420604
Publisher: Picador
Publication date: 01/05/2002
Edition description: First Edition
Pages: 208
Sales rank: 498,400
Product dimensions: 5.50(w) x 8.50(h) x 0.46(d)

About the Author

Emmanuel Carrère, novelist, filmmaker, journalist, and biographer, is the award-winning internationally renowned author of 97,196 Words, The Adversary (a New York Times Notable Book), Lives Other Than My Own, My Life As A Russian Novel, Class Trip, and The Mustache. Carrère lives in Paris.

Read an Excerpt

Luc Ladmiral was awakened shortly after four o'clock Monday morning by a telephone call from Jacques Cottin, the pharmacist in Prévessin. The Romands' house was on fire; their friends should come try to salvage as much of the furniture as possible. When Luc arrived, the firemen were bringing out the bodies. All his life he will remember the sealed gray plastic bags into which they had put the children: too horrible to look at. Florence had simply been covered with a coat. Her face, blackened by the smoke, was unmarked. Smoothing her hair in a desolate gesture of farewell, Luc's fingers encountered something strange. He felt around, carefully tilting the young woman's head to one side, then called over a fireman to show him, at the base of the skull, an open wound. It must have been from a beam that fell on her, the fireman said; part of the attic had collapsed. Luc then clambered into the red truck where the rescuers had placed Jean-Claude, the only one of the family who was still alive. His pulse was weak. He was in pajamas, unconscious, burned yet already as cold as a corpse.

An ambulance arrived and took him away to the closest major hospital, across the border in Geneva. It was dark, chilly, and the jets of water from the fire hoses had drenched everyone. Since there was nothing more to be done at the scene, Luc went into the Cottins' house to dry off. In the yellow light of the kitchen, they listened to the sputtering of the coffee pot, not daring to look at one another. Their hands shook when they raised their cups, and as they stirred their coffee, the spoons made a dreadful racket. Then Luc went home to tell Cécile and the children what had happened. Sophie, their eldest, was Jean-Claude's goddaughter. A few days earlier, as she often did, she had slept over at the Romand's house, and she might very well have slept there again that night and wound up, like her playmates, in a gray plastic bag.


They had been friends ever since medical school in Lyon. They'd gotten married almost at the same time; their children had grown up together. Each knew everything about the other's life -- the public image, but also the secrets, the secrets of honest, reliable men who were all the more vulnerable to temptation. When Jean-Claude had confided in him about an affair, talked about chucking everything, Luc had made him listen to reason: "And you'll do the same for me, when it's my turn to be an ass." A friendship like that is one of the precious things in life, almost as precious as a successful marriage, and Luc had always been certain one day, when they were sixty or seventy years old, they would look back together as from a mountaintop, after all that time, on the road they had traveled: the places where they'd stumbled, almost gotten lost; the ways they'd helped each other, and how, in the end, they'd come through everything. A friend, a true friend, is also a witness, someone whose attention affords you a clearer look at your own life, and for twenty years each of them had unfailingly, without any fuss, played this role for the other. Their lives were very similar, even if they hadn't succeeded in the same way. Jean-Claude had become a leading figure in the world of research, hobnobbing with government ministers, always off at international conferences, while Luc was a general practitioner in Ferney-Voltaire. But Luc wasn't jealous. The only thing that had come between them was an absurd disagreement, during the last few months, regarding their children's school. For some unfathomable reason, Jean-Claude had really gotten on his high horse, so Luc had had to take the first step, saying that they weren't going to quarrel over such a silly thing. The whole business had upset Luc; he and Cécile had talked it over several evenings in a row. How trivial it seemed now! How fragile life is! Only yesterday, there was a close, happy family, people who loved one another, and today -- a boiler accident, charred bodies being taken to the morgue.... His wife and children were everything to Jean-Claude. What would his life be like if he survived?

Luc phoned the emergency room in Geneva: the patient has been placed in a hyperbaric oxygen chamber; the prognosis was guarded.

Luc prayed with Cécile and the children that he would never regain consciousness.


When Luc went to open his office, two policemen were waiting for him. Their questions seemed odd. They wanted to know if the Romands had any known enemies, if they'd been involved in any suspicious activities.... Seeing Luc's astonishment, the police told him the truth. An initial examination of the bodies revealed that the victims had died before the fire, Florence from head injuries inflicted by a blunt instrument, Antoine and Caroline from bullet wounds.

That wasn't all. In Clairvaux-les-Lacs, in the Jura Mountains, Jean-Claude's uncle had been delegated to break the tragic news to the injured man's parents, a frail elderly couple. Accompanied by their doctor, he had gone to see them and found the house locked, the dog mysteriously silent. Worried, the uncle had broken open the door to discover that his brother, his sister-in-law, and the dog lying in their own blood. Like Antoine and Caroline, they had been shot to death.

Murdered. The Romands had been murdered. The word echoed through Luc's brain, stunning him. "Was it a robbery?" he asked, as if that word might reduce the horror of the other one to something rational. The police didn't know yet, but two crimes striking members of the same family fifty miles apart were more likely to be an act of revenge or a settling of accounts. The officers asked again about possible enemies, and Luc, at a loss, shook his head. Enemies? The Romands? Everyone loved them. If they had been killed, it had to have been by people who didn't know them.

The police needed to find out exactly what Jean-Claude did for a living. A doctor, the neighbors said, but he didn't have an office. Luc explained that he was a researcher at the World Health Organization, in Geneva. One of the officers telephoned, asking to speak to someone who worked with Dr. Romand, perhaps his secretary or one of his colleagues. The receptionist did not know any Dr. Romand. When the caller insisted, she connected him to the personnel director, who consulted his files and confirmed that there was no Dr. Romand at WHO.

Then Luc understood and felt hugely relieved. Everything that had happened since four that morning -- Cottin's phone call, the fire, Florence's wound, the gray bags, Jean-Claude lying severely burned in the hyperbaric chamber, and now this business about crimes -- all of it had happened with perfect verisimilitude, an impression of reality that left no room for suspicion, but now, thank God, the scenario was going awry, revealing itself for what it was: a bad dream. He was going to wake up in his bed. He wondered if he would remember everything and if he would dare tell Jean-Claude about it. "I dreamed that your house was on fire, that your wife, your children, your parents were murdered, and that you -- you were in a coma and no one at WHO knew anything about you." Could one say that to a friend, even to one's best friend? The idea occurred to Luc (it would haunt him later on) that in this dream, Jean-Claude served as a double, bringing out into the open Luc's own fears -- of losing his loved ones but also of losing himself, of discovering that behind his social facade he was nothing....

Excerpted by permission of Metropolitan Books, an imprint of Henry Holt and Company, LLC. Copyright © 2000 by P.O.L. éditeur. Translation copyright © 2000 by Metropolitan Books.

What People are Saying About This

Junot Diaz

What a chilling performance. I picked up The Adversary because I was bored and because that opening line was so ill and the next thing I knew the day was over and my students' papers hadn't been graded and I was still lost in the twenty year labyrinth of deceiver extraordinaire Jean-Claude Romand.

A nervous nerd, the suburbs, med school, Geneva, French Catholics, insanity, infidelity, grand theft, arson, attempted murder, murder, the World Health Organization-this book's not playing around. As a writer, Carrère is straight berserk; as a storyteller he is so freakishly talented, so unassuming in grace and power that you only realize the hold he's got on you when you attempt to pull away. I tried to break free but it was damn near impossible. You say: True crime and Literature? I don't believe it. I say: Believe it.

Reading Group Guide

The Adversary is an utterly shocking yet true account of a life spent telling lies -- and of the heinous crimes and mass murders that followed these lies. Jean-Claude Romand, a Frenchman now serving life in prison for killing his wife, children, and parents in 1993, is profiled by Emmanuel Carrère, one of France's leading authors of psychological suspense. Why would Romand--a successful doctor, kind husband, gentle father, and loving son--commit such unfathomable acts? In his search for answers, Carrère corresponds with (and later visits) Romand, fully reports on his trial, and interviews several of his former and present contacts. The truth of Romand's background grows ever more chilling, and ever more perplexing, as we learn--revelation after revelation -- that he had no medical degree and no job, had spent years living off the small fortune his relatives long ago entrusted to him, and had thus been lying to everyone he knew for eighteen years. What led Romand to dwell in such an abyss? How did his whole life become an ever-increasing, and increasingly evil, series of lies? As this gripping book illustrates from its sentence onward, Romand's story poses hard questions on the nature of truth--and of identity, as well. Given Carrère's objective prose, intellectual rigor, and expert pacing and plotting, The Adversary, which is another name for Satan, is as hypnotic as it is horrific.

  Discussion Questions: 1. "On the Saturday morning of January 9, 1993," this terrifying book begins, "while Jean-Claude Romand was killing his wife and children, I was with mine in a parent-teacher meeting." What does this opening reveal about the relationship between the author and subject of The Adversary? Describe the nature of this relationship. How does it change or evolve?

2. Reread the "farewell letter" that Romand left in his car. To whom does he apologize? What are the "ordinary accident" and "injustice" that he mentions here? Also, how would you characterize the tone -- or attitude, or voice -- of this note? Is Romand's tone an accurate reflection of his state of mind? Explain.

3. When beginning to work on this book, author Emmanuel Carrère sent a letter to Romand that reads, in part: "'What you have done is not in my eyes the deed of a common criminal, or that of a madman, either, but the action of someone pushed to the limit by overwhelming forces.'" Do you agree with Carrère's assessment of Romand? Why or why not? How, if at all, did this assessment affect your reading of The Adversary?

4. Identify as many of the lies in Romand's personal history as you can recall. Next, discuss the implications of these lies. Romand spent eighteen years of his life deceiving everyone he knew privately and professionally, but he was also deceiving himself. How did this prolonged self-deception damage Romand--especially psychologically, socially, and emotionally?

5. Was Romand's killing of his parents, wife, and children an implicit part of his deep-rooted deception, or were these terrible crimes the product or end-result of his lying? That is, given his ongoing pattern of falsehood and cheating, was Romand's act of mass murder an inevitability, or was it a consequence? Try to address these questions not just from your own perspective as a reader, but from those of Carrère and Romand himself.

6. At one point during the trial, the judge says to Romand: "'It is felt that you are not really answering the question.'" Explain the full context of this remark. What exactly is the judge asking of Romand? Overall, how did Romand's remarks and actions in court strike you (as a reader)? Evasive, sincere, egotistical, remorseful, and/or otherwise?

7. Examine the two secondary characters of Marie-France and Bernard. Who are these people, what drives or motivates them, how do they come into Romand's life, and what sort of relationship do they have with him? Explain the complex feelings and impressions that Carrère has regarding these individuals.

8. Comment on the religious transformation that Romand experiences once he has been sentenced to life in prison. How does this transformation relate to the book's primary theme of ongoing deception? And why does Carrère claim, at the end of his narrative, that telling the story of Romand "could only be either a crime or a prayer?"

9. The subtitle of The Adversary reads A True Story of Monstrous Deception. How did the truth of this account -- the fact that these events really happened--influence your response to the story of Jean-Claude Romand? When asked by one reporter why he was drawn to this story, Carrère replied: "It's not the murder; it's not even the lies. It's the fact that under them there was nothing. That was the most disturbing thing for me: All the facts are known." Do you agree with the author's view of Romand and his story? Explain why or why not.

10. Conclude your discussion of this book by focusing on its literary qualities. What are the merits and limits of the "true crime" form of storytelling? Are such strengths and shortcomings apparent in The Adversary? Where? Finally, compare The Adversary to other outstanding true crime works you have encountered in the past, such as the books In Cold Blood or Helter Skelter, the film Henry: Portrait of a Serial Killer, and so on.

About the Author:
Emmanuel Carrère is one of France's most critically acclaimed contemporary writers. He has published screenplays, a biography of the masterful science fiction writer Philip K. Dick, and the novels The Mustache, Gothic Romance, and Class Trip, the last of which won the prestigious Prix Femina. A major bestseller -- and a forthcoming motion picture--in France, The Adversary is being published in eighteen countries. Carrère lives in Paris.

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