The Arithmetic of Listening: Tuning Theory and History for the Impractical Musician

The Arithmetic of Listening: Tuning Theory and History for the Impractical Musician

by Kyle Gann
The Arithmetic of Listening: Tuning Theory and History for the Impractical Musician

The Arithmetic of Listening: Tuning Theory and History for the Impractical Musician

by Kyle Gann

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Overview

"Tuning is the secret lens through which the history of music falls into focus," says Kyle Gann. Yet in Western circles, no other musical issue is so ignored, so taken for granted, so shoved into the corners of musical discourse.

A classroom essential and an invaluable reference, The Arithmetic of Listening offers beginners the grounding in music theory necessary to find their own way into microtonality and the places it may take them. Moving from ancient Greece to the present, Kyle Gann delves into the infinite tunings available to any musician who feels straitjacketed by obedience to standardized Western European tuning. He introduces the concept of the harmonic series and demonstrates its relationship to equal-tempered and well-tempered tuning. He also explores recent experimental tuning models that exploit smaller intervals between pitches to create new sounds and harmonies.

Systematic and accessible, The Arithmetic of Listening provides a much-needed primer for the wide range of tuning systems that have informed Western music.

Audio examples demonstrating the musical ideas in The Arithmetic of Listening can be found at: https://www.kylegann.com/Arithmetic.html


Product Details

ISBN-13: 9780252051425
Publisher: University of Illinois Press
Publication date: 09/16/2019
Sold by: Barnes & Noble
Format: eBook
Pages: 296
File size: 19 MB
Note: This product may take a few minutes to download.

About the Author

Kyle Gann is a composer and the Taylor Hawver and Frances Bortle Hawver Professor of Music at Bard College. His books include Charles Ives's Concord, No Such Thing as Silence: John Cage's 4'33" and Robert Ashley.

Table of Contents

Cover Title Copyright Contents Acknowledgments Introduction 1. The Cosmic Joke 2. The Harmonic Series 3. Generating Scales Interlude A: Ptolemy and Ancient Greek “Parts” 4. The Pythagorean Scale Interlude B: Guillaume de Machaut’s Notre Dame Mass 5. The Five Limit, the Second Dimension Interlude C: Some Modern Five-Limit Notions 6. Meantone Temperament and the Primacy of Thirds Interlude D: Meantone Examples 7. Well Temperament and Key Color Interlude E: Bach, Beethoven, and Temperament 8. Twelve-Step Equal Temperament 9. The Seven Limit and Johnston Notation Interlude F: La Monte Young’s The Well-Tuned Piano Interlude G: Ben Johnston’s String Quartet No. 4 10. The Eleven Limit and the Fourth Dimension Interlude H: Harry Partch 11. The Thirteen Limit and Beyond Interlude I: Ben Johnston’s String Quartet No. 7, Movement 3 Interlude J: Kyle Gann’s Hyperchromatica Interlude K: Toby Twining’s Chrysalid Requiem 12. Non-Twelve-Divisible Equal Temperaments Interlude L: Nicola Vicentino’s Archicembalo 13. Twelve-Based Equal Temperaments Interlude M: Some Quarter-Tone Impressions (Hába, Ives, Wyschnegradsky) Interlude N: Ezra Sims’s String Quartet No. 5 14. A Few Numbers Drawn from Non-Western Musics 15. Brief Miscellaneous Thoughts Appendix Notes Glossary of Tuning Terms Bibliography Index Back cover
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