The Art of Witnessing: Francisco de Goya's Disasters of War

Widely acknowledged as a major turning point in the history of visual depictions of war, Francisco de Goya’s renowned print series The Disasters of War remains a touchstone for serious engagement with the violence of war and the questions raised by its artistic representation.

The Art of Witnessing provides a new account of Goya’s print series by taking readers through the forty-seven prints he dedicated to the violence of war. Drawing on facets of Goya’s artistry rarely considered together before, the book challenges the notion that documentary realism and historical testimony were his primary aims. Michael Iarocci argues that while the depiction of war’s atrocities was central to Goya’s project, the lasting power of the print series stems from the artist’s complex moral and aesthetic meditations on the subject.

Making novel contributions to longstanding debates about historical memory, testimony, and the representation of violence, The Art of Witnessing tells a new story, print by print, to highlight the ways in which Goya’s masterpiece extends far beyond conventional understandings of visual testimony.

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The Art of Witnessing: Francisco de Goya's Disasters of War

Widely acknowledged as a major turning point in the history of visual depictions of war, Francisco de Goya’s renowned print series The Disasters of War remains a touchstone for serious engagement with the violence of war and the questions raised by its artistic representation.

The Art of Witnessing provides a new account of Goya’s print series by taking readers through the forty-seven prints he dedicated to the violence of war. Drawing on facets of Goya’s artistry rarely considered together before, the book challenges the notion that documentary realism and historical testimony were his primary aims. Michael Iarocci argues that while the depiction of war’s atrocities was central to Goya’s project, the lasting power of the print series stems from the artist’s complex moral and aesthetic meditations on the subject.

Making novel contributions to longstanding debates about historical memory, testimony, and the representation of violence, The Art of Witnessing tells a new story, print by print, to highlight the ways in which Goya’s masterpiece extends far beyond conventional understandings of visual testimony.

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The Art of Witnessing: Francisco de Goya's <em>Disasters of War</em>

The Art of Witnessing: Francisco de Goya's Disasters of War

by Michael Iarocci
The Art of Witnessing: Francisco de Goya's <em>Disasters of War</em>

The Art of Witnessing: Francisco de Goya's Disasters of War

by Michael Iarocci

eBook

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Overview

Widely acknowledged as a major turning point in the history of visual depictions of war, Francisco de Goya’s renowned print series The Disasters of War remains a touchstone for serious engagement with the violence of war and the questions raised by its artistic representation.

The Art of Witnessing provides a new account of Goya’s print series by taking readers through the forty-seven prints he dedicated to the violence of war. Drawing on facets of Goya’s artistry rarely considered together before, the book challenges the notion that documentary realism and historical testimony were his primary aims. Michael Iarocci argues that while the depiction of war’s atrocities was central to Goya’s project, the lasting power of the print series stems from the artist’s complex moral and aesthetic meditations on the subject.

Making novel contributions to longstanding debates about historical memory, testimony, and the representation of violence, The Art of Witnessing tells a new story, print by print, to highlight the ways in which Goya’s masterpiece extends far beyond conventional understandings of visual testimony.


Product Details

ISBN-13: 9781487543792
Publisher: University of Toronto Press
Publication date: 12/01/2022
Series: Toronto Iberic
Sold by: Barnes & Noble
Format: eBook
Pages: 296
File size: 15 MB
Note: This product may take a few minutes to download.

About the Author

Michael Iarocci is a professor of Spanish Literature and Culture at the University of California, Berkeley.

Table of Contents

Preface 
Introduction

1. Tristes presentimientos de lo que ha de acontecer 
2. Con razón o sin ella
3. Lo mismo
4. Las mujeres dan valor
5. Y son fieras
6. Bien te se está
7. Qué valor!
8. Siempre sucede
9. No quieren
10. Tampoco
11. Ni por ésas
12. Para eso habéis nacido
13. Amarga presencia
14. Duro es el paso! 
15. Y no hay remedio
16. Se aprovechan
17. No se convienen 
18. Enterrar y callar
19. Ya no hay tiempo
20. Curarlos y a otra 
21. Será lo mismo
22. Tanto y más
23. Lo mismo en todas partes
24. Aún podrán servir
25. También éstos
26. No se puede mirar
27. Caridad
28. Populacho
29. Lo merrecía
30. Estragos de la guerra 
31. Fuerte cosa es
32. Por qué?
33. Qué hay que hacer más?
34. Por una navaja
35. No se puede saber por qué
36. Tampoco
37. Esto es peor 
38. Bárbaros!
39. Grande hazaña! Con muertos!
40. Algún partido saca
41. Escapan entre llamas
42. Todo va revuelto
43. Tambien esto
44. Yo lo vi
45. Y esto también
46. Esto es malo
47. Así sucedió

Afterword
Notes
Bibliography

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