The Borgias and Their Enemies: 1431-1519

by Christopher Hibbert Narrated by John Telfer

Overview

The first major biography of the Borgias in thirty years, Christopher Hibbert's latest history brings to life the family and the world they lived in: the glittering Rome of the Italian Renaissance.

The name Borgia is synonymous with the corruption, nepotism, and greed that were rife in Renaissance Italy. The powerful, voracious Rodrigo Borgia, better known to history as Pope Alexander VI, was the central figure of the dynasty. Two of his seven papal offspring also rose to power and fame-his daughter Lucrezia and her brother Cesare, who murdered Lucrezia's husband and served as the model for Machiavelli's The Prince. The Borgias were notorious for seizing power, wealth, land, and titles through bribery, marriage, and murder. The story of the family's dramatic rise from its Spanish roots to the highest position in Italian society is an absorbing tale.

Editorial Reviews

Kirkus Reviews

Ill-focused, overstuffed portrait of the powerful Pope Alexander VI and his ambitious children, by prolific British historian Hibbert (Napoleon, His Wives and Women, 2002, etc.). Born Rodrigo Borgia in 1431, the ruthless, dissolute but rigorously competent family patriarch received the papal tiara in 1492, probably because of the ample bribes he bestowed. As Alexander VI, he worked to consolidate his position amid Rome's violence and squalor. He used his children by courtesan Vannozza de' Catanei to great political advantage, and Hibbert's spotlight flickers intermittently on them. Beautiful, accomplished daughter Lucrezia was married off several times, first into the illustrious Sforza family and later to the Duke of Este. Eldest son Cesare, made a cardinal at age 18, showed his prowess best in seducing women and in the field of battle. Alexander VI sided with Naples against the avaricious advances of France and Milan, and in gratitude Alfonso II of Naples in 1494 gave his daughter Sancia in marriage to the pope's 12-year-old son Jofre. However, when King Louis XII offered Cesare a French duchy and a French bride in 1498, the ever-opportunistic young man cast off his cardinal's hat and headed up France's invading forces. Cesare made glorious conquests in Romagna, hiring Leonardo da Vinci as his architect and general engineer and becoming the "splendid and magnificent" prince described by Niccolo Machiavelli in 1502. Nonetheless, the secretive, unscrupulous Borgias had many enemies, and Cesare's position was drastically weakened by his father's death in 1503. His lands were confiscated, and he was twice imprisoned before his death during a siege in 1507. Lucrezia managed to outlive herfamily's infamy and died an estimable lady of Ferrara in 1519. Hibbert is so preoccupied with the admittedly juicy ins and outs of the Borgias' political maneuvers that he neglects to offer much in the way of human interest. Knowledgable but not particularly compelling.

From the Publisher

PRAISE FOR CHRISTOPHER HIBBERT "[A] superbly scrupulous and sympathetic interpreter."—The Boston Globe "Simply unputdown-able."—The New York Times Book Review —

APRIL 2012 - AudioFile

Those who listen to this history may find themselves rethinking their ideas about religion and the Roman Catholic Church. The author recounts the exploits of the notorious crime family headed by Rodrigo Borgia, also known as Pope Alexander VI. Their savagery and ambition knew no bounds. John Telfer tells their story with frightening clarity. It could be argued that the Borgias were a product of their time, but they seem to be too evil, or too insane, even for the era of the Italian Renaissance. The infamous Lucrezia Borgia, whom history has branded a cold-hearted killer, herein comes off the most innocent. Telfer manages to imbue the characters with humanity despite their flaws. M.S. © AudioFile 2012, Portland, Maine

Product Details

BN ID:	2940169691085
Publisher:	Blackstone Audio, Inc.
Publication date:	02/01/2012
Edition description:	Unabridged

Read an Excerpt

— Chapter 1 —

The Crumbling City

"Oh God, how pitiable is Rome"

"YOU MUST HAVE heard of this city from others," wrote a visitor to Rome in the middle of the fifteenth century.

There are many splendid palaces, houses, tombs and temples here, and infinite numbers of other edifices, but they are all in ruins. There is much porphyry and marble from ancient buildings but every day these marbles are destroyed in a scandalous fashion by being burned to make lime. And what is modern is poor stuff. . . . The men of today, who call themselves Romans, are very different in bearing and conduct from the ancient inhabitants. . . . They all look like cowherds.

Other visitors wrote of moss-covered statues, of defaced and indecipherable inscriptions, of "parts within the walls that look like thick woods or caves where forest animals were wont to breed, of deer and hares being caught in the streets . . . of the daily sight of heads and limbs of men who had been executed and quartered being nailed to doors, placed in cages or impaled on spears."

This was the state of the city that had once been the capital of a mighty empire; now two-thirds of the area inside the walls, which had been built to protect a population of 800,000, was uninhabited, acres of open countryside used for orchards, pasture, and vineyards, and dotted with ancient ruins, which provided safe hiding places for thieves and bandits. And this was the state of the true home of the pope, the leader of the church who could trace his predecessors back in an unbroken line to St. Peter, the apostle entrusted by Christ himself with the care of his flock.

For most of the fourteenth century, even the papacy had abandoned Rome. In 1305, distressed by the unrest and bloody disturbances in the city, the French Pope Clement V (1305–14) had set up his court in Avignon, in the rambling palace on the east bank of the Rhône, which is known as the Palais des Papes. In Rome there had been constant calls for the papacy to return from its French exile. Most recently these calls had come from an elderly woman, who could be seen almost every day in the crumbling city, sitting by the door of the convent of San Lorenzo, begging for alms for the poor.

She was Birgitta Gudmarsson, the daughter of a rich Swedish judge and widow of a Swedish nobleman, to whom she had been married at the age of thirteen and for whom she had borne eight children. Founder of the Brigittines, she had left Sweden after experiencing a vision in which Christ had appeared before her, commanding her to leave immediately for Rome and to remain there until she had witnessed the pope’s return. As she went about Rome, from church to crumbling church, house to ruinous house, she claimed to have had further visions; both Jesus and his mother Mary, she said, had spoken to her, and they had strengthened her faith in the restoration of the pope and in the eventual salvation of the city.

Around the house where she lived stretched the charred shells of burned-out buildings, piles of rotting refuse, deserted palaces, derelict churches, stagnant swamps, fortresses abandoned by their rich owners, who had gone to live on their estates in the Campagna, hovels occupied by families on the verge of starvation. Pilgrims took home with them stories of a gloomy city, whose silence was broken only by the howling of dogs and wolves, and the shouts of rampaging mobs.

In Avignon the popes remained deaf to the calls for their return, heedless of the prayers that the saintly Birgitta Gudmarsson uttered so fervently and of the letters that the poet Francesco Petrarch wrote, describing the "rubbish heap of history" that Rome had become. This once-superb imperial capital was now a lawless ruin, a city torn by violence in which belligerent factions paraded through the streets with daggers and swords, where houses were invaded and looted by armed bands, pilgrims and travellers were robbed, nuns violated in their convents, and long lines of flagellants filed through the gates, barefoot, their heads covered in cowls, claiming board and lodging but offering no money, scourging their naked bloody backs, chanting frightening hymns outside churches, throwing themselves weeping, moaning, bleeding before the altars.

Copyright © 2008 by Christopher Hibbert and Mary Hollingsworth

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