The Bear: A Novel

by Claire Cameron Narrated by Cassandra Morris

Overview

A powerful suspense novel narrated by a young girl who must fend for herself and her little brother after a brutal bear attack.

While camping with her family on a remote island, five-year-old Anna awakes in the night to the sound of her mother screaming. A rogue black bear, three hundred pounds of fury, is attacking the family's campsite -- and pouncing on her parents as prey.

At her dying mother's faint urging, Anna manages to get her brother into the family's canoe and paddle away. But when the canoe runs aground on the edge of the woods, the sister and brother must battle hunger, the elements, and a wilderness alive with danger. Lost and completely alone, they find that their only hope resides in Anna's heartbreaking love for her family, and her struggle to be brave when nothing in her world seems safe anymore.

This is a story with a small narrator and a big heart. Cameron gracefully plumbs Anna's young perspective on family, responsibility, and hope, charting both a tragically premature loss of innocence and a startling evolution as Anna reasons through the impossible situations that confront her.

Lean and confident, and told in the innocent and honest voice of a five-year-old, The Bear is a transporting tale of loss -- but also a poignant and surprisingly funny adventure about love and the raw instincts that enable us to survive.

Editorial Reviews

APRIL 2014 - AudioFile

Five-year-old Anna and her 2-year-old brother must survive on their own in remote Canada after a bear kills their parents. Told from Anna’s point of view, the story is made doubly harrowing by narrator Cassandra Morris’s childlike voice. When a rogue bear attacks the family’s campsite, Anna and Stick are saved by the desperate actions of their father but then must fend for themselves. Morris’s emotional range matches that of the child she portrays, changing at the turn of a thought. With convincing authenticity, Morris creates the childish “Mom voice” Anna uses to cajole her brother to obey, as well as the internalized sulkiness of a young girl who is unaccustomed to sacrificing her own needs for another’s. Like Emma Donoghue’s ROOM, THE BEAR is a discomforting, but ultimately emotional and compelling, story. L.T. © AudioFile 2014, Portland, Maine

From the Publisher

PRAISE FOR THE BEAR:

"[A] gripping survival thriller...Cameron unspools the adventure in Anna's twitchy voice, heightening the tension...This agonizing odyssey of loss and being lost also has humor...The book's anguished yet hopeful ending provides a touching terminus...This expertly crafted novel could do for camping what Jaws did for swimming."--Richard Eisenberg, People

"A page turner...The Bear creates suspense out of the gap between what Anna knows and what the reader suspects...The story is laced with humor and moments of joy and triumph as well as fear and sorrow...Anna is such a compelling character...So gripping that it is hard to put the novel down."--Margaret Quamme, The Columbus Dispatch

"The novel, written in the honest and unfiltered voice of the young girl, is a compact, tense survival story...A thoughtful take on change and fear, and the strength we find within ourselves."--Jon Foro, Omnivoracious

"A vividly portrayed wilderness ordeal (poison ivy, hunger, rain, isolation) juxtaposed with glimpses of the inner resources young Anna draws upon (imagination, family, memory, hope), all seen through the eyes of a child who can express, if not entirely understand, her own resentment and protectiveness of her brother, her love and longing for her parents, her fear and empathy for the predator, and her determination to persevere...Uplifting."--Publishers Weekly, "Pick of the Week"

"[An] adventure with a narration that nicely captures an ordinary child's way of thinking-and of blocking out unwelcome knowledge. [A] slam-bang opening...Scary...Darkly funny...A touching epilogue...Harrowing but ultimately hopeful."--Kirkus Reviews

"An emotional tour de force. Claire Cameron's The Bear offers us an unforgettable child narrator who propels us through a story as unsettling as it is bone-chilling, and as suspenseful as it is moving."--Megan Abbott, author of Dare Me

"The Bear is a taut and touching story of how a child's love and denial become survival skills. Claire Cameron takes a fairytale situation of children pitted against the wilderness, removes the fairies, and adds a terrifying and ravenous bear. I devoured this wonderful new novel in one day."--Charlotte Rogan, author of the national bestseller The Lifeboat

"Claire Cameron has written a chilling, beautiful, voice-driven novel, one that will turn your blood cold, make you laugh, and remind you of all the ways you are human. Most importantly she honors the complexity of our relationship with nature, the ways we are humbled by it and tethered to it. A vivid, potent, and unforgettable novel."--Megan Mayhew Bergman, author of Birds of a Lesser Paradise

"Claire Cameron plunges us in to the dark terrors of the wilderness. The Bear is a survival story that is heart-pounding and moving. I devoured this book."--Tanis Rideout, author of Above All Things

"The Bear faultlessly captures the wonder, bewilderment, fear and self-centeredness of five-year-old Anna, and beautifully balances the darkness of her tale with a hopeful, sensitively told back story and moments when she grasps her situation with just enough clarity to shoulder her burden."--Cathy Marie Buchanan, author of The Painted Girls

"Thrilling and harrowing...I couldn't put this book down. And I must say that the ending was so right, I caught myself holding my breath. A remarkable novel."--Anthony De Sa, author of Kicking the Sky

"Harrowing suspense. The Bear is a survival thriller that is told from a child's-eye point-of-view, which is not only convincing but doubles the tension. A heartbreaking, white-knuckle read."--Andrew Pyper, author of The Demonologist

"The Bear is a harrowing and endlessly hopeful novel-an unforgettable hymn to the legacy of familial love. Claire Cameron is alive to mind of the child. Her assured evocation of soon-to-be-six-year-old Anna hits all the right notes: the connective web of association and analogy; the permeable skin between truth and story; the immersive experience of time. This is subtle magic-the transportive spell of a pitch-perfect narrative voice. We witness the unfolding of events through Anna's eyes while simultaneously watching over her small shoulder, hearts in our mouths. The Bear is no fable, gentle reader. A source of terror and lonely solace, Cameron's fur-clad villain threatens from without and from within. Like our unwilling heroine, we must be very, very brave."--Alissa York, author of Fauna

APRIL 2014 - AudioFile

Five-year-old Anna and her 2-year-old brother must survive on their own in remote Canada after a bear kills their parents. Told from Anna’s point of view, the story is made doubly harrowing by narrator Cassandra Morris’s childlike voice. When a rogue bear attacks the family’s campsite, Anna and Stick are saved by the desperate actions of their father but then must fend for themselves. Morris’s emotional range matches that of the child she portrays, changing at the turn of a thought. With convincing authenticity, Morris creates the childish “Mom voice” Anna uses to cajole her brother to obey, as well as the internalized sulkiness of a young girl who is unaccustomed to sacrificing her own needs for another’s. Like Emma Donoghue’s ROOM, THE BEAR is a discomforting, but ultimately emotional and compelling, story. L.T. © AudioFile 2014, Portland, Maine

Kirkus Reviews

2013-11-03
In Cameron's second novel (The Line Painter, 2011), a 5-year-old girl relates her struggle for survival after a bear kills her parents while they're camping on Bates Island in Canada's Algonquin Park. Any contemporary writer depicting extreme events through the eyes of a child must contend with the formidable precedent of Emma Donoghue's Room (2010), and Cameron bears the comparison fairly well. In contrast to Donoghue's multilayered portrait of adaptation and resistance, Cameron crafts a more straightforward adventure with a narration that nicely captures an ordinary child's way of thinking--and of blocking out unwelcome knowledge. In the slam-bang opening, Anna Whyte wakes in the tent she shares with her 2-year-old brother, Stick, to hear their mother yelling. Their father rips open the tent and hustles the children into the animal-proof chest where they keep their food. A big "black dog" sniffs around the closed chest but can't get in; some time later, Anna emerges to find her father's severed foot in a shoe and her dying mother on the ground, urging her to "[g]et into the canoe and paddle away." Anna lures Stick into the canoe with cookies, and they manage to float across to the park mainland. They have no food or water; their pajamas are soaked; at one particularly scary moment, Anna spots the bear at the island's shore sniffing the air for their scent. Her guileless account shows her trying to be brave and take care of Stick, even though "I am not old enough to be a babysitter." One darkly funny scene shows Anna acting like a typical older sibling as she keeps all the berries for herself, until finally prompted to share with Stick by the vague understanding that this time, food is a matter of life and death. Anna's recovery is rather sketchily developed in the post-rescue scenes, but a touching epilogue 20 years after the ordeal brings home just how traumatized she was yet suggests that she can achieve some sort of closure. Harrowing but ultimately hopeful.

Product Details

BN ID:	2940178984031
Publisher:	Hachette Audio
Publication date:	02/11/2014
Edition description:	Unabridged

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