The New York Times Book Review - Michael Agger
[Magoon's] Bigfoot is hairy and irresistible.
Publishers Weekly
Magoon retells “The Boy Who Cried Wolf” in a book whose suspenseful, funny pictures and surprise narrator trump its familiar plot. “This is the story of my friend Ben and how we first met,” says an offstage speaker, referring to a brown-haired boy. Ben “liked to tell stories,” and readers see him at a forest’s edge, alleging Bigfoot sightings to his weary parents, unbelieving sister, and neighborhood friends. Ben’s small dog acts as a barometer for Ben’s fibs, its expression going from tetchy to angry and then jolted by the “crick!” of a twig in the woods. “I didn’t normally talk to a Littlefoot,” explains the now-visible narrator, a towering Sasquatch. Ben looks on in shock while his dog merrily joins the creature for a spin on Ben’s bike. Magoon (Big Mean Mike) sets events some decades in the past, giving Ben an antique bike, vintage clothing, and old-fashioned camera and video equipment. While there’s still an emphasis on the importance of being honest, it’s clear that Magoon also sees value in Ben’s perseverance and sense of showmanship. Ages 4–8. Agent: Rebecca Sherman, Writers House. (Feb.)
The New York Times Book Review
Equally awesome is Bigfoot…True, his Bigfoot is hairy and irresistible. I also found his overall style to be strongly, appealingly Brooklyn-antiquarian—perhaps because the boy in the book rides a classic roadster bicycle that 20-somethings would love to be seen pedaling to their C.S.A. pickup. The pleasing optics, however, play second fiddle to the book’s midpoint Shyamalan-esque twist: The story is actually told from the perspective of Bigfoot.
At this revelation, a pleasing pop of delight emerged from my 4-year-old test audience. Again and again. I was O.K. with that. With the right book in your hands, rereading is a pleasure.
From the Publisher
"Entertaining and clever—and that’s no lie."
Magoon retells “The Boy Who Cried Wolf” in a book whose suspenseful, funny pictures and surprise narrator trump its familiar plot. “This is the story of my friend Ben and how we first met,” says an offstage speaker, referring to a brown-haired boy. Ben “liked to tell stories,” and readers see him at a forest’s edge, alleging Bigfoot sightings to his weary parents, unbelieving sister, and neighborhood friends. Ben’s small dog acts as a barometer for Ben’s fibs, its expression going from tetchy to angry and then jolted by the “crick!” of a twig in the woods. “I didn’t normally talk to a Littlefoot,” explains the now-visible narrator, a towering Sasquatch. Ben looks on in shock while his dog merrily joins the creature for a spin on Ben’s bike. Magoon (Big Mean Mike) sets events some decades in the past, giving Ben an antique bike, vintage clothing, and old-fashioned camera and video equipment. While there’s still an emphasis on the importance of being honest, it’s clear that Magoon also sees value in Ben’s perseverance and sense of showmanship.
Equally awesome is Bigfoot…True, his Bigfoot is hairy and irresistible. I also found his overall style to be strongly, appealingly Brooklyn-antiquarian—perhaps because the boy in the book rides a classic roadster bicycle that 20-somethings would love to be seen pedaling to their C.S.A. pickup. The pleasing optics, however, play second fiddle to the book’s midpoint Shyamalan-esque twist: The story is actually told from the perspective of Bigfoot.
At this revelation, a pleasing pop of delight emerged from my 4-year-old test audience. Again and again. I was O.K. with that. With the right book in your hands, rereading is a pleasure.
School Library Journal - Audio
01/01/2015
K-Gr 1—Adam Verner voices Bigfoot as he narrates the story of how he met his friend Ben. Ben, a young boy who loves to tell stories, has concocted one about meeting Bigfoot. Not surprisingly, nobody believes Ben, and it comes as a shock to Bigfoot himself when the story makes it's way to him, since he doesn't recall ever meeting Ben. This is an entertaining twist on the classic "The Boy Who Cried Wolf." Verner's voice lends itself nicely to the role of Bigfoot, but this audio version would be best listened to while following the picture book (S. & S., 2013) as the descriptions are not enough for listeners to conjure up their own images. Still, the story is creative and teaches the time-tested lesson of telling the truth.—Betsy Davison, Cortland Free Library, NY
School Library Journal
K-Gr 1—Bigfoot narrates this story of Ben, a boy who "liked to tell stories…a lot." The cartoon youngster in striped pants lies to everyone in town that he's seen Bigfoot in the woods. They gather for a glimpse, but leave in annoyance. Having observed all this, comically round-eyed Bigfoot emerges to claim Ben's bike and dog, knowing no one will believe an accusation of theft. Ben is a "tenacious fellow," and, at book's end, he sets out for the woods with old-fashioned camera equipment to record proof. Luckily, his dog is back to pull the wagon of gear. Digitally rendered illustrations are done in mostly green hues. Bigfoot is charming and goofy-looking with his smiles and manners, asking if he can "borrow" Ben's bike, and the child's expressions are priceless.—Gay Lynn Van Vleck, Henrico County Library, Glen Allen, VA
Kirkus Reviews
Some boys cry wolf, but to the admiration of one individual, Ben cries Bigfoot. The opening line by an unseen narrator introduces the young tale-teller: "This is the story of my friend Ben and how we first met." Events unfold over the course of a day, with cartoon-style art providing definitive clues as to the passage of time. In the morning, Ben rides his bicycle to the top of a hill, where he calls out: "LOOK, EVERYONE! IT'S BIGFOOT!" With the narrator providing commentary, the hilltop becomes a stage onto which other characters enter and exit. Ben is the constant, always trying to provoke response. Readers will quickly note that the indulgent narrator's voice is at odds with Ben's increasingly frantic antics, and they will begin to wonder just who is telling the story. Could it be Bigfoot? Indeed! He likes Ben's determination--and Ben's bike, which he takes for a little spin that night, leaving a scared Ben behind. Youngsters may at first feel glad that Ben gets his comeuppance when no one rushes to his aid but will soon relent when they see how forlorn Ben looks alone in the dark. Once home, it seems Ben has learned his lesson, although how he determines to tell the truth in the future is bound to leave readers giggling. Entertaining and clever--and that's no lie. (Picture book. 4-8)