Table of Contents
Introduction: The Camera as Actor Amy Cox Hall, Amherst College, USA Chapter 1: What is a Camera? Kelley Wilder, Director, Photographic History Centre, De Montfort University, UK Chapter 2: The Camera as a Measuring Instrument Tomaš Dvorak, FAMU Prague, Czech Republic Chapter 3: The camera as tool, archive, and witness: Capturing epistemic injustice, responsibility, and disobedience. Alexander I. Stingl College d'etudes mondiales, Paris, France Chapter 4: Reflection, part I Amy Cox Hall, Amherst College, USA Chapter 5: Embryo Racing: The Diffusion of Time-Lapse Photography (TLP) Tools in Embryology Anne-Sophie Giraud and Manuela Perrotta, Queen Mary, University of London, UK Chapter 6: The Camera as a Device for Sociality: Photography and Young Male Adults with ASD Uschi Klein, University of Brighton, UK Chapter 7: Becoming the Camera: Constructing RoboCops through BWV Jessica Chapman, Carleton University, Canada Chapter 8: “Film is not Dead”: The Role of Analogue Cameras in the Rematerialization of Photography and the Configuration of “Resistant” Aspirational Amateurism. Sergio Minniti, Yachay Tech University, Ecuador Chapter 9: The Trajectory of a Viral Image: On the Afterlife of the Alan Kurdi Image Avishek Ray, National Institute of Technology Silchar, India Chapter 10: Reflection, part II Amy Cox Hall, Amherst College, USA