"In the depth of its research, the originality of its arguments, and the lucidity of its prose, Christina Schwenkel's engaging new book makes an outstanding contribution to the recent literature on transnational remembrance, whether in Vietnam or elsewhere. . . . [T]his is a work that deserves a wide readership within and outside of the academy."—H-Diplo "With its wide-ranging fieldwork and deft integration of insights from the literature on the politics and dynamics of memory, The American War in Contemporary Vietnam will be an important source for scholars of memory, war, tourism, and visual representation. It will also spark classroom discussion of how contemporary economic and political circumstances shape the lessons we take from the past. Vol. 112, No. 4, December 2010"—American Anthropologist "[This book] makes a compelling, significant, and long-overdue contribution to a growing body of recent scholarship that is interrogating the Vietnam War—or American War—in increasingly innovative and complicated ways. . . . It is essential reading, and it is difficult to imagine teaching a course on the legacy of U.S. involvement in Indochina without including it.February, 2011"—H-1960s "The American War in Contemporary Vietnam is essential reading for anyone teaching or wanting to understand Vietnam today and would be useful in teaching seminars or upper-level courses on Vietnam, Asia, memory, and history, as well as discussions of ethnographic methodology"—American Ethnologist "Scholars of monuments, of museums, of photography and remembrance, and in other fields will find much of value here, including scholars and fields far removed from the Vietnamese context.71.4 Nov. 2012"—Journal of Asian Studies ". . . a compelling and rare ethnographic portrait of a historically determined out-of-the-way place revealing postmodern conditions of globalizing capital undergoing locally situated revisions—in this case, toward a 'market economy with social orientation.' Fascinating and a must for all readers interested in the present and the past as it is constituted in memory. . . . Essential.May 2010"—Choice "Schwenkel's rich empirical data offer a Vietnamese present that is as much haunted by the future as the past. . . . [She] has provided a compelling portrait of contemporary Vietnam and an important tool to interrogate the forces that shape transnational memory projects, conditioning contests over what counts as, and who can speak, the truth. December 2010"—South East Asia Research "Anthropologist Schwenkel (Univ. of California, Riverside) addresses perhaps one of the most compelling transnational events in history. For one nation, the event was crucial as a foundation from which to challenge the great meta-narratives of modern times; from the perspective of another nation, it validated a version of modernity thickly embedded in local experiences of colonialism. Whether it is the 'Vietnam' War or the 'American' War, Schwenkel illustrates the continuing aftereffects of these histories as living memories in the ethnographic present of Vietnam. Fieldwork takes place in Hanoi and Ho Chi Minh City as well as Hue and Vinh cities. This multi-sited ethnography includes experiences of mobility back and forth between Vietnam and the US that generates this transnational ethnography of knowledge production and memory-making "undergoing globalizing conditions." The final result is a compelling and rare ethnographic portrait of a historically determined out-of-the-way place revealing postmodern conditions of globalizing capital undergoing locally situated revisions—in this case, toward a 'market economy with social orientation.' Fascinating and a must for all readers interested in the present and the past as it is constituted in memory. Summing Up: Essential. All levels/libraries. — ChoiceMay 2010"—S. Ferzacca, University of Lethbridge "This book provides a great healing and revealing experience for any survivor or student of the Vietnam era. Winter 2011"—On Point "This is a lucid, original, and extremely well-written book, further enriched by its many arresting illustrations of Vietnam's remarkable memorializing aesthetics. What Schwenkel has achieved is both a sophisticated addition to our rapidly growing ethnographic literature on 'late-socialist' Vietnam and a major contribution to the anthropology of memory, globalization, and postcolonial cultural power relations.#16 2010"—Susan Bayly, University of Cambridge "A significant achievement, and one that does much to demonstrate the complexity of sites of war memory. . . . [Offers insights] that have an eerie resonance for today's political debates over the purpose and legitimacy of U.S. actions in the Middle East."—Geoffrey White, University of Hawaii "The study of memory has been a common pursuit of historians of war and its aftermath, but Christina Schwenkel's insightful and brilliantly written ethnography of the visual, political and semiotic processes that shape memory in Vietnam offers a new and transnational dimension to the field. Going far beyond the simple dichotomy of looking at 'both sides' of the war, her study of the commemorative concerns of both Americans and Vietnamese reveals the deep ambivalence over their 'shared history' and offers a profound window onto the present contemporary Vietnamese reality."—Nora A. Taylor, Alsdorf Professor of South and Southeast Asian Art, School of the Art Institute of Chicago
. . . a compelling and rare ethnographic portrait of a historically determined out-of-the-way place revealing postmodern conditions of globalizing capital undergoing locally situated revisions—in this case, toward a 'market economy with social orientation.' Fascinating and a must for all readers interested in the present and the past as it is constituted in memory. . . . Essential.May 2010
Schwenkel's rich empirical data offer a Vietnamese present that is as much haunted by the future as the past. . . . [She] has provided a compelling portrait of contemporary Vietnam and an important tool to interrogate the forces that shape transnational memory projects, conditioning contests over what counts as, and who can speak, the truth. December 2010
This is a lucid, original, and extremely well-written book, further enriched by its many arresting illustrations of Vietnam's remarkable memorializing aesthetics. What Schwenkel has achieved is both a sophisticated addition to our rapidly growing ethnographic literature on 'late-socialist' Vietnam and a major contribution to the anthropology of memory, globalization, and postcolonial cultural power relations.#16 2010
Universityof Cambridge - Susan Bayly
Scholars of monuments, of museums, of photography and remembrance, and in other fields will find much of value here, including scholars and fields far removed from the Vietnamese context.71.4 Nov. 2012
Anthropologist Schwenkel (Univ. of California, Riverside) addresses perhaps one of the most compelling transnational events in history. For one nation, the event was crucial as a foundation from which to challenge the great meta-narratives of modern times; from the perspective of another nation, it validated a version of modernity thickly embedded in local experiences of colonialism. Whether it is the 'Vietnam' War or the 'American' War, Schwenkel illustrates the continuing aftereffects of these histories as living memories in the ethnographic present of Vietnam. Fieldwork takes place in Hanoi and Ho Chi Minh City as well as Hue and Vinh cities. This multi-sited ethnography includes experiences of mobility back and forth between Vietnam and the US that generates this transnational ethnography of knowledge production and memory-making "undergoing globalizing conditions." The final result is a compelling and rare ethnographic portrait of a historically determined out-of-the-way place revealing postmodern conditions of globalizing capital undergoing locally situated revisions—in this case, toward a 'market economy with social orientation.' Fascinating and a must for all readers interested in the present and the past as it is constituted in memory. Summing Up: Essential. All levels/libraries. — ChoiceMay 2010
Universityof Lethbridge - S. Ferzacca
[This book] makes a compelling, significant, and long-overdue contribution to a growing body of recent scholarship that is interrogating the Vietnam War—or American War—in increasingly innovative and complicated ways. . . . It is essential reading, and it is difficult to imagine teaching a course on the legacy of U.S. involvement in Indochina without including it.February, 2011
With its wide-ranging fieldwork and deft integration of insights from the literature on the politics and dynamics of memory, The American War in Contemporary Vietnam will be an important source for scholars of memory, war, tourism, and visual representation. It will also spark classroom discussion of how contemporary economic and political circumstances shape the lessons we take from the past. Vol. 112, No. 4, December 2010
This book provides a great healing and revealing experience for any survivor or student of the Vietnam era. Winter 2011
In the depth of its research, the originality of its arguments, and the lucidity of its prose, Christina Schwenkel's engaging new book makes an outstanding contribution to the recent literature on transnational remembrance, whether in Vietnam or elsewhere. . . . [T]his is a work that deserves a wide readership within and outside of the academy.
The American War in Contemporary Vietnam is essential reading for anyone teaching or wanting to understand Vietnam today and would be useful in teaching seminars or upper-level courses on Vietnam, Asia, memory, and history, as well as discussions of ethnographic methodology
"The study of memory has been a common pursuit of historians of war and its aftermath, but Christina Schwenkel’s insightful and brilliantly written ethnography of the visual, political and semiotic processes that shape memory in Vietnam offers a new and transnational dimension to the field. Going far beyond the simple dichotomy of looking at 'both sides' of the war, her study of the commemorative concerns of both Americans and Vietnamese reveals the deep ambivalence over their 'shared history' and offers a profound window onto the present contemporary Vietnamese reality." —Nora A. Taylor, Alsdorf Professor of South and Southeast Asian Art, School of the Art Institute of Chicago
"This is a lucid, original, and extremely well-written book, further enriched by its many
Journal of the Royal Anthropological Institute
"A significant achievement, and one that does much to demonstrate the complexity of sites of war memory.... [Offers insights] that have an eerie resonance for today's political debates over the purpose and legitimacy of U.S. actions in the Middle East." —Geoffrey White, University of Hawaii
