The Astor Orphan: A Memoir

by Alexandra Aldrich Narrated by Tavia Gilbert

Overview

Alexandra Aldrich, a direct descendant of the famous Astor dynasty, grew up in the servants' quarters of Rokeby, the forty-three-room Hudson Valley mansion built by her ancestors. Her childhood was one of bohemian neglect and real privation. But it was fairly stable until the summer of her tenth year, when her father took up with an alluring interloper, Giselle.

Alexandra idolized her father, Rokeby's charismatic lord of misrule, who had attended elite private schools as a child but inherited only landed property, not money. To him, she says, "poverty was amusing, a delightful challenge." All of the family's resources-emotional and financial-went to the maintenance of the Astor house and legacy. If the family had sold the house and its 450 acres, they all would have been able to live comfortably. Instead, Alexandra and her parents lived precariously in the grand house, scavenging for the next meal. Her mother, an icy Polish artist, disguised her maternal indifference by extolling the virtues of independence. Relatives preyed on Alexandra's low status in the household. Once her father got involved with Giselle, Alexandra's only stalwart was her affectionate grandmother (whose great-great-grandfather, Nicholas Fish, was a close friend of Alexander Hamilton's and an executor of his estate). Grandma Claire held Alexandra's life together with family dinner parties, rides to violin lessons, and snacks after school. But as she grew progressively more debilitated by alcohol, she soon became too frail to provide a safe haven for her granddaughter.

Determined to impose order on her anarchic world and prove her worth, Alexandra awoke promptly at six thirty each morning, adhering to a strict personal regimen of exercise, grooming, and intensive violin practice. With money borrowed from the owner of the local gas station, she did the grocery shopping, occasionally setting aside four dollars to buy herself clean white socks. The betrayal of her father's flagrant affair, however, ignited a series of familial feuds that shook her hard-won stability and set her on a path toward escaping the Astor legacy.

Reaching back to the Gilded Age, when that legacy first began to come undone, Alexandra has written an unflinching, mordantly funny account of neglect and class anxiety amid the ruins of a once prominent family. More than an insider's look at a decaying American institution, The Astor Orphan is the debut of a thrilling new voice able to render the secret pains and glories of childhood afresh.

Editorial Reviews

Publishers Weekly

In a sparklingly mischievous debut, Aldrich peers into the intimate collapse of a once great Hudson River house—the “funny farm” of her Astor/Livingston/Chanler relatives. Spiraling way down from a long line of enterprising early Americans, financiers, socialites, and artists with illustriously entangled names, author Aldrich, whose great-grandfather was the famous music critic Richard Aldrich, reconstructs her early years growing up at the ancestral homestead of Rokeby, a 43-room mansion with numerous outlying towers and barns located on 450 acres somewhere along the Hudson River between New York City and Albany (though she never says where exactly, it is in Barryown, N.Y.). The fierce guardians of the house’s aristocratic legacy, exemplified by great-grandmother Margaret Chanler, who banished relatives who had divorced or converted to Catholicism, had passed by the 1980s when Aldrich was growing up at Rokeby to a generation of impoverished, disorderly parasites, alcoholics, and madmen. Her own father, called Teddy, a Harvard-educated handyman, seemed to delight in his “deliberate defiance” of his familial responsibility and refused to make a living, preferring to ride around on the backhoe, while her Polish-born peasant artist mother, Ala, was frequently depressed and resistant to any involvement in her only daughter’s school or life. Thus the young girl longed for order and stability and even a square meal, which she found occasionally at her Grandma Claire’s quarters, when the old matriarch wasn’t “sucking on the bottle.” Aldrich’s narrative tidily and fondly bears witness to the inexorable unraveling of a storied genealogy. (Apr.)

From the Publisher

A sparklingly mischievous debut. . . . Aldrich’s narrative tidily and fondly bears witness to the inexorable unraveling of a storied genealogy.” — Publishers Weekly (starred review)

“Novelistic. . . . Vividly gothic. . . . It’s a trick to tell a story this rich and complicated through the eyes of a child without losing the subtleties of character and nuances of history, but Aldrich pulls it off with aplomb.” — Kirkus Reviews (starred review)

“It’s the highest of compliments to say that a memoir reads like fiction, and Alexandra Aldrich accomplishes this in her phenomenal debut. With swift, haunting prose, she breathes new life into the Astor clan.” — Susannah Cahalan, bestselling author of Brain on Fire

“A beautifully-rendered family saga—full of fires, affairs, aristocrats and illegitimate children. At the center is an endearing heroine, whose eccentric childhood on the Grey Gardens-style Rokeby estate would make Dickens gasp. . . . Splendid.” — Jennifer Vanderbes, author of Easter Island and Strangers at the Feast

“Evocative. . . . Aldrich astutely portrays a colorful cast of aunts, uncles, cousins and hangers-on—clinging to the family legacy long after the money is gone. One can’t help but cheer as she breaks away from the others to make a name for herself.” — Elliott Holt, author of You Are One of Them

Elliott Holt

Evocative. . . . Aldrich astutely portrays a colorful cast of aunts, uncles, cousins and hangers-on—clinging to the family legacy long after the money is gone. One can’t help but cheer as she breaks away from the others to make a name for herself.

Susannah Cahalan

It’s the highest of compliments to say that a memoir reads like fiction, and Alexandra Aldrich accomplishes this in her phenomenal debut. With swift, haunting prose, she breathes new life into the Astor clan.

Jennifer Vanderbes

A beautifully-rendered family saga—full of fires, affairs, aristocrats and illegitimate children. At the center is an endearing heroine, whose eccentric childhood on the Grey Gardens-style Rokeby estate would make Dickens gasp. . . . Splendid.

Library Journal

Rokeby, the sprawling, dilapidated Hudson Valley home of Aldrich’s aristocratic forebears, the Astors, played as much of a role in her bohemian childhood as any of the eccentric adults who raised her there. Tensions between efforts at historic preservation and a desire for normalcy and comfort created warring factions among the numerous family members (and their partisans) residing at the 43 room estate on 450 acres. Aldrich’s portrait of a family with more history and house than money, vividly illustrates the concept of shabby chic. What is made even clearer is the extent to which Aldrich’s family draws its identity from Rokeby.
VERDICT Inevitably, comparisons to Albert and David Maysles documentary film Grey Gardens spring to mind. Aldrich provides a fascinating, if voyeuristic peek behind the rotting silk curtains in one of America’s aristocratic families’ home. Seriously? It made this reader want to hop in a car and poke around Rokeby herself.

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Kirkus Reviews

In this novelistic debut, a poor girl with a rich pedigree remembers coming-of-age in the decaying shell of her family's once-grand Hudson Valley home. By the time Aldrich's grandparents inherited the Rokeby estate, their branch of a dynasty that included the 19th-century trader John Jacob Astor had lost almost all its wealth except for the 450-acre lot on the Hudson that had been in the family since the 1680s. Three hundred years later, when this memoir opens, the 10-year-old Aldrich and her destitute parents shared the elegantly crumbling mansion with her better-off aunt and uncle and two younger cousins. Her alcoholic grandmother and a pampered Labrador retriever shared a less-opulent guesthouse of more recent vintage, and a motley assortment of transients and bohemians lived rent-free, courtesy of her father Teddy's generosity (or inability to say no), in various outbuildings scattered around the property. A bright and sensitive girl on the doorstep of puberty, Aldrich was just beginning to feel the sting of shame associated with being the child of the charming but feckless Teddy, who, though educated at the best schools, had no skills or desires to be anything but the lord of Rokeby, and his beautiful, sharp-tongued wife. Her shame only increased when Teddy welcomed a mysterious French woman named Giselle into the fold. Rokeby had once been a paradise for Aldrich. With its scandalous secrets, it was becoming more like a prison she longed to escape through the auspices of a hypothetical unknown wealthy aunt or through her own skill at the violin. It's a trick to tell a story this rich and complicated through the eyes of a child without losing the subtleties of character and nuances of history, but Aldrich pulls it off with aplomb. Vividly gothic family romance.

Product Details

BN ID:	2940173569578
Publisher:	HarperCollins
Publication date:	05/14/2013
Edition description:	Unabridged

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