Publishers Weekly
05/06/2024
Bestseller Sullivan (Friends and Strangers) toys with gothic and supernatural elements in her propulsive latest. After a drunken faux pas lands Harvard archivist Jane Flanagan in trouble at work and on the rocks with her husband, she moves back into her recently deceased mother’s house in coastal Maine. Grief and shame weigh heavily on her, so when Genevieve, the new owner of a neighboring cliffside mansion, offers Jane a research project, she jumps at the chance for a distraction. Genevieve has overheard her young son talking to someone in an upstairs bedroom who might be a ghost, and she asks Jane to investigate the house’s history, terrified that her renovations—including digging up graves to make room for a swimming pool—have disturbed the spirits of those buried on the property. The stories Jane discovers reach back through the Victorian era to encounters between Indigenous people and colonists, and include a rewarding twist that sheds light on long-held mysteries from Jane’s childhood. Sullivan leans on many pages of exposition and a few too many coincidences to fit the pieces of the puzzle together, but, for the most part, the plot motors along like a well-oiled machine. This satisfies. (July)
From the Publisher
Named a Best Book of the Month by The New York Times, Real Simple, and Kirkus
“Lovely and lively… In J. Courtney Sullivan’s latest treasure of a novel, The Cliffs, the house is itself a major character… Shot through with empathy and humor… Sullivan’s extraordinary book… contains a hopeful vision of cultural and social justice, and does so with plenty of humane and humorous insights.”
—Daneet Steffens, The Boston Globe
“Wonderful… Fascinating… Riveting… The Cliffs is both a mystery and a portrayal of houses, people and geographical locations…This skillful novel makes the case that knowing what came before offers us our best chance to truly understand our connections to one another, and what we owe to the land we inhabit.”
—Alice Elliott Dark, New York Times Book Review
"Characters in this novel are created with considerable authorial care, and Sullivan’s historical research yields numerous sections with substantial depth....One of the pleasures of reading Sullivan’s novels: getting to know interestingly flawed characters in richly composed settings....Sullivan has included a wealth of details that are by turns lovely or heartbreaking....Sullivan’s sensitive portrayals...demonstrate the power of reading fiction."
—Carol Iaciofano Aucoin, WBUR
"The Cliffs is rich with ghosts, and its message is that some day we might be forgotten, but who we are and what we do never truly vanishes from this world....[Sullivan] tells the tender love story of a widow and her housekeeper and a story of a mother's love for her child."
—Laurie Hertzel, Minneapolis StarTribune
"Sullivan has found the perfect heroine for her compulsively readable novel. Funny, beleaguered, heartbreaking—Jane is a woman who just wants to pull together and will do anything to make that happen. Even if means following the cryptic clues of possibly fraudulent psychic."
—Leigh Newman, Oprah Daily
"Haunting....Archivist Jane Flanagan returns to her coastal Maine hometown to discover that the long-abandoned gothic house she was obsessed with as a teen has a new owner. Genevieve, a wealthy outsider, has given the once-dilapidated dwelling a misbegotten makeover that she believes has awakened something sinister. In this provocative ghost story that questions how we right our wrongs of the past, the two must team up to rid the mysterious 19th-century home of its spirits and overcome their own demons."
—Shannon Carlin, Time
"A dilapidated lavender mansion, perched high on a craggy bluff in Maine, turns out to be more than a home: It’s the key to a century of hopes, misdeeds and family ghosts."
—The New York Times
"A fascinating look at the idea of legacy."
—Real Simple
“The Cliffs is a stunning achievement, and J. Courtney Sullivan’s best book yet. Sullivan weaves a narrative that’s fascinating and thought-provoking. I literally could not put this book down.”
—Ann Napolitano, New York Times best-selling author of Hello Beautiful
"J. Courtney Sullivan is so skilled at multi-threaded narratives, and this is her most ambitious book yet. Weaving together the stories of women in Maine over centuries, this novel is about maternal loss and trauma, the idea of home, and most affecting, the stories that remain untold."
—Emma Straub, New York Times best-selling author of This Time Tomorrow
"Sullivan...writes with her usual compassion, insight, and sensitivity, creating multidimensional characters about whom, even as they make regrettable mistakes, the reader unwaveringly cares. She also tells a broader story of America’s complicated history, weaving in accounts of Indigenous and Shaker women, and poses powerful questions about how to right the wrongs of the past.
Sullivan artfully and astutely engages with difficult topics in this absorbing, affecting novel."
—Kirkus, starred review
"This highly anticipated novel from Sullivan was worth the wait....A beautifully written, expansive novel, sure to please fans of Daniel Mason’s North Woods or the work of Kate Morton and Susanna Kearsley."
—Library Journal
“Sullivan thoughtfully explores both Jane’s inner life and the history of the Maine coast, weaving stories of settlers, Shakers, and Indigenous inhabitants of the area with the contemporary plot. Jane is a complex character shaped by her past and trying to figure out her future, and her research leads to an overarching theme: whose story is remembered and told, and why?”
—Booklist
Library Journal
06/01/2024
This highly anticipated novel from Sullivan (Friends and Strangers) was worth the wait. Protagonist Jane is a Harvard archivist who, like her mother and sister, is addicted to alcohol. After getting blackout drunk at a work event, she finds her job, as well as her marriage, in jeopardy, making this the perfect time to escape from all her troubles. She heads up to Maine to settle her late mother's estate, which is complicated by the fact that her mother was a hoarder. As a teenager, Jane found an old abandoned Victorian house up high on a cliff nearby, which became her refuge. As an adult, she is surprised to learn that a wealthy young family has bought the house and turned it into a typical beach McMansion. The owner, who fears that the house is haunted, possibly due to some unsavory work she had done, hires Jane to research the house's history. That research is at the heart of this novel that spans generations and covers colonialism, Indigenous history, spiritualism, the Shakers, and so much more. VERDICT A beautifully written, expansive novel, sure to please fans of Daniel Mason's North Woods or the work of Kate Morton and Susanna Kearsley.—Stacy Alesi
Kirkus Reviews
★ 2024-05-17
A novel about a woman, a house, and the history that haunts them.
Jane Flanagan, who lives in Awadapquit, Maine, with her alcoholic mother and chip-off-the-old-block sister, is in high school when she first sees the house, perched on a cliff overlooking the water. Deserted, rotting, and creepy, but boasting colorful turrets and an abiding sense of mystery, the abandoned Victorian home fascinates Jane. It becomes her refuge, where she can escape her life’s hassles and feel at peace. Eventually, Jane goes to college (Wesleyan) and gets a graduate degree in American history (Yale). She lands her “dream job” as an archivist at Harvard and her dream husband, a handsome, kind economics professor who runs marathons and bakes. Then, in one boozy blowout of a night not long after her mother’s death, Jane explodes her whole dreamy life. When she returns to Awadapquit to ready her mother’s cluttered home for sale and contend with her equally messy legacy, Jane connects with Genevieve Richards, a wealthy woman who’s bought the old house and, while renovating, heedlessly bulldozed its history. Has Genevieve stirred up the property’s ghosts? Hired by Genevieve to unearth the house’s secrets and its often painful past, Jane must contend with her own. Sullivan—whose bestsellers include, most recently, Friends and Strangers (2020)—writes with her usual compassion, insight, and sensitivity, creating multidimensional characters about whom, even as they make regrettable mistakes, the reader unwaveringly cares. She also tells a broader story of America’s complicated history, weaving in accounts of Indigenous and Shaker women, and poses powerful questions about how to right the wrongs of the past.
Sullivan artfully and astutely engages with difficult topics in this absorbing, affecting novel.