Prospective buyers should know from the jump that
Concord's two-disc
Return to Forever retrospective is not complete. It only concerns itself with the era between 1973-1976, when
Chick Corea,
Stanley Clarke, and
Lenny White added an electric guitarist to the mix. Of the four recordings represented here --
Hymn of the Seventh Galaxy (1973);
Where Have I Known You Before (1974);
No Mystery (1975),and
"Romantic Warrior" (1976) -- only the first and last are presented in their entirety. They are considered critically as the beginning and ends of the "classic"
RTF sound. The middle two albums were reissued in a single package from
BGO.
Hymn of the Seventh Galaxy is a (maybe the) quintessential jazz-rock fusion album; in many ways it sounds less dated than any
RTF record that followed it. First it's the only one of the band's records that really took rock seriously as a place for jazz to jump from. The other three used improvisation, classical composition, and funk more formally, leaving only the volume and the dramatic dynamics from the rock aesthetic. Guitarist
Bill Connors was the first
RTF guitarist and appeared only here: he walked the jazz-rock path beautifully, and enjoyed some of the more theatrical guitar hero aspects of the former. Finally, this album appeared during the same seminal year as
Herbie Hancock's
Head Hunters,
Weather Report's
Sweetnighter,
Miles Davis'
Big Fun, and
Mahavishnu Orchestra's
Between Nothingness & Eternity. It's there in the opening title track:
White's funky breaks contrast sharply with the three-person front line playing knotty lines in unison.
Connors' solo is over the top and
Hendrixian in its freedom.
Clarke's solos -- particularly in
"Captain Senor Mouse" -- are just unhinged.
Corea's compositions and
White's crackling rimshot funkiness offer a sound unlike any other in the fusion era and is still startling today.
That said, there is no argument that
Al DiMeola was the premier
RTF guitarist; he developed his own identity along with the group's. The end of disc one contains four cuts from
Where Have I Known You Before,
DiMeola's debut with
RTF. They include the dreamy funk-rock of
"Vulcan Worlds" and the suite-length
"Song to the Pharaoh Kings," with perhaps the cheesiest -- and hippest -- synth phrases of
Corea's career. The change in dynamic is evident right from the jump.
DiMeola was a more creative, full-partner collaborator in the band's emerging sound. His own showmanlike intensity is ever-present, as is his deep love of Latin and flamenco, which is on display from the very start.
Clarke's
"Dayride" is one of four selections from
No Mystery. It's all big funk with killer slap lines from the bassist,
DiMeola, and
Corea, with
White breaking all over the place. In addition,
White's futuristic, sci-fi jam
"Sofistifunk" is here. These are both killer cuts expressing one dimension of the band's character beautifully. It is balanced by the sprawling neo-classical fusion workout
"Celebration Suite, Pts. 1 & 2" by
Corea, and the title track.
"Romantic Warrior" is a conceptual offering in a sense; it wouldn't have made sense to break it up. It is considered by many as the most important record
RTF ever cut, and their most collaborative since every member wrote some part of this interlocking musical suite. That said, while the technology here is most advanced for its time, it may also be the very element that dates this recording a bit in the end. It's no less enjoyable, but is so synthetic, so knotty and technical, that the grooves suffer in places. Ultimately, this set is completely satisfying, it sounds great, looks good, and
Bob Belden's liner notes are, as usual, superb. ~ Thom Jurek
![Mingus At Carnegie Hall [Deluxe Edition] [2021 Remaster] [Live]](http://prodimage.images-bn.com/pimages/0603497844326_p0_v2_s90x140.jpg "Mingus At Carnegie Hall [Deluxe Edition] [2021 Remaster] [Live]")
