The Baroque Guitar in Spain and The New World

The Baroque Guitar in Spain and The New World

by Frank W. Koonce
The Baroque Guitar in Spain and The New World

The Baroque Guitar in Spain and The New World

by Frank W. Koonce

Paperback

$34.99 
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Overview

A substantial amount of early music for the guitar remains unknown to modern performers and audiences. In recent years, however, musicologists, scholars and performers on period instruments have provided a wealth of accessible new source materials which players can now begin to interpret in convincing and effective ways. Nevertheless, many still feel intimidated by the prospect of sorting through and learning to use these resources for the first time. For the uninitiated, just knowing where to start can be difficult.

This anthology contains representative selections from the publications and manuscripts of four important Spanish Baroque guitarists: Gaspar Sanz, Antonio de Santa Cruz, Francisco Guerau, and Santiago de Murcia. In addition to being fun and entertaining music for all to enjoy, this collection is intended to help bridge the gap between scholarly editions and performance editions by providing a hands-on introduction to tablature transcription and to issues concerning historically informed performance on the modern guitar.


Product Details

ISBN-13: 9780786675258
Publisher: MEL BAY PUBLICATIONS, INC.
Publication date: 12/28/2006
Series: The Frank Koonce Series
Pages: 176
Product dimensions: 8.75(w) x 11.75(h) x 0.50(d)

Table of Contents


Preface     v
Acknowledgements     v
Dedication     vi
Evolution of the Five-Course Guitar
Transition from the Vihuela and Four-Course Guitar     1
Dominance of the Five-Course Guitar     2
Tuning of the Five-Course Guitar
Terms Pertaining to Stringing and Tuning     3
Different Tunings for the Baroque Guitar     3
Issues and Opinions on Tuning Practices in Spain     4
Relevance of Baroque Tuning Practices to Modern Performers     5
Reading Baroque Guitar Tablature
Tablature and Transcription     7
Punteado Notation     7
Rasgueado Notation     10
Mixed Tablatures     11
Interpretation and Performance
Octave Selection and Voice Leading     13
Punteado Ornaments     14
Campanelas     19
Meter and Tempo     19
Hemiola and Syncopation     21
Rasgueado Techniques     22
Rasgueado Ornaments     23
Editorial Procedures
Philosophy and Intent     25
The Voicing and Notation of Strummed Chords     25
Editorial Notation     26
Gaspar Sanz     27
La cavalleria de Napoles con dos clarines     28
Rujero
Paradetas
Folias
Las Hachas
Zarabanda
La Esfachata de Napoles
La Minona de Catalufia
Canarios
Pavanas     39
Espanoletas
Matachin
Villanos
Passacalles
Antonio de Santa Cruz     49
Villano
Canario
Francisco Guerau     59
Marionas     59
Villano
Canario
Passacalles in B minor
Santiago de Murcia     71
Resumen de acompanar     71
La Guastala
Menuet
Preludio in D minor
Codice Saldivar No. 4     82
Marionas
Fandango
Jacaras
Zangarilleja
Cumbees
Passacalles y obras     99
Passacalles in G minor
Suite in G Major
Suite in D minor
Facsimiles     127
Selected Bibliography     169
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