MAY 2017 - AudioFile
Imagine the coincidence, or cosmic convergence if you believe in such things, that would bring these two era-defining writers together, and you have the makings of a terrific, if jarring, audiobook. It’s a double biography of their war years and the next two decades, and the story of their friendship does not end well. Narrator Dean Temple has a pleasant, light voice that doesn’t really meld with the book’s tone. Temple varies his reading to keep the story moving, but he speeds up when he should be more deliberate and noticeably loses the ends of words. He also approaches the book dispassionately, reading all the words, but without appreciable feeling. R.I.G. © AudioFile 2017, Portland, Maine
Publishers Weekly
01/30/2017
Two of the most significant writers of their generation, John Dos Passos and Ernest Hemingway, are described by Morris (Pulitzer) in his evocative, lively volume about how differently they emerged from the crucible of WWI. Those differences, and their disparate personalities, affected how each wrote about that monumental event: Hemingway reveled in the adrenaline rush of danger and heroism, while Dos Passos came away sickened by the wanton destruction and the banality of the military machine. As Morris perceptively argues, “Unlike Hemingway, who sought to describe the desolate world with honest clarity, Dos Passos wanted his writing to change it.” The writers met briefly as ambulance drivers during the war and became friends in the vibrant expatriate community of postwar Paris. Morris’s narrative demonstrates how, despite jealousies and differences, the two men found common ground, only to split over their opposing views of the Spanish Civil War. Both worked feverishly to find a voice for their “lost” generation and lead a literary revolution, albeit in divergent ways. Dos Passos will be the less recognizable name to most readers, and Morris does a great service by reinserting him into the picture of post-WWI American writers. Agent: Alan Nevins, Renaissance Literary & Talent. (Apr.)
From the Publisher
"The story of the close yet volatile friendship between John Dos Passos and Ernest Hemingway...[A] lively biography of their relationship...A welcome new look at Dos Passos and another sad chapter in the life of Hemingway."
—Kirkus Reviews
"Two of the most significant writers of their generation, John Dos Passos and Ernest Hemingway, are described by Morris in his evocative, lively volume about how differently they emerged from the crucible of WWI...Morris's narrative demonstrates how, despite jealousies and differences, the two men found common ground...Dos Passos will be the less recognizable name to most readers, and Morris does a great service by reinserting him into the picture of post-WWI American writers."
—Publishers Weekly
"Morris's evocative writing and finely tuned research brings alive the richness of the past—the thronging cafes of Paris, the mortared trenches of Italy, the bullfights of Pamplona, the sun-bleached houses of Key West—as well as the complex personalities of these two great American writers. A tragic story, beautifully written and compulsively readable."—Douglas Preston, #1 New York Times bestselling author of The Lost City of the Monkey God
"The Ambulance Drivers is one of those rare and gratifying books that seamlessly drops gems of insight on history, art, and politics into a taut and suspenseful story of one of the great literary friendships of the twentieth century."—Debby Applegate, Pulitzer Prize-winning author of The Most Famous Man in America
"Here is a story of war, love, and politics writ large, a story of two literary lions trapped in a double-helix relationship more powerful than either will admit. In this intricately braided dual biography, Morris shows us how the two novelists needed each other, even as they differed—often drastically so—in the way they negotiated the gravitational forces of their times."—Hampton Sides, bestselling author of In the Kingdom of Ice and Ghost Soldiers
"In this ingenious dual narrative, James McGrath Morris gives us two lives in high contrast, rendering sharp, revelatory portraits of literary icons we thought we already knew. Writing with deep knowledge and sympathy, Morris has created something rare and fresh: a biography of a friendship."—Megan Marshall, Pulitzer Prize-winning author of Margaret Fuller and Elizabeth Bishop: A Miracle for Breakfast
"Intimate, vivid, and humane, The Ambulance Drivers propels readers through the intersecting lives of two of our greatest writers. Never have Ernest Hemingway and John Dos Passos seemed so real or so important as in James McGrath Morris's account of their passage through the Great War and the rise of fascism."—T.J. Stiles, author of the Pulitzer Prize-winning Custer's Trials
"Morris writes like an expressionist painter, evoking the essence of Hemingway and Dos Passos's hard-drinking writing life in Paris, Madrid, and Key West. The Ambulance Drivers is a deft and classy literary adventure, infused with wine, beautiful women, and genuine pathos."—Kai Bird, Pulitzer Prize-winning coauthor of American Prometheus
"The Ambulance Drivers is an exciting, revealing, important book that evokes a fascinating era. It shows us Hemingway in a new perspective and, equally important, gives Dos Passos the major attention that he indisputably deserves."—David Morrell, New York Times bestselling author of Murder as a Fine Art
"[A] highly entertaining biography of a decades-long and often rivalrous literary friendship." —Santa Fe New Mexican
"A well-researched book made all the more helpful by copious notes and a good bibliography. For Hemingway and Dos Passos fans, this will be a must-read...A compelling examination of an at-times frail, turbulent and broken friendship."—Army Ancestry Research blog
"Delves head first into the mercurial relationship of these two American literary legends...Throughout this riveting biography Morris expertly narrates the journeys, relationships, and life-changing events that inspired two of the greatest authors of the 20th century...A lively and engaging biography that takes a fresh look at the life of Dos Passos....Although readers may at first hesitate to embark on yet another analysis of Ernest Hemingway, Morris' framing of the context of his fragile and contemptuous relationship with fellow literary giant John Dos Passos creates a worthwhile read. It will most certainly fascinate Dos Passos and Hemingway aficionados, as well as the casual literary biography enthusiast." —New York Journal of Books
"A superb examination of the bond that helped shape the modern literary movement in America...A fascinating read that will satisfy specialized scholars and general audiences alike with its careful research and highly readable narrative. The book offers more than straight biography of two of the 20th century's most important American authors-it intertwines selections from works they were producing at significant points in their lives...Morris is masterful in his weaving of the Hemingway and Dos Passos timelines...Morris is adept at making the historical record lifelike, giving a palpable sense of the climate in which these modern writers were forged...Thoughtful and engaging...The Ambulance Drivers will do for Hemingway criticism what Scott Donaldson's vigorous Hemingway and Fitzgerald: The Rise and Fall of a Literary Friendship did in 1999: offer a complete post-mortem analysis of a critically important friendship that had a part in shaping a literary movement."—Washington Independent Review of Books
"The story of Hemingway and Dos Passos is as exciting as any of their novels...A quick-paced narrative that weaves back and forth between the two men's lives...A riveting and rollicking good read...Sanitizing any dry academic influences, [McGrath Morris] pares his subjects down to an essence that makes them seem real...The book is hard to put down, and leaves us feeling closer to these two remarkable men...There's no doubting that the lives of this generation of writers forms every bit as important a part of their story as the books they produced. The Ambulance Drivers offers a delightful and entertaining entry into that world."—Popmatters
"Morris tugs the reader into the boozy, bitchy world of his protagonists. Famous friends bustle in and out...As readable as a novel."—The Economist
"Trim and absorbing."—Washington Post
"Extremely well-researched, The Ambulance Drivers is the tale of two American writers whose work was affected heavily by the angels and demons of a lost generation that conspired to put them at odds."—Chico News & Review
"Dos Passos gets his due in James McGrath Morris' The Ambulance Drivers...A well-written and interesting book about an interesting time and two very interesting writers."—Washington Times
"Full of historical and personal details."—Dallas Morning News
"James McGrath Morris jettisons most of the minutiae necessary in a normal biography and the result reads more like a novel than a biography. The protagonist is a self-effacing writer, John Dos Passos, and the antagonist a demon-ridden artist, Ernest Hemingway. Morris lets the chips fall where they may."—Buffalo News
"Deftly catches the essence of the duo's mercurial relationship-and the events that led to the destruction of their friendship...[A] multifaceted book."—Idaho Statesman
"[An] illuminating examination of the relationship between two great American writers."—Terry Fallis, Toronto Globe and Mail
"James McGrath Morris looks closely at the difficult friendship of Hemingway and Dos Passos."—Elaine Showalter, New York Times
"A fascinating story of the friendship between literary giants...A great telling of their struggles and of what led to their successes."
—San Francisco Book Review
"The book ostensibly focuses on their work as ambulance drivers, picking up and transporting badly wounded and dead soldiers, but it also presents the following years of their lives: their inspirations, their relationships, their successes, their failures."
—Curled Up with a Good Book
"Unusual and highly necessary...The value of this important new biography is that we are reminded of how much has been lost-for decades-as the Hemingway Industry stayed in overdrive, while the great and good works of John Dos Passos were gradually consigned to oblivion...We have lost a great deal by not paying more attention to the life and work of John Dos Passos. This new book helps us to rectify that error...Hemingway will always be important. But the most important thing about this new biography is that it reminds us that reading John Dos Passos is even more essential."
—Neworld Review
"Relates in impressive detail the friendship and falling out between two idealistic men whose lives were changed and careers launched while in the trenches."
—EMS World
"Compelling and insightful...Morris's extensive research on his two subjects is evident...While it's easy for some biographies to be bogged down in details and facts, The Ambulance Drivers is a fluid, engrossing read."
—Portland Book Review
MAY 2017 - AudioFile
Imagine the coincidence, or cosmic convergence if you believe in such things, that would bring these two era-defining writers together, and you have the makings of a terrific, if jarring, audiobook. It’s a double biography of their war years and the next two decades, and the story of their friendship does not end well. Narrator Dean Temple has a pleasant, light voice that doesn’t really meld with the book’s tone. Temple varies his reading to keep the story moving, but he speeds up when he should be more deliberate and noticeably loses the ends of words. He also approaches the book dispassionately, reading all the words, but without appreciable feeling. R.I.G. © AudioFile 2017, Portland, Maine
Kirkus Reviews
2017-01-10
The story of the close yet volatile friendship between John Dos Passos and Ernest Hemingway.Biographies, volumes of letters, and memoirs have thoroughly, and repeatedly, revealed the quality of Hemingway's relationships with F. Scott Fitzgerald, Sherwood Anderson, Gertrude Stein, and Sara and Gerald Murphy, among others: friendships that Hemingway viciously ended. "By 1936," writes biographer Morris (Eye on the Struggle: Ethel Payne, the First Lady of the Black Press, 2015, etc.), "Hemingway's list of lost friends was lengthy." Morris adds to that list novelist and journalist Dos Passos, whom Hemingway valued for many years—until he did not. Morris' lively biography of their relationship offers a fresh view of Dos Passos, drawn from published and archival sources, but adds little to the portrait of Hemingway already well established: his love affair with a nurse who tended him during World War I, marriage to Hadley Richardson and early years in Paris, his early fame with The Sun Also Rises, his belligerent competitiveness, betrayals, life in Key West and Havana, and his suicide. The two men could not have been more different: Dos Passos, a friend recalled, was "so shy that he seems cold as an empty cellar with the door locked when you meet him." Hemingway was brash and gregarious; Dos Passos, irritatingly prickly, "hated small talk." Dos Passos, politically engaged, actively protested injustice and oppression; Hemingway ignored politics until the Spanish Civil War. They met briefly as ambulance drivers in 1917, but their friendship began later, when both were at the starts of their careers. Besides drinking and socializing, they became trusted readers of each other's work. Hemingway gratefully called Dos Passos his "most bitterly severe critic." Inevitably, though, their friendship devolved. Morris cites "a deep and fundamental difference" in their perception of war, but he portrays Hemingway as so mean, vengeful, and threatened by any other writer's success that their friendship could not have been anything but doomed. A welcome new look at Dos Passos and another sad chapter in the life of Hemingway.
